... you have to know a thing or two about Chinese history to watch it - this is no Great Yellow Emperor, the Last Emperor and similar aesthetic-agenda-driven-eye-candy from ages past.
I watched it with my Chinese wife, otherwise, the most salient parts of the plot and the reasoning would be difficult to understand, especially that the movie does take a liberty reimagining a part of Yue Fei's story.
A lot of the reviewers seem to have a stick up theirs, as this movie is not "subtle propaganda", in fact the military propaganda is deliberately unsubtle, and overt, and calling it subtle would be like saying "Actually Starship Troopers is pro-fascist" and missing the point of taking the reader for a ride and breaking the fourth wall, by suggesting that one should think for oneself and that those portrayed as either patriots or traitors may not even be those who they're said to be.
Besides that the magnificience of the innovative cinematography - as much with the color palette and shots, as with the musical canvas accompanying the show was a great choice - subtitles might be welcome, but I'm afraid they will also distract from the visuals and the plot, and even with rudimentary knowledge of the culture, we can guess that a "national folk hero" like Yue Fei would get a share of his own Chinese theater pieces which get a metal-rap rearrangement here, reminescent of another excellent movie which shows well-known character in another light - the 2006 "Marie Antoinette".
One could probably say that "the movie is misogynistic" because almost all the women seen within it die to the hands of plotting and cold-hearted men, however, seeing the amounts of death, I would say that it's a comedy only in the way the Dante's "Inferno" is one - that is an observation on the mores of the Song dynasty and the harshness to which it pushed both men and women to survive and rise in the governmental ranks. Overal, the presence of women here is akin to the same in the "East-West" drama from 1999 - it's not the movie which is misogynistic, it's the environment of the late Song dynasty or the Stalins' USSR special mission town which is not conductive to niceties of a milder and kinder era.
As for the 'recitation' scene that many have found awkward and clashing with the rest, I on the contrary have found it very fitting, because what was living in those past ancient ages, if not learning to recite dozens and hundreds of documents by heart, because paper and writing was the affair of a rather more educated milieu, and - also following the leader - even "a corporal", no matter how initially stupid the order would sound. It did also sound like something which is done in primary school, and Yue Fei's poem is indeed recited in China, "except the second part" as my wife said, because obviously the Jin dynasty, to the shame of many Chinese reviewers here saying this is nothing but "propaganda of acquisition of land", is part of China already, and the very idea "get back the stolen lands" of Dalian , Qingdao and so on of the 'foregin Jin' would sounds ridiculous to everyone - hence , considering that Jin is part of China, the non-recitation of the second part of the poem, especially by primary schoolers is perfectly logical.
Additionally, all things considered, and if you think about it Yue Fei might not actually appear patriotic, pushing for a war, that with the benefit of hindsight we know was lost, because Song didn't last "a thousand years" after than but the Yuan - foreign Mongolian invaders ;D dynasty came after that. A mountain bore a molehill in other words.
The movie ends on an open note, and as the girl is petting a stone lion, while a mass of soldiers recite the poem, it is inviting the viewer to reflect on this hermetically-closed plot and on their own assumptions, and what this would mean for this tiny peaceful piece of future the girl will grow up to be in a sea of war. Perhaps it might even contain the answer to the displacement of the Song by the Yuan.
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