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10/10
A great piece of story telling... possibly contains spoilers
28 December 2014
Warning: Spoilers
I've read various comments about this movie being just another chance to show Aussies at war; being something of a flag waving opportunity. These comments have emanated mainly from Americans who haven't even see the film. Yet it pales in comparison to many American war films, which also have traded on jingoistic fervour for the last 80 years. Modern war movies like Saving Private Ryan, Apocalypse Now and Full Metal Jacket blow their Nationalistic horns very loudly. You would be mistaken for believing that only Americans died in WW1, WWII and Vietnam. America didn't even join WWI until it was half finished in 1917, took a year longer to join WWII and also fought alongside Kiwis & Aussies in Vietnam. Just as Aussies fought with Canadians, Kiwis and Brits in WWI & the Allies in WWII. The best example of a great war film is Paths of Glory. A war film and anti-war film in the same breath. However, it is jingoism and national identity which dies in that extraordinary film, dark and dirty and deep in the trenches, where such notions belong when they bring death for no good reason and for no real cause.

The fact is, the writers and Russell give a balanced and even-handed approach to the Turkish side of the story, and rightly points out that the Turks lost about 7 times as many people as the Allies. Russell also gives viewers a peek at what happened to the Ottoman Empire after the war, when other countries were carving it up for themselves. Especially by the British, in much the same way they acted later on, in their appalling handling of Palestine. And the rest of the world has been paying for it ever since. Just as the rest of the world also paid for the creation the Weimar Republic.

I once read that the Aussie population today would be more like 55 million people instead of 22 million if we hadn't entered this foreign war at the behest of the British, although the great immigration schemes of the 50s, populate or perish would have probably changed and maybe not to the good, given the many cultures new Australians continually bring to our shores.

To me, WWI was more about big business making a buck out of political good fortune than any true ideology except for the cannon fodder we call soldiers, and the poor civilians in those various war-torn lands.

I also want to point out that I have lots of cool American friends (and relatives including my lovely wife) and they are great people, but many of them tell me how insular and inward looking many of their citizens can be. That they are less likely to watch subtitled films or learn about foreign lands. And yet they embrace our actors. How many American TV shows have had Aussies (and Brits) in their casts lists. Like in The Originals, Vampire Diaries, The Mentalist, The Secret Circle, Moonlight, Defiance, True Blood, Hostages, United States of Tara, nip/tuck (A Prime Minister's son at that) Fringe, Unforgettable, Without a Trace, Spartacus and Longmire, to name a few.

This movie is awesome. I hope it is a hit, but I will be content for those people who see it, to enjoy it and take it for what it is, an entertainment. I think Olga is wonderful and all that actors are wonderful although Dan Wylie appears miscast. Megan Gale is in the film as Fatma, and does a good job although I must say I barely recognised her. It might have been a nice touch to have hired Turkish actors in the female leads, but I do think Olga is developing into a multi-faceted actress. The two Turkish leads are brillian and bring a lot to the film as a whole.

A special mention too, for young Melbourne actor, Dylan Georgiades who plays Olga's son. Dylan is great in his first major film role and brings much humour to the film, and steals most of his scenes. His relationship with Russell seems very real. It is also utterly ironical that a boy of Greek descent is playing a Turkish lad!!! For those of you that may not realise this, Robert Mammone, who plays the Greek officer later in the film, made his theatrical movie debut with Russell Crowe in 1990 in The Crossing. The lead actress in that film, Danielle Spencer is also married (although currently separated) to Russell. And for our overseas friends who like Russell's movies then I urge you to get these movies on DVD if you can, Proof (Hugo Weaving 1991), Romper Stomper (his lead actress in that film is his wife in The Water Diviner - do you spot a trend here?) The Sum of Us (where he works with Jack Thompson (and Russell is almost Jack Thompson incarnate in this film) You may want to check out some of Jack's early films if you can find them, like Sunday Too Far Away, The Chant of Jimmy Blacksmith and Caddie.

