maine_310 Reviews

Crossing Lines (2013–2015)

Genuinely surprised - It certainly crosses the lines like the title suggests

[8/10 · 23 September 2014]

There are moments when you can say you have seen it all on television. There is the bad guy and the good superhero, and it does not always have to relate to the comics. Crossing Lines present the similar analogy with a single exception. The people that are supposed to be good are mixed up with some bad.

There are other series that alter the goody-goody character by painting them with shades of gray, but what makes Crossing Lines unique is its ability to capture them on a real level. These are human beings and not actors reading lines giving an excellent performance or strangers coming together to work on a project. Every cop has experienced some kind of loss or personal growth in one season that other series do in five.

This is a series about police work, justice and truth to mention the least of how far anyone can cross the lines. We have a character that had lost faith only to find a purpose, another that seems invincible but has suffered a crippling loss that humanizes him and other characters worth exploring for future foundation.

The revelation of each individual life plays out as if you started your first job and you are faced with what seems to the most tedious task of learning about everyone. On the first day rarely do you know the deepest part of a person's heart and what motivates them. That alone takes time to develop, like trust. Patience plays an important role when it comes to development as it would anywhere. So from time to time in Crossing Lines, they meet their day to day cases, that opens up a perspective of the world any series before could not cross or reach. This series is worth a watch and repeat. It would be shocking to discover how thirsty you become for another episode after the first season closes. The mushy mushy scenes happen, but they exist as it does in reality. This one must not slip through your fingers.

Love You, Mean It with Whitney Cummings (2012– )

You just gotta love Whitney Cummings

[9/10 · 4 January 2013]

If you don't love Whitney, then you may not be a fan of her jokes, or just class them as unfunny. Someone who is unbiased to Whitney's new found presence on television, would just click the remote on and laugh. Whitney has the type of "don't care" personality that works for and against her. You either love her, love to hate her or just hate. Which ever one works out is fine, because Whitney just doesn't care.

Right now she has split LYMI into categories that debate topics of what people talk and think about everyday. You know you were thinking it and Whitney is brave enough to say it out loud. She then goes into her comedian debate segment over clips which can offer a belly rolling of laughs. Who doesn't like to watch a whole lot of comedians making fun of things? We invent things ourselves in our thoughts and laugh to ourselves anyway. Fresh faces keeps this show original. We don't see the same people all the time, well except Whitney and her sidekick (every good villain needs one)...and it is her show.

We are then treated to a guest interview which has worked well because Whitney has a good group of friends on her side and that makes the show interesting. I am not an 'in your face' fan of Whitney, but she probably has found her niche in television and tries to be herself naturally, regardless of the negativity a lot of people throw her way. Just because of that it ironically makes me like her.

So without prejudging, it is simply a series that tells you the dirty, witty, spontaneous on the street topics that when you turn on the television to escape the hectic every day life, you get a laugh. Sometimes that is what we need for a half hour or just a second.

Missing: Pilot (2012) Season 1, Episode 1

Slow into Go - Becca snaps our Attention

[9/10 · 5 June 2012]

I understand the meaning of attachment. When someone becomes a part of you, they are so attached to the limb. Even when you are apart from them, you are still close. That is the kind of relationship I understood for Becca and Michael. She loves Michael. It's that simple. The acting is an acquired taste that pulls you into a Missing imagination. You can relate, but you have to let it sink in.

235@W' brought me back to the days I used to make up some kind of code my friend and I used to outsmart our kindergarten teacher. Things like that we forget now because we barely find the time to learn a new language unique to ourselves. I have forgotten the symbols I formed when I was younger, but it was cool. This is was when the pilot kept me glued. I found the pace a bit slow in the beginning. Becca was running, but I still felt as though I wanted to be on that run with her. When she passes by some people now warming up for their run, this kept it real. It is subtle things like that some writers forget to include. A sense of continuity prevails when we realize that the pilot is not when Becca's life begins, we have partially interrupted a portion of time from Becca's life. That run looked very good too.

When I did my research on the title of course mainly serious matters appear. That is missing children among many. It can be a very sad topic to think about. This can hurt this new series. If at some point it turns out to be clichéd and overacted or just boring, it does no justice to the real issues that exist in society. Who can or should be entertained by someone being abducted? This series however slowly parts from that perspective and focuses on the perils of a mother. We see the connection a mother has with her child and we feel the torture of watching your child grow up and then mature away from a mother's oversight.

