seemingly_reel Reviews

In Restless Dreams: The Music of Paul Simon (2023)

Recommended: Poignant Moments and Great Editing

[16 May 2024]

The outstanding songs of Simon included in this film are beyond entertaining... they express soulful moments. Director Alex Gibney made a wise choice in structuring this film. Thankfully, there are no talking heads which so many music docs depend on. The conversations mostly flow from Paul Simon, during studio sessions and various concerts.

The scene about Simon's brief marriage to Carrie Fisher focused more on photographs of them. I felt that all three of his wives got the short shrift. While it's clear that Simon adores his wife Edie, and they've shared a long, successful partnership, she could have been highlighted more.

The film makes several references to the struggles between Simon and Garfunkel, and why Paul decided to forge his own path. He makes a few biting comments which could be misconstrued, but maybe at this point Simon is not too concerned about what fans and critics might say.

As good as this film is, there was a missed opportunity in Part 2 regarding the brilliant musicians, vocalists, and dancers from South Africa, Jamaica, and Brazil. These gifted people were essential contributors in expanding Simon's repertoire. They are shown on old footage, but most are not acknowledged by name. The film could have remedied this by using screen text, to give them their due credit. Also wonderful are the vocalists from VOCES8, who recently worked with Simon.

Ripley (2024)

Lush Visuals Cannot Anchor this Lopsided Vessel

[7 April 2024]

Does Ripley shine with lush production design, stunning cinematography, and a sincere cast? Without a doubt. Do these factors convince me this was an overall successful series? Sadly not. The core of any great production is the writing, and the writer's sensitivity to know when to pause, how to distill, while also preserving mystery... maybe you'll agree that it's rare to witness an excellent production.

Steven Zaillian (director and writer) let this dark tale stretch far too long. This could have been aptly told as a feature film or in four episodes. By the third episode, I was weary from the treasure chest of Preciousness: each scene oozed with careful composure, and the flat characterizations got tired. Having said that, I was impressed by Ms. Fanning, and Mr. Scott had some terrifying, riveting moments. At the start of episode 4, I decided to jolt my mind from the numbing rhythm: I fast forwarded the remaining episodes. As I madly dribbled the ball down the court, I didn't lose any plot points, and no one came close enough to foul me. In summary, this production went completely overboard to be the cool kid in class.

Alice & Jack (2023–2024)

Oof -- What an Embarrassment for PBS

[24 March 2024]

This series is a diminished example of what PBS generally offers. In the first episode, the plot seemed quite appealing. It all comes crashing down in about ep 3, when redundant scenes of the troubled romance rear their ugly head. In real life, some relationships go through testing phases, particularly if one partner is sorting through past trauma. This is understandable. But to include repetitive emotional scenarios will wear out certain viewers. Subsequently, the overall rhythm suffered. The two lead actors were sincere, but I was not feeling their chemistry. Several of their scenes resembled acting class exercises. As the series evolved, each interaction between the couple became far too precious. I'm fairly new to the work of actress Andrea Riseborough, and there were moments when I found her believable. But many times the camera lingered on her face (not her fault), and that's when we witness her ever-revolving Parade of Expressions: contorted forehead, furrowed brow, dismayed eyes, and unsubtle mouth movements. I should add that I was impressed by her fine work in "To Leslie"; her pliable face seemed fitting for that character. In Alice & Jack there is one unintentionally funny moment when she offers a reassuring kiss to her lover, yet her face is so poignantly troubled. Fast forward to the final episode: it came off as a predictable mess. I was thinking "hopefully the writers won't adopt such a convenient ending", but in fact they did just that. The final scenes were deflating and ruinous. I'm shocked that PBS gave this series a green-light. Likewise, I'm bothered that I chose to endure the entire series.

Road House (2024)

Subpar Writing, but Lively Fight Scenes are Believable

[22 March 2024]

All of the stunts and numerous fight scenes are fantastic. When looking at the closing credits, it's clear that the director wanted to have some fun with this film. Having said that, the writing is unintentionally funny at times, and the story drags on for waaay too long. The cast is okay (some characters are stereotypical cartoons), but JG is actually pretty good, and he's a terrific, convincing fighter. This movie presents some of the most realistic hand-to-hand combat scenes I've seen. There was an attempt at creating some romantic tension, but the connection was not developed enough to convince the audience to keep watching. Even successful actors want a nice paycheck. But did Jake compromise his standards when he accepted this role? You be the judge.