This isn't really an Aussie film, but a film for everyone, set mainly in Turkey, and which could have happened to any family living in Britain, USA, Canada, NZ etc but just happened to be written here. If you wish to be entertained at the movies this year then this is one of the best films to see. I saw The Hobbit on the same day as it was my Birthday, and both cinemas were packed. At the end of the Water Diviner most people clapped and quite a few women, like my wife cried. The Hobbit was also terrific, but no one clapped at the end. :) :) :)
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6/10
Some Bloody Good Fun for all
6 August 2010
Let me admit from the first that I am a fan of the lovely Miss Liz Di Prinzio and that I see a great future for her and that she is definitely one of the best things about this movie and I can see more better and better films coming Liz's way as she masters her craft. She is both talented and a very hard worker and very honest and passionate about her work and that shows through in this film.

The movie has lots of good points and like any budget teen flick also has all the negative points like stereotyping and mixed degrees of skills from both in front and behind the camera.

In the end the good points outweigh the bad and this flick has enough fun and gore and teen sexiness to entertain.

The opening scenes are edited really well although the alley scene, while critical to the story could have been handled better. The second half of the film flows better than the first part and the director needs to show more pace when establishing his actors or give them some tighter dialogue. The highlight was the dumb and dumber actors and of course the two female leads, Liz Di Prinzio and Sarah Harrison with good support from the vampy teen *itch played by Liz Bell. All three bring something to their roles and the beefcake school jock is exactly what you would expect, but he is outshone in all his scenes opposite Liz and Liz!!! The murder scenes were pretty well executed with some nice touches, which I won't reveal here, and the denouement is well done too and better than a lot of similar films in this genre.

Overall this film gets a 6 from me, but for movie lovers who like to see actors who are going places then see this one and enjoy Liz Di Prinzio and her two fellow female leads because I can see good things in the coming years. I love watching actors develop and change and grow and despite this film's budget restrictions it's still well worth checking out and has some excellent moments and nice touches.
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8/10
Interesting homage to film noir
16 July 2009
When I saw this on Aussie TV (ABC) one Sunday night I was surprised to see it had not appeared on this site and it took me a while to get the details to post it here, but it is well worthwhile because it is a fine little TV vignette to film Noir and a great chance to see some fine old actors and Cyd Charisse in her final screen appearance, along with Kirk Douglas in a strong non-speaking role and the rest of these Hollywood legends. It has echoes of Dead Men Don't Wear Plaid but without the humour. Well worth seeing as a curiosity piece and to enjoy some grand old film clips from the golden years of yore!!!

I would give this an 8 out of 10
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The Nameless (1999)
7/10
Could have been and should have been
10 April 2009
Warning: Spoilers
I thoroughly enjoyed much of this movie, but it is the careless of the directing that left me feeling short-changed. The characters are good and atmosphere excellent, however the director was very poor when he did his story boards and the reporter should have been introduced earlier in the film instead of appearing out of nowhere as a major player. Even if it had been a couple of very short scenes he participated in, it would have added to the flow and texture of the film.

The director fails to paint his picture fully at times and substitutes convolution for story telling. And the denouement while effective is slightly illogical and ill-conceived. The final five minutes are inconsistent and lack cohesion, making the final scene lose any power. The director has created distrust with the viewer, and I for one went away feeling slightly robbed. A great build up let down by a lazy and ill-conceived climax.

I give it good marks for the first three quarters of the film and for the great camera-work and moodiness. The film should have been slightly longer and much more better handled. If there is different version or director's cut of this film then I would like to see what it could have been!!!!
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13 Demon Street (1959–1960)
6/10
An enjoyable curiosity
14 February 2009
There are two preceding critiques here of this series and my opinion falls between their two extremes. I have all the episodes on DVD in English but with subtitles. The picture quality isn't the best but I have enjoyed the episodes I have seen so far. Some of the ideas are good and I did not find them all the convoluted or hard to follow, but I was aware that they were produced on a shoestring budget, which means many scenes are shot in near darkness in the manner of the old Poverty Row productions. If one bears in mind the period that these shows were made and that poor Lon Chaney Jr was struggling to survive when he took on the job of introducing these shows.

If one doesn't take them too seriously then you can enjoy them for what they are... and for me (with several exceptions) the 1955-1975 period of TV and movie making is now the most dated and pedestrian of any period, and yet often quite compulsive when you watch shows like Peter Gunn and Wanted: Dead or Alive. But with this one, watch and you be the judge...
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Navarro (1989–2006)
8/10
A very fine series
27 December 2008
Along with Octopus (La Piovre) Derrick, Inspector Montalbano, Unit One, The Eagle and to a lesser extent Komissar Rex, this is one of the most unique European Crime series ever made.

