I've felt that pushing it to a third film for this trilogy was asking too much already since the first two ended on such a great note. However with that being said Before Midnight ends with another great note, and hopefully it's conclusive movement in a trilogy.
It has definitely been a great contemporary romance, as well as a true definition to realist film making. The takes are long, and the actors perform well in these static shots situated in one of so little places (mounted on the front of a car, etc). Again the film was more of character study over the ambitious plot points that push any blockbuster film. Not much happens but rather the development of a relationship, which is ultimately satisfying to watch for where it has gone over the years since we last seen the two characters.
I'll admit that I generally don't like Ethan Hawk but in this film (as well as the previous two in the series) he has performed.
This is one of those films you could batch with the independent fanfare films, so don't expect crane shots or other cinematographic maneuvers that will simply drop kick your visual expectations. It is what it is visually, it's a realist film where form is neglected to the point of invisibility, and as a result you witness the characters in all there glory without the (often necessary) satisfaction of great cinematography and / or (for the masses) special effects.
Enjoy this film with the love in your life, and you won't regret it.
It has definitely been a great contemporary romance, as well as a true definition to realist film making. The takes are long, and the actors perform well in these static shots situated in one of so little places (mounted on the front of a car, etc). Again the film was more of character study over the ambitious plot points that push any blockbuster film. Not much happens but rather the development of a relationship, which is ultimately satisfying to watch for where it has gone over the years since we last seen the two characters.
I'll admit that I generally don't like Ethan Hawk but in this film (as well as the previous two in the series) he has performed.
This is one of those films you could batch with the independent fanfare films, so don't expect crane shots or other cinematographic maneuvers that will simply drop kick your visual expectations. It is what it is visually, it's a realist film where form is neglected to the point of invisibility, and as a result you witness the characters in all there glory without the (often necessary) satisfaction of great cinematography and / or (for the masses) special effects.
Enjoy this film with the love in your life, and you won't regret it.
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