Clearly this explosion was an oversight. When Paul's car exploded during a conversation Becca was having with her son it lends itself to the drama television somehow creates, but not in real life. How would the Becca Winstone of this time deal with hearing an explosion and not knowing what happened on the other end of the phone. Unfortunately this was not truly delved into. The writers thought it more important to show Michael survived and Paul did not. It was clear, no more debate. I still felt that about ten years later, watching Becca run with Michael happy did not wet my appetite. Did the child actor look like present day Michael? Maybe. We don't care at this point. How did this explosion affect their lives? We do not get to see that.

So yeah we look for many things in a pilot. 1) A relationship, 2) Action 3) A story we can actually follow. Spy movies and television series have been done and overdone time and time again. Let's face it we all picture at some point being spies in our minds and keeping secrets that no one else but you and a selective few know. We let our minds explore the possibilities of anonymity to hide away our true selves and we escape. We pride ourselves on learning skills and holding the wealth of technology in our palms. These are all trade qualities we crave sometimes on a long on the clock day of work, come on it happens. If not then through the people we socialize with. I forget all that with Missing. I don't need to compare with other series because it stands on its own. So the pilot worked for me and I caught the reruns when available.

The writing of this series comes full circle in the pilot when Michael tried to make sense of his symbol with his mother. Part of how it all began, to end with Becca knowing that his son stayed at a place where that symbol existed. It melts you in a way that not many truly understand. Some shows are just there for you to look at but Missing goes the extra mile to pull a cast from all over to have a home in one sitting. That is truly remarkable.

4.8 Stars

Lexa Reviews

SAVE MISSING

Read in Full

www.lexabuti.blogspot.com

Unforgettable: A Man in the Woods (2012) Season 1, Episode 22

A Season filled of Adventure

[10/10 · 9 May 2012]

I found myself anticipating each episode. Eager every time Tuesday came around hoping to have Unforgettable on my television schedule. A lot of my friends have debates on each sequence. I have grown to like Al and Carrie together as colleagues and partners. This series however goes beyond that. It touches on the roots of doubt and unguided decisions. It pulls you into a world of a past that one tries to overcome. I am certain most can relate with that tag-line.

I could not believe how hooked I became until it was a Monday morning I was getting ready for work and I was excited for Unforgettable the next day. For any series to do that means that it has made an impact and not many I can say do that for me. This episode delivered on answers and Jo has come pretty close to all of our hearts. This episode went back to the past and encouraged Carrie to face her fears. Yet the writing was impeccable, along with the acting.

I now think about is what could be holding the network back from keeping this series head on. What this network needs is a strong female character that stands out. Viewers can relate with it, so they do not have far to go. Its marketing potential can be used for everyone's benefit. The finale still left me wanting more, which is what a second season should provide.

Unforgettable (2011–2016)

An Unexpected Hit

[9/10 · 9 May 2012]

Unforgettable reminds me of 'drama' series that aired in the earlies. It has that slowed pace that gets you hooked on the story. Characters are layered with pure emotion. It leads you to believe that these people very well exist in reality. Then there is Carrie. Most people have commented on her memory skills. It leads me to think that some may not like the actress Poppy Montgomery, but her talent as an actress surpasses any superficial criticism. Be it the clothes she wears or her pride about her 'superpower', she is made human because of them.

I understand how Carrie began her journey and the writers of this series have found a way to place subtle clues in each episode that allows you to think deeper. This is what most series lack these days. It pulls you into this world that encourages you to feel for Carrie and her story. She is far from perfect. She seeks out thrills of life and was lost when her sister died. A piece of her has struggled to survive. Any series that can achieve this connection has a true talent in this television industry. Sadly not many see it because of the emotional depth they cannot achieve within themselves. How can they understand a story arc so detailed? This is far be it, one of the best series television has to offer. The characters represent the closest to reality characters portray. While each director, producer or editor on staff attempt to place a measure of humor or something that can attract more viewers, the series does not falter. There are those that see it for it's value and appreciate the cast as human beings. Carrie's vision of herself in her memories are for us to see the exact moment she focuses on something. It is a televised guide for us, that helps us see into her mind. This is one minor thing some put down to push this series off, but the lessons we learn from each mistake takes us on a whole new journey. This is what television needs.