Australia is spoiled because we get the best crime shows from the UK, USA, Canada and Europe on free-to-air. And I love being able to enjoy all the styles and story telling. It is fun being able to watch shows like Homicide Life on the Street, Wire in the Blood etc and then be able to see shows like this one.

I just wish I could get it subtitled on DVD rather than having to wait for it to be rerun on SBS our foreign TV channel.

Well worth a look if you see it in order.
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8/10
A great little series
8 October 2008
I enjoyed the comments of the previous writer, but had seen 90% of O'Brien's films before getting this series on DVD. Although not nearly in the class of the great Peter Gunn, it is still an excellent drama that I rate alongside the equally cool M Squad with Lee Marvin. I will definitely try and track down O'Brien's later series as well. It would be great to see these old series released on single Blu-Ray disks in the future although I doubt it will happen. It would be worthwhile re-releasing all the great 40-60s series on Blu-Ray with the ease of shipping single disk series around the world. And I hope this is one of them as the DVD set I have is only about 6/10 quality.

All in all well worth anyone's time. The series also has some excellent actors in guest roles....
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10/10
What the Brits do best
19 August 2006
A minor cast has probably stopped many people sitting down to watch this 1949 thriller....

Well it shouldn't ... this is one of the classic thrillers of all time. Like most noir films, the story is simple yet complex, and the actors build the tension as the dialogue crackles with that pent up passion the British nurtured under Victoria and perfected with the stiff upper lip. Robert Newton does his role almost as his personal raison d'etre. Without his brilliance this may have been a "B" movie. This is a "A" film because it achieves everything it sets out to do.

Murder is best served cold. You will have to find out for yourself whether this one is served with ice...
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Wings (1977–1978)
9/10
Wings is a highly under rated British series
28 June 2006
I remember watching this at about 2 am in the morning on Channel 7 in Sydney after episodes of the Inspector Dalgleish series and The Duches of Dukestreet and The Onedin Line. Probably the finest night time viewing in history.

This was a terrific "little" series with fine acting and storyline and a sincere attempt to recreate WWI from the viewpoint of a young English bloke trying to become a fighter pilot. This glam job was usually reserved for the "toffs" who had money so we see the class war in action. Although not overly dramatic or meaty in content, the series does get you in and is worth enjoying until the end.

I am surprised that no one has ever commented on this little gem and I for one will grab it if I can on DVD.
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Jet Lag (2002)
10/10
A Tryst Without Tears
29 May 2006
A simple film done simply superbly. I like a film that doesn't waste words, doesn't waste pouts and does exactly what it is meant to do without fuss. I like a film that adds a little magic and leaves the spirit happier than before. Not all the time, but it makes a change.

It also makes a change from the empty hopeless modern romances that litter the screen trying to be charming, trying to be sincere, and falling flat on their collective scripts...

This film has charm, intelligence, humour, pathos and a fine romance.

Jean Reno gets better with every year and shows a range that few directors have had the courage to exploit. His only moment of madness was choosing to take part in the Da Vinci Code...he should give his salary to the American Writers Guild in the hope that they may start finding the next Preston Sturges...

Juliette Binoche could act underwater and always brings something new to her roles. I would love to be her English Patient...

The great actresses and films of the 30s may have long since disappeared, but surely someone can provide fine romantic/comedy scriptwriting...at least before we get to Bridget Jones 12...
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Swimming Pool (2003)
10/10
A beauty within a beauty
23 May 2006
Warning: Spoilers
Spoilers: Charlotte Rampling must be the most sensual older woman on the planet and it is hard to believe how good she looks at 57 (her age when this movie was made) Ludivine Sagnier & Charlotte Rampling are two ends of the same candle...

The two women convey the exquisite eroticism so few American and British films think they are delivering and rarely achieve...

This film is a teaser and flows gently and swiftly...

It is nothing more than it intends...

The question is "intent" It plays upon the mind after the movie finishes more than during the occasional moments of action...

It is a study of two different women who are intent on discovering that they are not so different at all...

Their differences are their backgrounds and upbringings. not their personalities...

And this may well be true given the fact that Julie (Ludivine Sagnier) may or may not exist at all except in Sarah Morton's mind (Charlotte Rampling) Like most French films this is made to be savoured like a fine wine... I suggest you also check out En Couer de Hiver, Monsiuer Hire and the Three Colours Trilogy if you enjoy this film....

