Holdovers starts very slowly but eventually gains momentum. Not great but not being preachy is certainly a plus. Payne has doen far better: Sideways and The Descendants being obvious examples. This is fine, but mostly stands out for being not typical Hackneyedwood of today. I doubt is will be remembered though, other than by those who wonder how people go to visit Boston and Cambridge for the weekend and end up bowling in ... WAKEFIELD. At first, his head covered half the "Wakefield" sign. I did a double-take "Does that say Wakefield?" Sure nuf, it did. Bizarre. Oh, and then The Chateau restaurant in Waltham of all places. Double bizarre.
An indie dramedy is expected to be character- and writing-driven. Unfortunately, neither the characters nor the writing here are especially unique enough to structure a compelling plot around. Teacher and students are stereotypes. The building relationship between teacher and student is better handled. I have no idea how Randolph won an Oscar for this, not that I have any respect for the entire "Academy" system. Randolph is fine, but stands out in only minor ways, as in little looks she gives or short phrases at most. Otherwise, her character, Mary, is hugely sympathetic but hardly developed. Oscar? Come on.
An indie dramedy is expected to be character- and writing-driven. Unfortunately, neither the characters nor the writing here are especially unique enough to structure a compelling plot around. Teacher and students are stereotypes. The building relationship between teacher and student is better handled. I have no idea how Randolph won an Oscar for this, not that I have any respect for the entire "Academy" system. Randolph is fine, but stands out in only minor ways, as in little looks she gives or short phrases at most. Otherwise, her character, Mary, is hugely sympathetic but hardly developed. Oscar? Come on.
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