From Prada to Nada (2011)

An Unexpected Twist

[5/10 · 6 May 2012]

The first time watching this trailer 'Material Girls' came to mind. The trailer mirrored each element of drags from riches and I imagined how these girls would survive the former. I anticipated a change of cast to reform a theory that could be portrayed differently on screen. The trailer was misleading. The movie went beyond the Prada and you soon forget that they had nothing.

Nora and Mary are sisters, quite different from each other. When the synopsis makes mention to two spoiled sisters, Nora seems far from that label. They were given everything they wanted, yet Nora chose to fight for what she believed in by becoming a lawyer. Mary became the stereotyped version of the spoiled and riches story. When she lost everything, she struggled to hold on to what was. It wasn't clearly mentioned, but Nora portrayed herself as the eldest and most ambitious.

The film then crosses parallels by making references to Mexican culture and traditions as Mary tried to embrace that side of her culture. Nora focused on her fight. Camilla Belle played Nora as a strong focused young woman that faced her problems. Her sometimes expressionless moments and subtle gestures set her apart from her sister. At certain points there was difficulty connecting these two girls as sisters because of their differences, but they still found ways to connect.

Time overlapped frequently and the pace was barely one you could keep up with. The emotions did not match up evenly. The audience would be disconnected from the romance this film tried to capture. Mary's obsession to leave her new home drove her to an overambitious TA who took advantage of her desperation. It would have been a solid had this TA been reprimanded for taking Mary for granted. Having his wife leave him in that final scene before Mary's accident would have been the cherry on top. Alas Mary and Nora found happiness, but the main theme was lost. What was truly gained in the end? Was Nora ever successful with her own law practice? Was love the original plan this film set out to achieve in the end? What was in those letters for their step brother? While this film did achieve a solid theme and overall solid storytelling, I had hoped for more. It however left some unanswered questions behind.

Smallville: Homecoming (2010) Season 10, Episode 4

Excellent: All this time I struggled to figure out exactly how Clark would change his identity, except the mistake made was the 'change'.

[10/10 · 16 October 2010]

Nearing the end of a series, where an abundance of fans have followed since the beginning, writers often slip with the quality or step up their game. "Homecoming" was proof that not only these writers improved on the material, but gave meaning to the story of Smallville; a boy's journey to become the man he was destined to be. Ten years of Smallville clubs, shippers from videos on 'Youtube' and incredible reflections on the image previous writers played on the Superman image, created this milestone. What other meaning could this Superman be to us; the dream that gives every individual hope of life, that people beyond our imaginings hold our best interest at heart.

This episode was filled with such debt. Others have put strain on the pressure placed on Clark to become the hero he was already, but did not take into consideration the strain he placed on himself that held him back. Our minds were focused on the possible threats that Clark would have to battle on this journey, that no one paid attention to his destination. This trip down memory lane was for his own good, despite our resentments. Clark had to face his past; a past he dreams he could redo, correct the wrongs he made and save the people he hurt. He finds so many ways to hurt his already bruised heart from the suffering he had endured. Instead of learning from his mistakes, he transforms the pain into another load.

All this time I struggled to figure out exactly how Clark would change his identity, except the mistake made was the 'change'. There is no way Clark could change the person he spent years building. He once tried to erase himself completely for the betterment of others, rather than realizing the strength he already had to realize his humanity and his destiny. In fact, with a trip to the future, 2017 to be exact, Superman was already born, he was in love and he was on his prophesied path.

The future as painted in "Pandora" has changed drastically. Moreover since Zod was defeated. It can also prove that the future Clark was exposed to may be cause for changed and it would only be up to Clark to create his own future. I spent a while on this review, re watching clips of my favorite moments throughout this episode, which meant I had to watch the episode over to its entirety. Thumbs up to everyone who made 'Homecoming' possible. I applaud each and everyone to keep it up, the journey was a long one and fans are still traveling down the road you constructed for us.

