amirhoseinahg Reviews

Leila's Brothers (2022)

Review

[10/10 · 13 October 2023]

Laila Brothers, similar to the previous village film, begins with elaborate sequences and busy mise-en-scènes; Something that can act as a hook for the audience and make them stick to the movie right from the beginning. Both the factory scene and the mosque scene have such characteristics. But the problems of the film also arise from here. In a film that is realistic - in accordance with the previous films of its producer and in accordance with the general hypothesis of Iranian cinema - the events in the factory cannot be rationally justified. Generally, the element of "logic", which is one of the three main pillars of any screenplay, is taken less seriously in Iranian cinema, and this issue can be considered as one of the general plagues of Iranian cinema. In this sequence, there are many speculations about the reason for the sudden closure of the factory (while everyone is working, it is suddenly reported that there are no raw materials), the director's sudden and seemingly planned protest (when and where were all those placards and writings prepared?) and the sudden presence and He brought in all the security forces for no reason. Things that the film cannot answer. In this way, the realist logic of the whole sequence goes up in smoke.

In the continuation of this sequence, there is a moment that is the highlight of this issue: while Alireza is going down the stairs, suddenly and without any reason, someone grabs his hand and utters a dialogue that seems to have come down from the sky: "The one who..." is called "dishonored and cowardly" from here, the main problem of Leila brothers is highlighted: rhetorical dialogues. The movie is full of these dialogues. Dialogues that do not come out of the characters' tongues; Rather, it is as if a hand came from the unseen and put that sentence in the mouth of that character.

Dialogues that neither fit the character nor are written and acted in such a way that they don't come out of the scene. Many dialogues that Alireza and Leila exchange with each other - especially in the scenes on the roof - are of this type. Collage-like dialogues as if a villager found them from different places and books and spread them in the script.

Spider-Man: Into the Spider-Verse (2018)

Into the Spider-Verse

[10/10 · 11 October 2023]

To put it better, unlike all the multi-character superhero movies we have seen to date, Sony's new production has a single and determined protagonist. A hero with his completely normal and adolescent concerns, who is not where he wants to be in the world, his family does not understand him, and after being bitten by a spider, he has no goal in life except to become the best possible superhero. From now on, Peter B. Parker, Gwen Stacy, Uncle Erwin, Penny Parker, Spider-Ham and Spider-Man Noir add to Miles' story in their own measure. This means that the arrival of each of the other five members of the main group to the world of Miles Morales is not meaningless, and it comes precisely from the fact that the story of the animation belongs only to him. Like all other multi-character movies, they involve the main character with different secondary characters, hateful, lovable, etc., and in this way, they make a bigger world for him. As a result, Spider-Verse becomes the superhero version of the same great movies. A version in which a large number of important secondary characters are superheroes who go toe-to-toe with Miles to fight Wilson Fisk and his gang.

Spider-Man: Far from Home (2019)

This means regardless of things like

[9/10 · 11 October 2023]

For example, from the very beginning of the story, Peter is depicted as a teenager who just wants to be close to the person he loves. Meanwhile, Spidey is asked by reporters, acquaintances, and himself to "become the next Iron Man," and the task weighs too much on his shoulders. On the one hand, it must be admitted that the film does not have a problem in the moments of showing this plot; Both when we see Peter alone and busy looking at a large picture of Iron Man or facing documentaries about Tony Stark, and when those around him pressure him about this and unintentionally annoy him, the nature of Peter's feelings is transferred to the target audience. Will be This means that both the writing of the dialogues and the direction have been so standard that they familiarize the audience with this plan and benefit from showing it for storytelling. But on the other hand, the undeniable problem of the film lies in the lack of long-term attention to this idea and a number of other story ideas. In such a way that things are introduced to the audience many times, they have no role in the story and characterization of the characters for forty minutes, and then again when there was no need to mention them, they are in front of the audience's eyes. This also makes them seem more like tools to advance the story of the same movie than effective and completely changing elements of the character, and sometimes as much as it should and maybe, the director cannot justify a big change in the story by relying on them. Slow.