I tracked down Charlotte's agent to get an interview including a question about this film, however the stunning Miss Rampling is as elusive now as she has ever been since her modelling days....

If she had been someone else I am sure she would have made many more great movies and left a more indelible mark...but who would want someone different...she is perfect as she is...at least now she seems to have conquered her own personal demons...

Perhaps, it was acting opposite a chimpanzee or Paul Newman that did the trick...or singing along to Kinky Machine...

Let's hope we see more of both these wonderful actors in the coming years...as Ludivine also has the world at her feet...any world she desires...
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Big Reef (2004 TV Movie)
5/10
Purely for the tourists
25 October 2004
Worth a look for anyone stuck in Memphis with those Mobile Blues again!!! Good looking flesh without Steve Irwin's by crikey...!!! Florida without the drugs, California without the big heads....99% of Aussies have never seen a crocodile and 100% of these actors have bigger teeth. A laidback way to spend half an hour and cheaper than Prozac. The lead actor is worth checking out in the series GP which the Aussie ABC has ruined. Steve Bisley obviously needed a decent paycheck after the demise of Water Rats. This money would be better spent on decent TV series. The TV channel who made this movie destroyed four great TV series over the last three years and continues to ruin both local and imported American shows with continual chopping and changing of programmes so it would be good to see them go broke.
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Charmed (1998–2006)
6/10
Frumps trumps Grumps
26 July 2004
These must be the frumpiest three sisters in TV land history... They are as genetically well cast as Arnie & Danny in Twins... Having said this there is a certain "charm" about this show that it has done to witchcraft what Howdy Doody achieved for children or Ab Fab achieved for mature parenting. They lost lot of their edge when Shannen Doherty disappeared into another sunset, but I imagine the rest of the cast enjoyed life a lot more afterwards... It's hard to know if the girls can act as the dialogue was not written by Dashiell Hammet, but more like Fred Bassett... And still it is hard not to like this show... Could a witch bitch to me about whether it has set the craft back or forward 100 years please??? Perhaps the directors could sit everyone down to watch The Cat & the Canary, Ghostcatchers, Cat People (the original) and Topper before filming the next series... Charmed I'm sure...
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The Apartment (1996)
10/10
Le Apartment Rouge
10 June 2004
I watched this film for the second time tonight after about three years and it was as wonderful as before...

There are more than a dozen modern stunning French films from en couer de hiver to the three colours trilogy and all of them are special. This film is one of them. A true delight with so many great things going for it from the homage to Hitchcock to two beautiful ladies in Romane and Monica. While Monica is very beautiful, Romane is a very sexy lady and steals many of the scenes she inhabits.

I am not sure why people think this film is convoluted as the scenes are such a perfect blend of past and present acting as a counterpoint to the characters' own remarkable journey that the film simply flows and you barely realise that 116 minutes of beauty and mystery have left the viewed enchanted and bewitched.

Like most French and European films this story would never translate across the Atlantic as no studio could capture the magic without throttling the life out of it with the Hollywood bleaching common to most movies that become lost in translation. Americans make brilliant films, but not of this type... perhaps if they let someone like a young Polanski work on it then maybe they would not totally butcher an English version...

For those who do not watch subtitled films you will spend a lifetime in ignorant bliss. For those who can read then you would be spiting yourself to miss films like this...

I would describe this as Neo-Franco-Noir, but only to cheese off the reviewer who called this film elitist. I think I saw him doing an add for four-and-twenty-pies. He thinks Romane Bohringer is a type of French Mayonnaise...It is arty in the way that Pulp Fiction is arty...but with more Gallic savoire faire...