Saltburn (2023)

Gorgeous Filming, Strong Cast, But Plot Goes Overboard

[26 December 2023]

Some dark moments. Lush cinematography. High drama. Dark humor, but I did not get as many laughs as some viewers. By the end, I was left grasping for straws, because the Director / Writer (Emerald F) took liberty to go overboard. The satire was pumped out like affordable gas before a long road trip. In my view, EF overplayed her hand, hoping that most of the audience would go along for the wild ride. While I believe she is a skilled filmmaker, I think she needs more finesse. You know the old cliche: less is more.

Especially enjoyed Barry K in the lead as Oliver, and look forward to him getting other meaty characters. In a way, he is like a contemporary Dustin Hoffman: what they lack in height they more-than-make-up-for in their unique delivery and focused presence.

I was also impressed with Jacob E as the typically handsome stud with a heart who is just as confused as his oddball parents. The actor who played his sister, Alison O, also did an excellent job. Richard G as the father was dependably good, but his role was underdeveloped. Rosamund P as the mother was in fine form.

Other reviewers have given a plot summary on this, so I will refrain. But I will say that nearly every scene in the concluding 30 minutes felt like it was on a mission to boost the shock value. The final scene went on for too long, which diminished its potential.

Would I still recommend this film? Yes! But EF would do well to shadow the approach of Sofia Coppola, who has wrestled with similar issues, but she was wise to hold back in certain moments. She lets the audience quietly ponder some unknowns.

A Murder at the End of the World (2023)

After a Decent Start, Becomes a Predictable Mess

[19 December 2023]

After watching until the end, here's my take on this series. All around, it's got a good cast, but the script undervalued some characters. Due to the writing's stale nature in certain episodes, most secondary characters come off as one-dimensional. There is a sincere connection between Darby and Bill (portrayed by Corrin and Dickinson), and their relationship could have been explored even more. By the time the final episode came around, it resembled many limited series: it felt rushed, conveniently wraps things up, and the dialogue was utterly predictable. The overarching plot is fine, but the philosophical points on technology (spelled out in episode 7) did not express anything new, and some dialogue was unintentionally humorous. Another weak spot: the camera spent entirely too much time on Corrin's face. Granted, she's got a wonderful profile and her androgynous look is intriguing, but that's no excuse. The other characters and the stark Icelandic land forms deserved much more screen time. The camera loves Corrin, but it could love other characters just as much. Okay, tell me: which Beatle was your favorite, and why?

Black Cake (2023– )

Strong Start, but Dissolves into a Soap Opera

[16 November 2023]

From the start, I quite liked Black Cake, particularly the first few episodes. The plot is intriguing, it's very well cast, and the significant amount of tension makes it work. The sets, costumes, and cinematography are quite fitting. The ocean scenes in the Caribbean have a lush feel, serving as an effective contrast to the troubled relationships.

But something happened around episode 3. It's when I felt that this series should have been produced in a more compressed form. Rather than 8 episodes, how about 6? I've just finished the 5th episode, and I'm further convinced. The core story seems to be diluted by tangents and extra relationships. There are moments of unintended humor in this episode, because it's veering into soap opera territory. I feel a bit let down. I've not read the novel it's based on, but I would presume the script follows it faithfully. I plan to continue watching the show, but it seems like the producers have somehow missed the mark.

Stagecoach (1939)

Wonderful Writing, Dramatic Landscapes, Great Characters

[21 October 2023]

I've just discovered one of my favorite westerns. Okay, so I'm late to the game. This 1939 film is masterfully helmed by John Ford. The story is wonderfully written, with sharply-drawn characters and ample good-hearted humor. The pace is spot on, so most of the transitions feel easy. The landscape (Monument Valley in AZ and UT) is beyond stunning; it becomes an integral part of many scenes. The cinematography is marvelous, and action scenes are terrific. Some of the fast charging sequences with horses seem genuinely daring.

Every actor was more than fit for the job. The quirky expressions of Mr. Peacock (actor Donald Meek) make this film even more entertaining. Also loved Thomas Mitchell as Doc, but he came off as predictable in his drunk scenes. I really liked John Wayne's sincerity and fixed gaze in this movie. Claire Trevor perfectly expressed her character Dallas, the street smart woman with a heart of gold. John Carradine deftly approached his noble (yet mysterious) role, and always held certain things close to the vest, just like his gambling. The only thing I would criticize was this film's negative view of Native Americans. In the handful of scenes they're in, they're filmed from a distance, and appear like impulsive killers. The movie could have been even more impressive if Ford had been fair-handed in his approach.