Spider-Man: Homecoming (2017)

Movie Review

[10/10 · 11 October 2023]

Regardless of all the weaknesses and strengths that he included in his minutes, by taking the simplest and most trivial possible advantage of the new Spider-Man of this cinematic world, he officially reduced the chances of this character to receive an acceptable characterization. Because we only saw a red creature there that firstly had powerful CGIs and secondly threw funny and interesting bits while doing bad fights. A pure appearance effect that definitely increased the sales of that work, but it was also quite successful in lowering our expectations of the character depth of this reintroduced character. Well, to be honest, the worst news about "Homecoming" is nothing but the fact that after watching it, you can say with confidence that this work has remained very faithful to the seconds shown in that movie and has proudly moved forward in the same direction. The path in which everything has been reshaped just to attract the maximum casual audience and if it had not included some painful minutes that have reached the film, it could officially make this work an unbearable production.

In the tedious opening minutes of the film, you're constantly treated to sequences of Tom Holland raving about a Spider-Man suit sent to him by Tony Stark (Robert Downey Jr.), filming himself acting childish and inducing the most artificial emotions possible. The audience makes you feel the childishness and worthlessness of the work in front of you with a strong slap and ask yourself why you are watching such a movie. What's worse is that due to the presentation of one of the stupidest origins in the history of superhero cinema by the filmmakers, who for example were supposed to introduce the antagonist of the story starring Michael Keaton, whose name I really don't remember, at the beginning of the work, you will correctly read the eulogy of the negative character of the story. And you will be sure that the fight between Spider-Man and him is worthless. But fortunately, the story does not remain like this, and even though you will never come across a work that is even close to excellent while watching the movie, the upward progress of the story and the disappearance of some of its major flaws in the middle of the events make it possible at the end You have the feeling of encountering an acceptable and disposable blockbuster, which, of course, you wouldn't miss anything special by not watching it. This means that the answer to the question I asked at the beginning of the work is completely clear. No! We never needed this movie.

Spider-Man: Across the Spider-Verse (2023)

Animation review

[10/10 · 11 October 2023]

"Spiderverse 2" begins with a promise; A bold, ambitious and scary promise. "Let's start differently this time," Gwen Stacy tells us. So different". It's as if the makers are clarifying their goal with this sequel from Gwen's words: "If you expect this movie to be another safe and conventional sequel that backs away from pushing new boundaries, you'd be very wrong." This promise is scary, because we are talking about a sequel whose first part was not only different, but thanks to its completely original, innovative and exceptional visual style that refused to conform to the dominant and common Hollywood animation form, it was a full-fledged revolutionary and groundbreaking film. Had A film that unleashed the untapped potential of the animation medium like opening Pandora's box, and the world was no longer the same after that, or could not be the same again.

We are talking about a film that killed the conservative and boring visual style of Pixar, which has been known as the default form of Western animation for several decades. Throughout its career, Pixar has mastered a type of animation style that can be described as "photo-surrealism". Although Pixar's animations have a kind of exaggerated cartoon style (especially the design of the faces and bodies of the characters), most of the elements that make up the world of these films are synonymous with the real world; Pixar's detailed realism has increased with the advancement of technology: not only does Pixar now not overlook even the smallest fibers in Mr. Incredible's shirt, but it depicts the virtual world of its animations as if they were filmed with real physical cameras (for example, how to use the effect (Remember the bokeh or diopter split effect in Toy Story 4).

Spider-Man 3 (2007)

Lust for its breadth and complications

[8/10 · 11 October 2023]

As usual, let's start with the credits; With a completely black theme and the presence of an extraterrestrial parasite-like substance (symbiote) that represents the famous villain of the movie "Venom" - of course, with the addition of suspended sand particles that indicate another villain of the work (sandman) - but the significant change in the credits is the change of the musician of the work. That "Danny Elfman" gave his place to "Christopher Young" and he composed two music texts for two violins of the work, which can also be heard well in the credits with a schematic of the violins. In general, the credits are remarkable for the audience because they witness the special music of the villains, and on the other hand, this time, unlike the blue and red color of Spider-Man, it is completely black and promises a great and significant villain who is supposed to dominate the movie and our superhero Spider-Man. .