10 out of 10 with every viewing...and has anyone got Romane's phone number...she is the perfect French Salad Dressing...
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AKA: How to ruin a perfectly good month!!!
24 May 2004
Charlize Theron improves with each movie and has a certain charm that almost saves this from insipid mediocrity. However Keanu, no matter how much a chick magnet he may be, needs flicks like Speed or The Matrix to cover for his cardboard acting. I am sure he actually worked as a dentist in some previous life and no doubt will do so again in the next one. There was a chance to make a fine and quirky film here rather than a hollow reminder of the superior 1968 version. If the remake had been done in Britain by the people who did Bridget Jones Diary or Four Weddings then we may have found ourselves sighing wistfully at the end rather than falling asleep at the halfway point; it was a 45 minute film wasn't it!!!
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1/10
The Sweetest Thing was the END
14 May 2004
Crass, boring, witless, and I hope the actors made millions to salve their consciouses for making this absolute load of foulmouthed tosh. The Case of the Smiling Stiffs had 10 times the class of this...and the stiffs acted better too. And I suppose reviewing this movie has proved what an idiot I was for watching this movie past the opening credits. My condolences to the lovely ladies Ms Diaz & Applegate. PLEASE PLEASE PLEASE promise never to fall this low again...PLEASE!!!! IMDb requires 10 lines of comment for their review and so I will tell you now that if you want to see a great movie that will make you laugh try There's Something About Mary. Crass with class...or Delta Delta Die if you want to see crass without class but the gorgeous Tiffany Shepis to make up for it. There my 10 lines are done. Bring back Peter Finch now...
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9/10
French without tears, sex without fears...
31 July 2003
It is not a perfect film, it has flaws, the most obvious being the pseudo psycho babble that could have been achieved with greater effect by having said less, but having said it better. It is a romance, it is romantic, it is sexy, and it is a slice of life, their lives, a small part that keeps the rest of their lives from being without charm. There is no need to contemplate the past or their futures but the moments that make the present happiness complete. The film proves that sex between mature adults can be beautiful, and not bound by the petty mores of witless societies that demand sex take place between pnuematically enhanced teenagers and souless males who would not understand the rhythms of sex without a street directory. Nathalie Baye was 51 when she made this film and has an attractive body, but she has a great way of making herself erotically desirable. Any person that has never laughed, joked or cried during sex has not had much good sex. It is the casual and caring ease between the leads that demonstrates how sex can be imtimate and romantic and caring. The people who call this movie cold have looked at it from the director's eyes and have failed to capture the warmth of the two leads. The title, I think is in the French style of ironic (a word missing from the American dictionary) rather than the British sense of the word. While the British treat irony like a Shakespearean tragedy the French equate it more with the "little death" and regard it more as humour tainted with pathos. The French idea of tragedy is to leave the ending out of movies, but perhaps I am over using irony here. If you have 80 minutes to spare to think about the relationships in your own life, then this little movie just might help you explore your own heart a little more. And remember a movie without flaws is called, "Looney Tunes."
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The Gazebo (1959)
9/10
Old King George has a lot of good things to answer for!
17 July 2003
The dalliances that once occurred on "The" gazebo are nothing compared to what might have been under it...if only Elliott could have read some Tarantino before the end of this brill flick. Glenn Ford had begun to show signs of his great comic timing in Imitation General, but I think his unique brand of humour finds its feet in this film. There is something delightfully neurotic about Glenn's gift of busy humour. These days he'd be called a thinking man's Jerry Lewis (until Jerry made The King of Comedy and put his own ghosts to bed), but Glenn has an energy that defies his laconic roles like in The Rounders. For a man who claimed only to play himself on screen, he shows a delightfully schizoid turn in this film.(Like he should have be born a Gemini) While the film displays some great moments by Debbie Reynolds, Carl Reiner and a delightful ensemble cast it is the sheer energy of Glenn Ford which makes it hum along. In most of Glenn's films you are confronted with his unerring intensity, deep pride and honesty, but in this we see a little of that pure naivety of spirit that only good people possess. I don't mean wholesome in the apple-pie way, but more the deep-seated belief that life is good nad it's only people who fall off the rails from time to time. This is one of the lovely points about this film. So much is lightly turned on its head. This is the sort of film David Lynch might have made if he had been married to Doris Day or Shirley Temple. When you think about some of the themes and how lightly murder and blackmail are dealt with, you could suspect that you had entered Twin Peaks c1960. Whoever thought up the Alfred Hitchcock sequence deserves an award and I'd love to know what the chap was really saying on the other end of the line!!! I admire the people who can get TCM and I was glad I blackmailed and murdered my way to a bootlog copy of this great flick. And if the critics failed to realise the quality of its writing and acting then that would only be par for the course, (Just ask Cate Blanchett) While I cannot give it a 10, I can tell anyone who likes there humour smart and slick then this is well worth a quick squizz.