The Other Black Girl (2023)

Worthwhile: Excellent Cast, and Quirky Dark Script

[23 September 2023]

This is one of the more enjoyable new programs on Hulu (Sept. 2023). All of the lead roles are wonderfully portrayed. I look forward to Season 2, where we will likely get a back story on Nella's character. I especially like the interpretation from these lead actors: Sinclair Daniels (Nella), Ashleigh Murray (Hazel), Garcelle Beauvais (Diana), and Brittany Adebumola (hilarious as Malaika). Sadly, I feel that Hunter Parrish as Owen (Nella's beau) has been miscast. I get no genuine chemistry between them, and he appears awkward in most scenes.

The plot and stylistic approach seem to be a mashup of "Stranger Things" and "Get Out". There are also some cartoony vibes and dark humor. Although I've not read the book, it seems like it might be influenced by Octavia Butler (Black SciFi female writer who is well respected). Overall, this show doesn't take itself too seriously, and this is a positive. There are themes explored which reflect an interesting perspective on Black culture. That said, the sequencing of the writing became disjointed, and resulted in some tension being deflated. Specifically, the writers chose to reveal key info in Episode 8, and I think they would have done better to reveal more subtle hints as early as Episode 4.

Inside (I) (2023)

Existential Themes, Riveting Performance

[18 September 2023]

As many reviewers have said, this film is definitely not for everyone. But this film was worthwhile for me. I value the work of Willem in nearly every project he does, even if I feel he has chosen something which is not as creatively challenging. The way the writer utilized select pieces art and philosophy to inform the script was effective, and Willem gave it his full attention. The cinematography, production design, and lighting are all quite good. The setting is the interior of a sleek, exclusive NYC penthouse, and it becomes a character unto itself.

Regarding the extreme circumstances which go on for the duration, I agree with other reviewers that the script strays from reality. But the goal of this film seems to be exploring existential themes and metaphors. Some of the most riveting moments are when Willem communicates outside of the norm, due to being in survival mode. As his mind becomes increasingly fragmented, he manages to remain driven. There's a dream sequence which is never spelled out... how real were those events and characters? I was thankful that this part of the puzzle remained evasive.

Swan Song (I) (2021)

Intriguing Story, Awesome Cast

[13 July 2023]

Highly recommended. There is genuine chemistry between the lead actors, which is not too common in contemporary programming. Mahershala Ali is a gifted performer who brings a unique presence to each role. In "Swan Song", he plays Cameron, who is thrust into life-altering decisions revolving around his family. His wife, played by Naomie Harris (marvelous) is a compassionate woman of great talent. As always, Awkwafina brings a spunkiness to her co-starring role. Glenn Close presents a nice edge and tempered emotions as the doctor who leads a forward-thinking clinic. Dax Rey wonderfully portrays the son, at age 8.

The pristine nature and production design were exceptional. This story is set in the near future, and the sets for the clinic and Cameron's home are both elegant and believable. The cinematography is gorgeous throughout, and the riveting score was carefully selected.

Sharper (2023)

Nice Concept Diluted by a Weak Script

[11 July 2023]

Conceptually, I appreciate what the writers were trying to do with this. It's like the story keeps reeling back (or forward in a few instances) to reveal why things have happened. The cast is good. Because I avoid reading the synopsis of most movies, I did sort of buy into the initial scenes where the couple (newly in love) seemed to click.

But after a while, the story threads became flimsy, and everything was logically predictable: it like the writers were anxious to announce: "we plan to show you the motivation of all key characters, but we will still try to trick you."

By the final scene, I was not surprised in the least, but even worse than that: I felt let down.

Silo (2023– )

Silo is a Dreary Chocolate Chip Cleaning

[30 June 2023]

Nice cast, all around. Yet this show is a real mixed bag for me. With awesomely dreary production design, funky old-time bloated computers, shiny badges with simple principles neatly carved into them, fervent secret love, and a dangerous beauty to venture outside. To add to the entertainment value, more then several scenes play out melodramatically and are unintentionally funny. And a handful of action sequences prove that Jules is a verifiable Superwoman in her feats. One of the best is when she jumps over the edge and falls down several levels or more. In the best case scenario, most humans would have sustained intense injuries for days. Yet Jules gets back up on her feet just seconds later.

In the final episode (which I found deflating) when Jules is imprisoned, her father brings her a nice meal, but if you ponder his overly-sentimental expression, it becomes odd. The consistently droll vibe of the Mayor (Tim Robbins) gets tiring after a while. Common is trying his best, but some of the notes go way overboard. Because I did like some elements of this show, I hope the storyline will venture out for Season 2. Yes, I mean truly OUTSIDE. Let's meet some of those other departed cleaners and arrange some play dates. I don't know about you, but the inside of the Silo is making me weary.