Now, the first sequence and its first frames, as usual in this trilogy, begins with the first-person narration of Peter Parker, who is pleased with his popularity; But the difference that can be felt in this version compared to the previous two episodes. It's Peter's carefreeness that doesn't have that introductory pause of the past and quickly passes through his narration. This passage without speed limiter is a paid warning, at least compared to the previous two episodes; Is the passing intentional? Is there no dramatized concern anymore? Has Peter reached a peace with Mary Jane? These are the question marks that may bother you if you have been with Rimi's trilogy since the first part. Now, first, we must point out and expand on a relationship that is the main dramatic tension of the previous two episodes, and in a way, the relationship between Peter and Mary Jane can be considered the peak of Samrimy's Spider-Man trilogy, in a way, his superhero in a cinematic and visualized cause and effect context. Dramatic) involves him in the routine of a normal life and places him in a semi-formic desperation so that the protagonist of this trilogy is first considered "Peterpacker" and then "Spiderman"; That is, he turns from a normal - and special! - human individuality into a French savior.

Gold and Copper (2010)

Excellent

[6/10 · 11 January 2023]

It was a really good movie and thank you I personally enjoyed the movie.

It was a unique movie, it was really well made, it was beautiful Even reading the review makes you sad, so many people die for nothing! The movie is really impressive.

I just saw this movie, I was really sad at the end The movie was very well made and tragic.

Lots of content High replay value Main and secondary characters Unique atmosphere and atmosphere Music according to the atmosphere Excellent acting by most of the actors Creating a polished and sustainable experience Perry has no secret Chu came out of the hole in the head.

Glass Onion (2022)

Good

[8/10 · 11 January 2023]

Well, the first part, which could have done everything in half an hour, was completely guessed. The second part takes 50 minutes instead of half an hour to understand what's going on (the beautiful movie tries to distract you by placing a drinking glass in the sequence, but it doesn't succeed!!!). Almost all the formulas used in the previous part are used here, only instead of a big family, we have a group of friends and the events of the film are taking place in Corona. Overall, fun but quite ordinary.

It was a very good movie I think the puzzle this time was more complicated than the previous one.

The Warden (2019)

amirhoseinahg

[8/10 · 3 February 2022]

If I want to give only one reason and no more for someone to watch Siavash series, I will use the example of Majid Salehi as Saber Saqi without even a moment's hesitation. Majid Salehi has proven that he is a skilled and talented actor for whom there are no restrictions. Salehi dispels the notion that comedians can not shine well in non-comedy works, and performs his dialogues in an astonishing way, playing the role in front of the camera with great confidence. This role-playing has become so believable and good that the performances of prominent actors such as Reza Kianian and Giti Ghasemi are not seen at all. The best moments of Siavash series are exactly the times when Majid Salehi is in front of the camera and talking to others. However, no matter how much Saber and later Siavash's characterization - which is officially the story of Fardin - is unique in the series, some characters are marginalized due to screenplay mistakes and damage the audience's experience of the series.

Life and a Day (2016)

amirhoseinahg

[9/10 · 3 February 2022]

It is his day and forever, he has not paid homage to anyone and has not blindly imitated the best of this genre. Rural directing skills are based on his writing experiences, which is why we are on the side of a film that has good acting, is accurate and detailed in its sequences, but its script needs to be retouched. There are two or three more important characters in the film, and the rest have something to say in their own way, but they all revolve around themselves from the beginning to the end of the film and make very little effort to advance the story. The situations they create are spectacular, but if we remove them, nothing happens to the main body of the story. Saeed Roustaei can envision a very bright future if he can fill these gaps in his later work and, in addition to keeping the quality of directing high, write a tighter, more structured script.

Law of Tehran (2019)

amirhoseinahg

[8/10 · 3 February 2022]

About the movie: The Iranian film Metri Shesh Va Nim is an action, drama, crime and social film written and directed by Saeed Roustaei and produced by Seyed Jamal Sadatian and produced in Iran in 1397. It was screened for the first time in the 37th Fajr Film Festival and won the Crystal Simorgh for the best film in the eyes of the audience. After Ever and a Day, this film is Saeed Roustaie's second collaboration with Navid Mohammadzadeh, Prinaz Izdiar and Peyman Maadi. The film was released in Iranian cinemas in March 1997, and according to its director, it was not scheduled to be shown in home theaters in 1998, but on 5/15/98, a leaked version of the film review, which lasts 140 minutes, was released in cyberspace. Was broadcast. 6 and a half meters was screened for the first time, in February 2017, in the Simorgh Soda section of the 37th Fajr Film Festival, and since March 2017, it has been widely screened throughout the country. In April 2009, more than 78,000 people sat down to watch six and a half meters (equivalent to sales of 7.1 billion tomans on normal days), which is a unique record day for a social film in the nineties. This film is the second best-selling film of all periods of Iranian cinema.