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8/10
Tough Movie: STOP Gritty Story: STOP Unsentimental Heart: STOP
6 February 2003
This film is not perfect, but it is gritty enough to be real, in the style that is more in keeping with films of the later 40s. The two Edwards play well off each other, and it is a shame that they didn't make more films together. Although it was not a strong film for the female cast, it did give Laraine Day and Marsha Hunt some scope to show they were more than the dolly-birds that many directors took them to be. Call me superstitious, but three of the main cast were born in 1917 and all 3 lived to 2002, with the two lasses still going strong. Perhaps it is a sign that the director chose some strong actors to make this film hum along effectively. As to its portrayal of the paper business, it is highly contemporary in its grasp of how media men prefer to make the news than report it. The very fact that Miss Hunt and her husband, Robert Presnell were allegedly blacklisted for their communist (for this read, Liberal) sympathies in the 1950s is an ironical grasp of the power of the press over any idea of truth or talent over power and influence. Mervyn LeRoy remains an icon of morally strong, but unsentimental film-making in what is often a candy-coated world. 9 Stars.
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Changi (2001)
10/10
A glorious risk as war takes a holiday...
15 December 2001
Here we have a miniseries, which revels in in its flaws, and doesn't make us cringe because of them...it is excellent story-telling, which fuses black comedy, mateship (in a positive way), the pathetic waste of war, without the sheer unadulterated manipulation of a con-job like Life is Beautiful...it is an entertainment, not the meaning of life...and showcases the talents of actors both young and old...give it a go and tell us what you think...
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10/10
Top drawer. The lost art of whimsical comedy.
16 July 2000
This film might have its critics, but for me it's always a delight to see good-natured humour given a chance to shine in the hands of great actors. Errol Flynn was one of the most underrated comedians of any age. He was always prepared to send himself up as easily as anyone else and few others could have carried this film off especially playing opposite the crackerjack Joan Blondell. Add May Robson, Allen Jenkins and Edward Everett Horton and you've got a great little film that would make anyone forget about the world's woes for a hour or three. Not to be missed by any joker with a heart and most people without one. Give in to a bit of fun now and again and remember that life is all meat and potatoes.
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10/10
Strongly for this great entertainment.
16 July 2000
The wrong end of Hell's Kitchen is the place where this top film of 1932 is set. Spencer Tracey heads a great cast in a cracking entertainment about Sing Sing. Some great lines like Hype's saying "when you missed out on that murder with us, you was only playing hookey" to Tracey on death row. And to see a human warden in those days is a nice touch. Tracey has great charisma and an even greater broad in peroxide blonde Bette Davis. So many of her early roles are under-rated, but the fact remains that some of her later films would have been even better if she had been younger when she played them. She has an elan in these early films that seems overblown in some of the classics of the 1940s. I'd moider some one for the dame. Jean Harlow with the cracking great mouth. Typical Curtiz masterpiece.
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9/10
Chandler at his scrumptious best, but is Mr Montgomery.
11 July 2000
Unlike Damon Runyon, Chandler was able to sustain the vim and vigour of the great detective. Here we had Mr Montgomery trying to capture the first person feel of the book by using himself as a camera. It may have worked if not for the surprised looks on his co-actors faces like Adrienne Fromsett. Audrey Totter seems to be lost and it shows in her face. At least the receptionist knows how to play up to the camera, just like she was playing up to a man. (Oh boy, does this gal have a granddaughter I can call.) Leon Ame(les)s looks stunned which is not a good look for a millionaire publisher. Otherwise the film is quite good and the dialogue has some bright spots. I liked it when Audrey let her hair down and relaxed. She can ice my veins anytime. CHeck it out and enjoy.
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8/10
A lot of fun.
11 July 2000
Constance and Robert have a great deal of fun with this film although he is not my perfect idea of Lord Wimsey although he has a certain ironic charm. Hot on the heels of the great Night Must Fall, he lets his hair down here to ham it up a bit, but the locals are a match for anyone and everyone. This shows the British idea of eccentricity at its bizarre best.
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10/10
Crackerjack film.
11 July 2000
This is slightly superior to Blonde Crazy in that the stars have been given slightly livelier dialogue and that Bette Davis glows as a wise-ass blonde rather than Joan Blondell's put-upon blonde. Both are great, but some of the rip offs in this film are truly great and Allen Jenkins adds ten points to any film he's in. These golden age films have the writers that current day movies lack. No one steams anymore unfortunately. Cagney is a cock rooster and the world's a better place for seeing him go through his paces. I hope dvd brings all these movies back.
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