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Reviews
La rivière du hibou (1961)
Excellent film of one of the greatest short stories ever
I am a high school English teacher, and this film is absolutely perfect for classroom use. At just over 20 minutes, it is exactly the right length to show in an 11th grade class - it holds the students' attention and is short enough to keep them from getting bored. It is also an extremely faithful representation of the story, which helps students visualize and reinforce what they have read. To the teacher who posted earlier, who had to keep warning his students about "being bored for 20 minutes," I'd suggest that he's established a self-fulfilling prophecy: if you think it's boring, and you tell them it's boring, don't be surprised if they act bored.
Beyond the classroom applications, this film is just plain good and will prove a real treat for all lovers of film and/or The Twilight Zone.
Boy and Bicycle (1965)
Intriguing First Effort from Scott
Boy and Bicycle is available on the DVD of Scott's excellent feature debut, The Duellists. It is an abstract, stream-of-consciousness journey into the mind of "The Boy," played by Scott's younger brother Tony. While it may seem like not much happens as we follow Tony through the streets of a smallish English industrial town, the sensation of being inside his head, hearing the sometimes nonsensical interior monologue of a young teenager playing hooky becomes almost hypnotic after a while.
What really stands out about this short film is the early development of Ridley Scott's visual style. His shot composition is amazing for a first effort; Scott is able to use The Boy's surroundings, both natural and man-made, to frame his subject skillfully and direct the viewer's eye to the precise details he wants to emphasize.The black-and-white photography really helps to accent the details of The Boy's surroundings. Scott also is not afraid to experiment with camera angles, using high or low angle shots to capture The Boy from angles that are at once strange but also oddly natural, all the while keeping in mind the fascinating geometry of whatever might be found in the background.
All told, this is a fascinating film that succeeds in transporting the viewer into The Boy's interior world. It is beautifully shot, as one would expect from Ridley Scott. However, it is also in many ways abstract and lacks a conventional narrative structure, which is a bit unexpected and a pleasant surprise from a director who is from time to time unfairly labeled as a maker of big, loud, conventional action pictures.