Delicious (2021)

Worthwhile Film with an Excellent Ensemble

[27 June 2023]

This story (French, with subtitles) is supported by a sparsely written, script which serves the story well. One of the themes is social class distinctions in 18th century France. The cast is outstanding, particularly the two leads: Grégory Gadebois plays Pierre, who is a creative, highly-skilled chef, and Isabelle Carré is Louise, a straightforward woman with a mysterious past, who yearns for a change in her life. The script is enhanced by charming, subtle music. The production design, lighting, and cinematography are all superb; so much so, that certain scenes resemble a gorgeous tableau or painting. The enveloping French countryside acts as another character of sorts. This film might be a bit "quiet" for certain viewers who prefer fast-paced, heavy action, but if you're open to a more relaxed scenario with moments of tension and pensive, sensitive characters, then this might be your cup of tea.

I'm a Virgo (2023)

The Novelty Wears Thin After Episode 2

[25 June 2023]

Nice concepts, and a strong cast. Excellent production design and special effects. I like the cartoon quality of several characters and the idea that it might touch upon some facets of superhero stuff, but not dive all the way in. I've watched only two episodes, yet I can tell that I would have preferred this story delivered as a movie. Like "Stranger Things" and various SciFi series and movies coming out over the last decade, it's become really trendy to produce a far-fetched fantasy story, with quirky lead characters who struggle (or sometimes thrive) in odd circumstances. The two actors cast as his parents are committed, but their attitudes are one-dimensional... this is a writing problem, and not the actors' fault. The jury's out whether I will finish this season.

Dear Edward (2023)

This Series is Too Long, but the Cast is Effective

[13 May 2023]

First of all, this is an effective ensemble of actors, who are committed to their roles. This film's concepts are intriguing. Why do certain people somehow survive tragic accidents, while others perish or grapple with lifelong injuries? For me, it tends to be the back stories which prove the most intriguing. Before the tragedy struck, what key events shaped each character's choices?

I've watched several episodes, and the pace feels like it is dragging already - which is a sign to me that there's going to be redundancy, especially during the final few episodes. I've said this in other reviews, and I'll repeat it here: if many of the current TV series could conclude in just 6 episodes, the audience would be left hungry for more.

Still: A Michael J. Fox Movie (II) (2023)

Heartfelt and Very Worthwhile

[13 May 2023]

Highly recommended. Michael J Fox is authentic and vulnerable in reflecting upon his successes as an actor, as well as his challenges with Parkinson's. He is fortunate to be surrounded by a loving, buoyant family who does not feel sorry for him. Like him, they retain their playful sense of humor, and it's clear that the Fox family has a good time being together. This film is edited effectively, and the director wisely made a choice in how the younger Michael would be portrayed in a handful of scenes. The stand-in they have for him is filmed from the back, which lends credibility. Luckily, for all involved, there is so much actual footage of Michael, mostly from his TV roles, that the editor had a lot of material to work from. The Director is the off-camera interviewer, who asks pertinent questions, while wisely avoiding the trap of sentimentality. It's curious that the film does not spend too much time addressing Fox's outstanding foundation for Parkinson's, but perhaps that will be revealed in a future film. If you're like me, and have known people who have Parkinson's, there are moments of this film which will touch you, while offering new insights.

A Small Light (2023)

Wonderful Cast and Excellent Writing

[4 May 2023]

I've watched several episodes, and feel compelled to continue with this series, which is based on real people in Europe during World War II. The writing is effective and well paced. With the difficult themes, it would be easy for the writers to be overly sentimental or strong-handed with morality issues, but they've wisely avoided these traps. The script offers engaging dialogue and realistic scenes, brimming with empathy while reflecting the terrible dilemma of that time. I'm impressed with the cast, particularly Bel Powley, Joe Cole, and Liev Schreiber. The costumes, set design, and cinematography are all quite fitting.

Am I Being Unreasonable? (2022– )

Excellent Cast and Good Pacing

[22 April 2023]

I'm glad to have found this show, just days after its Hulu release. The casting is wonderful, and I really appreciate the comedic timing of Daisy May Cooper as Nic and Lenny Rush, who plays her son. There's a brisk pace to the writing and the show does not take too long to reveal certain plot points. While I've only watched the first 3 episodes, I'll stick with this. In certain scenes there's a quirky quality which recalls "Dead to Me" and "Desperate Housewives". As other reviewers mentioned, the script effectively presents a combination of genres: horror, drama, and dark comedy. This is no easy feat for a writer.