I Want to Live (2021– )

amirhoseinahg

[9/10 · 3 February 2022]

I Want to Stay alive until the end of the seventh episode, it finished its Chinese introduction and went on to conceive of its original idea. The promising things about the series are still the same issues raised in the first three episodes, but after a few episodes, we can now better recognize the weaknesses of the series' narrative and directing. The logic of such a narrative in the inflamed atmosphere of the sixties, with all the conflicts that existed, is not correct. The fact that Homa easily enters Amir Shaygan's game and goes through everything remains incomprehensible due to the incorrect payment of the story. There have been stories and series in which a character like Homa has been forced to make a difficult decision, but we were with that decision and we have identified and understood with the main character, but here both Homa and his father surrender so easily that our company does not follow them.

The Accomplice (2020)

amirhoseinahg

[8/10 · 3 February 2022]

The transformation of the characters of the homogeneous series lacks a strong background and happens all at once.

The co-creator in most of the sequences, instead of artistically portraying the issues, speaks them directly.

Artistic representation of issues can make the audience think more deeply in the text.

Once Upon a Time in Iran (2021– )

amirhoseinahg

[10/10 · 3 February 2022]

Khatoon is an eye-catching series. Depicting the landscapes of the north with its dense forests and always beautiful Rasht during the years full of nostalgia, has been able to greatly enhance the visual richness of the work. But this is not the end of the story. By watching the visual effects teaser that was unveiled by the agents of the series after the end of the first half of the season, you will definitely eat first and then you will enjoy. The visual effects of the work were designed by Friedenasser Fassihi in Ifa Studio.

Jojo Rabbit (2019)

amirhoseinahg

[7/10 · 3 February 2022]

One of the strengths of Jojo Rabbit is that it tells each part of its story over a period of time commensurate with the volume and quality of its content; Not longer than it should be, not shorter "Jojo Rabbit" is a film that uses the minimal; Takes the audience to their own world with minimal and spectacular details and, more importantly, laughs and cries with the least.

Marriage Story (2019)

amirhoseinahg

[8/10 · 3 February 2022]

Nova Bambak's latest "Marriage Story" was one of the lucky winners of this year's awards season with a score of 96% on Rotten Tomatoes and 94% on Metacritic.

We know Nicole and Charlie in the beautiful and dreamy opening of the film, thanks to the editing instead of Jennifer Lim, and the soul is breathed into the body of each couple with different definitions.

In some parts of the film, Bambock also throws small punches at the somewhat inefficient US judicial system in relation to child custody, which in some scenes seems ridiculous at the same time.

Bombshell (I) (2019)

amirhoseinahg

[8/10 · 3 February 2022]

Charlize Theron's game saves us a bit from being superficial to pay attention to the subject of the story. Because he tries so much to complicate his character with his game and constantly insinuate what chaos is going on inside him so that we do not take this issue lightly.

Contrary to its potential to explore the media, Bomb Shell is so excited and wants to expose all aspects of Fox News that it deviates from both a clear storyline and the film. It is completely one-sided In a way, the unlimited perspective and the association with the three main characters not only did not help to recognize them, but only served to retell the same events that we have heard more or less.

Ford v Ferrari (2019)

amirhoseinahg

[8/10 · 3 February 2022]

The Ford V Ferrari, despite its relatively long run, has a very good rhythm and beat, and it knows how to get the audience to watch a sports movie about car racing, even if the audience is not very familiar with the subject. The film's ending could have been more impressive, and the filmmaker lost here for the same reason he lost his main character. Finally, the film is not a memorable and masterpiece, but it has a lot to say and is a respectful tribute to Ford.

Judy (II) (2019)

amirhoseinahg

[8/10 · 3 February 2022]

Usually, Hollywood critics try to show a caricature of it. So we often see the psychological torture of stars, and we forget to ask ourselves: Were these stars useless dolls? Couldn't the likes of Judy Garland and Marilyn Monroe in the middle of the road say no! ?