Lexa

Read Full Review Here:

http://lexabuti.blogspot.com

Smallville: Season 10, Episode 4 "Homecoming" Review

___________

Five Stars

Grade A+

___________

Private Practice: 'Til Death Do Us Part (2010) Season 3, Episode 15

No one really prepares for their fifteen year old child's wedding.

[8/10 · 21 March 2010]

It is actually something you put at the back of your head, as you watch them grow into the individuals you can be proud of. You would even want them to either follow in your professional footsteps, or get them to have the better life you could not afford yourself. We always want the best for our children, so we can relate with Sam and Naomi's story.

It took guts on Naomi's part, attempting to stay away from everything that was taking place. I am certain she hoped that if she closed her eyes and turned her head enough times, all her problems would go away; she would no longer have to face a pregnant daughter, in love at an uncertain teenage time and she would no longer have a wedding to deal with. If you really think about it, this situation would be overwhelming for any mother.

Maya showed a great level of maturity for her age, while she tried to get Naomi to fess up and realize what was happening. Sam was right, the more Naomi ignored everything related to what her daughter was going through, the more Maya would form her own family having her mother on the sidelines as though she were a stranger. Naomi believed she failed as a mother, and that's natural, especially given how strict Naomi was, it's no wonder she would consider herself a failure, ashamed to confront her friends for fear of scrutiny. On the other hand, there was only so much she could hide from, according to Sam, she had to be the adult and avoid having him deal with everything on his own. It was happening whether or not she willed it away.

On the topic of Sam, I still can't figure out his obsession with Addison. They were very good as friends and you could tell they loved each other on a deeper level, given everything they've been through together. Which is why I can't understand Sam's distaste towards her. Especially when he implied the notion that Addison was seeing Pete; without any hard facts. It somehow felt that when Addison first confessed to seeing someone, she was trying to rub it in Sam's face. I don't know if she meant it that way, but it was not too long ago Addison and Sam were lip-locking as a means to suck the passion from each other, only to have Addison mention some guy she was seeing. How serious could it have been, and shouldn't Sam have known about it since they used to be so close? It surely wasn't Noah.

Sam had no right to treat Addison as though she went behind his back. He has no jurisdiction over Pete. He can't say Pete is his friend and make Addison feel guilty, it just doesn't work that way. Had he said that his only concern was with Violet and how their relationship would affect her, then I could have given him a pass for being such a shrew. I was very disappointed in him. It's a shame how relationships become dismantled the moment things cross over to a 'friends with benefit on a sometime-ish' notion. Do you believe Sam would have acted so cruel if nothing happened? Surely there would have been a few eyebrow raisers, because it would mean that Addison couldn't keep her business in one place, but Sam would have given her a long speech and probably guide her in the right direction.

I would look forward to the development among these relationships; the Maya-Dink-Sam-Naomi-Addison-Violet round about would be fascinating. I only hope the best for Maya, she is trying to live out her youth and juggle being an adult, it would truly be a difficult task.

Sideline Note - What was Cooper doing with that Charlotte look-a-like and and sound-a-like? That goes to show how much Charlotte is on his mind, that he would bring someone so similar as his date. I believe Charlotte made a huge mistake sleeping with Cooper again. Why go down that road if it leads to the same place? I really had no idea how Charlotte was going to take off her dress, wash it and dry it in time before the reception was finished, she should have just gone home. Charlotte either tried to seduce Cooper in that moment and he fell for it, or the writers tried to pull something to get Cooper and Charlotte in the same room together, to ignite that flame. There is only so long a candle keeps burning before the wicker blows out. I would prefer it had things been sorted out properly between them before jumping into a boiling pan, I can't handle anymore arguing from them.

Another interesting pointer was how well they made use of all characters, including Dell. Dell is one of the most underused characters and they managed to find a home for him in Private Practice, I am glad he was there for Maya. On a more cheerful note, I hope the writers would now script less emotionally draining episodes; that premature baby was another heart-breaker. Let's hope on the brighter side of things, that the end would be 'til death do us part' for Maya and Dink, just like they vowed to each other. Beautiful wedding indeed!

Lexa Reviews

http://lexabuti.blogspot.com

___________

Four Stars

Grade B-

___________

Private Practice: Fear of Flying (2010) Season 3, Episode 16

Even as the title is 'Fear of Flying', it didn't only revolve around Sheldon's case, with the woman.