Three Pines (2022)

Molina Carries this Series, and Several Weak Episodes

[20 December 2022]

Now that I've watched most of the storylines, I have mixed feelings about this show. This series covers 4 separate criminal cases, and each case is resolved in 2 episodes. The only character who is nuanced and fleshed out is Inspector Gamache, portrayed by Molina. The other actors are committed, but they do not reveal the depth that Molina brings. I've not read the Louise Penny novels, so I don't have a grip on the author's intentions on the characterizations But from my perspective, Molina rescues this show. I would recommend this series, but the writing for the 3rd plot (Ep 5 and 6) just did not work as well... for me, some tension was missing. The editing, set design, costumes, and cinematography are all fitting.

Kindred (2022)

Worthwhile Themes, Nice Cast

[20 December 2022]

I like the time travel concepts behind this series. Certain characters interact with their past, and increasingly become aware that they can bring about changes to the future. I've not read the Octavia Butler book, but I do appreciate the reviews from her fans, who have a deeper understanding about how Butler crafted her characters. The more I got involved with Season 1, the chemistry of the two lead actors was more tangible. I've been impressed by Mallori Johnson (in the lead role of Dana), Austin Smith as Luke, and Ryan Kwanten as the slaver, Thomas Weylin. The set design, costumes, cinematography, and subtle soundtrack are all effective.

Buffy Sainte-Marie: Carry It On (2022)

Soulful Portrait of a Dedicated Activist and Musician

[1 December 2022]

This documentary has some genuinely moving moments. Buffy is a wonderful songwriter, with a somewhat unusual voice. Her longtime activism is real, and it's important. She does not come off as pretentious in the least, and she is not afraid to express pride in her achievements. Throughout the film, she reveals her successes, hopes, and failures. The film highlights some of her popular songs, and touches upon the key contacts she made in New York City, when she was starting out. I enjoyed several of the interviews with other musicians or industry people who have been impressed with Sainte-Marie's body of work over the years, including Joni Mitchell. As always, Mitchell comes across as wise and authentic in her remarks.

A Man Called Ove (2015)

Excellent Writing, Wonderful Ensemble

[27 November 2022]

This is a beautifully written story, with top-notch ensemble work, and moments of genuine humor. Lead actor, Rolf Lassgård, who plays Ove, is perfectly cast. He's a gruff bear of a man, cynical and snappy, and if someone would like to really know him, they need lots of patience. I rarely say this, but the score is fitting and sensitive, while avoiding the common trap of sentimentality. There were 2 things which were shortcomings: the film is entirely too long (by at least 30 minutes). I was nearly sighing at the end, because the story suffered a bit from the predictability. The ending was fine enough, but I had hoped for something more open-ended. Aside from these things, I would highly recommend this film.

Fleishman Is in Trouble (2022–2023)

Interruptive Narration, and Several Flat Characterizations

[19 November 2022]

First, the positive: effective ensemble work. Eisenberg is very apt in his role. He comes off as a mild version of Woody Allen. Overall, the dialogue is sharp. But why did the writers feel compelled to flood the script with narration? Aside from breaking the flow, the narration has moments which insult the audience.

I feel this series has one miscast part: Danes characterization comes off as flat. I'm sure future episodes will reveal her back story, but I'm not that motivated to see her character develop. The daughter comes off as a stereotypically whiny, demanding pre-teen. In many scenes, she is demonstratively scowling. I'm not blaming the actor, but I think the director's interpretation is way off.

The audience deserves more layers in this show. Because I like the concept, I'll watch the next episode. But I already have some serious hesitations.

The English (2022)

It's a Slow Draw, and Many Scenes are too Precious

[11 November 2022]

I've waded through 3 episodes, but I'm not sure I'll continue. One of my main objections: what could be told in half the time is stretched out, due to abundant production funds. The cast is good, and the plot concepts are worthwhile. That said, the segments revolving around a potential romance are more-than-predictable. I will say this, though: the set design and landscapes are quite beautiful.

Certain scenes are a fond tribute to classic westerns, but many sections unnecessarily expand granular events. It's like writing a brief poem and using excess commas. When this happens, every moment becomes precious, and the overall rhythm drags down.

Regarding the soundtrack, the moody vocals (placed at the end of the episodes) will strike certain viewers as bizarre. Others will not even notice the lyrics. The instrumental music is used generously, but like the script, the vibe is heavy-handed.