The brilliance of Judy's film is the answer to this question. The screenwriter in three situations challenges Judy to make a decision. We described it once, and it was related to his first yes to Golden Meyer's studio in the opening scene. His second decision takes place in the best flashback of the film. When he gets wet because of his sense of freedom (jumping into the water is a symbol of this desire) and sees the real face of his boss. His answer is still yes to all sufferings. Personally, I consider the two characters in the film to be the best characters in it; One is Judy and the other is this fat man who was paid so little with his presence that Mickey Dix and the others did not get along with him all the time they were filming.

Joker (I) (2019)

amirhoseinahg

[8/10 · 3 February 2022]

Joker Movie Review Arthur Falak is rejected and humiliated by all; He has no friends and no mistress; Except for the woman next door, whom he occasionally follows and is a one-sided love. Arthur is cut off from the world and believes that everyone out there is crazy and no one loves anyone. She wants to play with the kids and the kids's parents are arguing with her and she wants to make a piece of bread in her clown costume and a handful of young people are harassing her. Arthur has taken refuge in his comedy world; A world in which he has no skills and is quite a comedy blacker than black.

1917 (2019)

amirhoseinahg

[7/10 · 3 February 2022]

The more the film justifies its production technique, the more it creates a wide gap between the form and the thematic discussions of the story.

"1917" is reminiscent of the structure of "Hell", the epic poem of the Italian Dante Alighieri, and treats the journey of his heroes as a journey to the depths of the underworld.

On the one hand, the characters' condition seems engaging, but on the other hand, the camera, like the spectator who eagerly follows them, lacks the complete freedom to use all its capabilities to convey their condition.

Once Upon a Time... in Hollywood (2019)

amirhoseinahg

[8/10 · 3 February 2022]

In Once Upon a Time In Hollywood, the audience is faced with virtually no long storytelling, and most of the subplots seem too powerless to suspend and create tension in the viewer.

Unfortunately, the film is practically not worthy of attention except for one main character and finally two sub-characters, the protagonist or the antagonist, and it has failed to create the right cinematic characters.

Tarantino has often used all the details used in the reconstruction of various places to show the great Hollywood of that time.

Rick Dalton's main transformer from a familiar, understandable and merely good character to a great and tangible character, not the screenplay for "Once Upon a Time in Hollywood" starring Leonardo DiCaprio.

Parasite (2019)

amirhoseinahg

[7/10 · 3 February 2022]

And here it is better to mention the role of blindfolds on the eyes of characters who are not able to see the character or anything but the idea they want to get and try to get that position for themselves in any way and by trickery. And human beings who want to achieve something that is not for them by trickery may destroy them. (People who do not understand seeing anything other than their own happiness, even tolerating another human body odor that needs help) The stone, which was a symbol of happiness for the boy, destroyed him and shows how ugly wealth can be and to get What should we do to be able to get it?

First Man (2018)

amirhoseinahg

[7/10 · 3 February 2022]

First Man, with all its flaws and shortcomings that could have been turned into a bigger product if it had been fixed, has a lot to be praised.

In the first two scenes of the film, First Man unfortunately does not really know anything called suspension.

Damien Chassell's debatable and extraordinary framing and the construction of many seconds of effect on non-dialogue visual storytelling are among its main strengths.

BlacKkKlansman (2018)

amirhoseinahg

[7/10 · 3 February 2022]

BlacKkKlansman raises his issues before his final 40 minutes, postponing the conclusion of many of the events that took place in his opening 100 minutes to its final minutes. For this reason, the last forty minutes of the film are very important and have the Chinese ruling of a woman who has come to narrate different pieces of the story in order to connect this moment and bring it to the end of the film. The film has no reason to hurry in this part and does not even waste its time. Rather, it deals with various topics in a measured and calculated way, and in addition to answering all the questions that it has created for us, it also shows us many more things that you will not expect to watch even until the last moments of the end of the film. On the other hand, every single sequence in BlacKkKlansman puts Terence Blanchard's audible and emotional soundtrack in place, and we see some of the most fascinating combinations of imagery, sound, actor performance, and 1970s storytelling that can only be achieved through a valuable work called BlacKkKlansman. Experienced. If you are interested in exciting dramas that are largely combined with political-criminal-comedy genres; Do not hesitate to watch BlacKkKlansman for a moment and watch it without a second's hesitation to make a decision to experience one of the best films against racism against blacks.