[8/10 · 21 March 2010]

It actually reflected everyone's fear of flying. Addison was afraid to hurt Naomi's feelings and venture into a relationship with Sam, Sam was afraid to move on with someone that didn't quite remind him of Addison, Naomi was afraid to explore her feelings for Fife, Cooper was afraid to admit his feelings for Charlotte, Charlotte was afraid to get hurt again and Violet was afraid to come home. Each and every character, had their fear similar to that of flight, climbing and moving up or even moving on.

I was surprised that Amy Brennman (Violet) was not included here. Each character was well utilized, but as a main character, she was missed. All they seem to establish around Violet since her incident with Katie, was that she was damaged and needed some sort of fixing, emotionally. Let's hope this trip did her some good and she returns next time revived and newly reformed.

I still can't get used to Addison and Pete, locking each other in a romantic embrace, like a couple. The concept of them hasn't registered much really. I begin to ponder upon the reliability of their relationship to last at all, since it was created out of share depression from rejection. Things are just too complicated and when the real issues emerge, I doubt they could handle it. Addison was forced to face Sam, but Pete didn't get the chance to face Violet, how will that be handled? The opening missing underwear scene with Pete and Addison, was slightly disturbing. I kept wondering, 'couldn't she have bough one on her way to work, even if she probably left from his place'? I don't think Addison truly understand the responsibility of a relationship as what they may have is purely physical. Otherwise, why haven't we had a scene with Addison holding Lucas, or playing the potential parent role. That would soon come into play and may be the driving field to get Violet back into Lucas' life.

Sam, in my opinion, has been a true snob lately. I believe he is acting out of a bruised ego as opposed to a broken heart. Nothing truly happened between him an Addison enough to say that he was in love with her. So dating someone that reminds him of her, might grant him a referral to Violet's office. Sam needs to stop acting stuck up and discover the real reason Addison and Pete are together.

I wonder if Maya is on her honeymoon now? She was deliberately omitted here and it would have been good to find out what was next after the wedding as newlyweds. Naomi is too fixated on William and Sam on Addison for the story-lines to intercept, and deal with what's new with Maya and Dink. I honestly don't know where Noami's attraction in William. She may not mention the wealth, but I am certain that has a great impact. The sex talk from her was a bit disturbing as well, could you actually picture Naomi and William together *shreeee*. Probably just as disturbing as Sheldon and Charlotte.

Private Practice did show a litter side to things, although the theme was set around depressing circumstances; where a father is forced to leave his family behind, because of inconsistencies in paperwork and a health condition. How many sad plots could Private Practice create before they start focusing on the good times again?

Lexa Reviews

http://lexabuti.blogspot.com

____________

Four Stars

Grade B-

____________

Private Practice: Triangles (2010) Season 3, Episode 17

Triangles are usually associated with love affairs and mixed feelings within mixed relationships.

[8/10 · 21 March 2010]

Now 'Triangles' could have been placed on the Cooper-Charlotte-Sheldon trio, where Cooper couldn't bare the jealousy of Charlotte and another man together, the triangle could be placed among Addison-Pete-and-Sam or even Addison-Sam-and-Naomi. This episode bore it's focus on so many triangular related plots, that even the title had to succumb to it. If there was any doubt about the triangular theme, Naomi-White-and-Fife should put the final touch on the many altered and complex relationships already existing.

It was surprising how cleverly the writers made Naomi aware of the Sam and Addison love-friend-lover-whatever-affair going on. It was an awkward stage between the two of them and Addison held off on being with Sam only to have Naomi still be angry with her. Addison was wrong for allowing her feelings for Sam to go beyond friendship, but she should have just held her tongue and avoid mentioning the kiss between her and Sam, no matter how much her guilty conscience weighed down on her. By the look of things, Naomi and Addison would not be mending fences soon. Even though Naomi has moved on with her life 'seemingly', that doesn't mean that she shouldn't harbor feelings of resentment after the discovery of her best friend's interest in her ex husband.

Addison carries a lot of baggage her way; firstly she has dealt with an affair, simply sleeping with every attractive guy she is confronted with. It's almost deplorable the sexual weight Addison has built within her profile, the last person anyone would expect her to end up with was Sam. It's more of a betrayal of trust, than it is anything else. Which was probably why Addison felt the need to push Sam away, to avoid the huge melodrama of it all. In all fairness, was Addison ready to be a mother to Maya? Because that would be a fact she would have to consider if she and Sam ever got together. Which was also why she had to consider getting into a relationship with Pete and Lucas. It's not just sleeping with men anymore, it's more taking on the responsibility of caring for the excess baggage welcomed in her lifestyle.

The entire Cooper-Charlotte-Sheldon melodrama also needed a bit refining. The scene between them in the kitchen was indeed a testosterone adrenaline rush. Who knew Sheldon had it in him? Although I believed Cooper was being a jerk, Sheldon seemed the least likely to win the fight. Had Charlotte not interrupted, who knew what other parts would have been bruised. It was nice that Private Practice incorporated this funny scene for viewers. Everything else has shed a certain depressing tone when it came to relationships and case stories.

This was frankly the second episode without Amy Brenneman (Violet) and I assure you writers I miss her very much. I don't understand the absence. Violet would probably cause conflict between Addison and Sam, that the writers could be giving their relationship some time to develop before it falls apart. Wouldn't Sheldon also find it strange that he's sleeping with another woman in the same place he once slept with Violet. Doesn't that raise a few psychological pressing answers in his head? Sheldon has grown an inch of attraction with his features, I don't know if it is the make up, but it is a wonder whether Charlotte carries true feelings for him, or whether this is another physical relationship for her.

It was fun that Addison hijacked an elevator just to talk to Sheldon, had he not been around, what would have been her case?

The case where Sam's new girlfriend takes over Addison's patient was pressing. I wouldn't be surprised if the husband would press charges against the girlfriend, for her medical mishap that caused his wife to become brain dead. It was sad the way the actual parents preferred their babies lives over the woman who was carrying them. This is actually a case I would like to have a continuation; where the husband sues Sam for malpractice and his girlfriend, then let''s have the writers come up with the rest. The second case dealing with the 'imaginary friend' was new and interesting appealing to sensitive real facts of denial and coping for both the patient and the doctors.

I admire the direction Private Practice has taken, very sensible and well developed plots. I would actually have preferred it had Addison kept her self quiet and stayed away from the complications of relationships. They don't ever work out the way she intends it and someone indirectly always ends up getting hurt.

Lexa Reviews

http://lexabuti.blogspot.com '

___________

Four Stars

Grade B+

___________

24: Day 8: 12:00 a.m.-1:00 a.m. (2010) Season 8, Episode 9

Was it just me, or did you gather that we missed an entire chapter on Renee and Jack.

[6/10 · 24 February 2010]

I hardly doubt Jack would have been so callous to the security officer and the woman interrogating Renee. Jack was willing to choke her..., risking a possible confinement, it's a wonder she didn't press charges. I am concerned about Renee and her past and her condition that led her to that point of ruthless murder. It still manages to fall on Hastings.

Hastings establishes his weak character as each hour grows. He's fearful, lacks the decent spontaneity and common sense that a leader should have. We learn that he was placed in his position by Rob Weiss; he himself proves to be poor in judgment when it came to selection of 'heads'. Their solution to everything is put the blame on everyone else except themselves, which is a hint of weakness. What makes Hastings capable of running CTU? What makes CTU the best or even more efficient than they used to be?

At least in the early days they didn't have employees missing and unaccounted for, because of irresponsible actions. Of course I was referring to Walsh and apparently her fiancée Ortiz fell for lack of judgment when he saw the true colors of who he was going to marry. The moment Walsh confessed the truth I shook my head. I kept thinking "you couldn't have done that before, come on!". Now look at what's happened; Kevin's psycho friend Nick became even crazier and gutted him (talk about a jaw dropper) then Ortiz managed to pull the trigger on Nick to save his own life.

What was the purpose of those characters anyway, I really couldn't get the concept? Was it to gear them away from CTU long enough to have Jack take control of things (who by the way recovered nicely from his torture and stab wound; years of training perhaps). Or was it to give Dana Walsh the character development needed for the future unknown, who knows? Kevin's friend became spooky the moment he smelt money and turned his armored foot on a patrol officer, who does that! I only hope Ortiz and Walsh wouldn't concoct some plan to hide the bodies in an attempt to save their jobs. Now that Ortiz knows about Walsh's past, would the wedding still be on? It's not like there was such an intense passion of on screen chemistry between them.

Somehow each character seemed underused and there was a slow development within this hour. I suspected that Hassan would pull a two timing job on his crew, but why not wait until he left the compound before he called CTU. That was reckless on his part, trying to play some kind of hero after he caused so much harm in the process. I wonder if he would be given immunity as well? Hassan did a reckless job of knocking out his newly formed enemy and running without any kind of plan. Maybe his nervousness got the better of him and he couldn't wait to be transported to his supposed friend privately.

I was actually glad not to have President Hassan this hour, he got too cranky the moment his wife left him. As for President Taylor, there was reference made about her daughter Olivia, between Jack and Hastings, I wonder if the mention of her had any meaning? I have no idea, but that scene between Jack and Hasting felt mediocre. Simply because Jack is more intimidating than Hastings ever could be, and he respects Jack too much to sanction him. It also makes Hastings the possible coward Jack imagined him to be; unaware of his true potential.

The next few hours better not be as repetitive as the previous seasons, the plot twists and villains aren't even lasting long enough in their character roles. Villains like last season Jonas Hodges and Colonel Ike Dubaku are starting to look better. It's still missing that flavor which gives you the adrenaline rush, that keeps you going until the day is over. I don't know how many hat tricks are left, but right now I would like more insight into why Jack is so passionate about Renee, as though they had some 'thing' together and to learn more about Dana Walsh's past, if it really matters anymore - or does it?

Lexa Reviews

http://lexabuti.blogspot.com

_______________________

Three and a half Stars

Grade C-

_______________________

24: Day 8: 11:00 p.m.-12:00 a.m. (2010) Season 8, Episode 8

Things became serious for me during that torture scene with Jack. That's two times for the day already not so?

[6/10 · 17 February 2010]

I believe Jack should have gone with Kim, and have someone else be the hero for their country. At that point when the torturer stuck his finger into Jack's wound, everything became squirmy. I am just tired of Jack suffering relentlessly. What seemed to be a waste, was that it lead him to nothing, the rods were gone and that only meant another 24 runaround of 'tag' where everyone becomes a suspect and the chase is always ongoing.

Everything just felt like an eye roller at this point. From the moment Jack got the better of his torturer, to the point where he surprised Bazhaev-after he himself proved to be a worthy villain, to be defeated so easily was a real shame, by a table being thrown on him non-the-less. Did Jack not expect to be tortured by these men, they obviously would not have trusted him to book a deal. Bazhaev was smart, he figured that Jack was a cop(not really-retired) and not because he looked like one exactly, but because of his style and approach to making a deal, it lacked the necessary finesse of a businessman. They didn't even try to do a background check on his name.

I felt disappointed when Jack got a handle on things so easily and arrested Bazhaev. I think I am tired of hearing the phrase "I want Immunity". I was like 'it couldn't be over already, how much episodes we have left?'. I couldn't believe Bazhaev's son took over the operation, that felt like a traditional 24 runaround scene. Like they did that one already and Jack was having a series of deja-vu moments.

I didn't appreciate Renee being labeled crazy and Hastings is really annoying me now. I want to have his credentials and who recommended him for the position, in full view. He is really a huge fool if he could walk over people, take credit for the job when it's done right and blame the same people when the job gets screwed up. A leader is supposed to take the heat on both occasions, for the good and the bad, and Hastings seems to be more like a follower in the shadows type.

As for Dana, I have nothing really to say about her. She started off as a strong character and now they are painting her to be this major idiot. I believe her plot would have something to do with the later events in the day, that's if she goes through with pulling the trigger. Somehow I stopped caring about her character and the dilemmas that came with it. She just has no real principles set in her life to take the stand I want her to. Her solution to solving a problem, is to have it end with a bullet, when she could have prevented him from doing any harm in the early stages. Since when did Kevin's friend have s much mouth to talk to Dana that way, anyway I guess I had something to say on that topic after-all, but I am not a fan of the few minutes wasted on Dana's lack in judgment.

President Hassan's scene was a bit mellow, along with the scenes with his daughter, I already knew of her relationship with Tarin and I don't believe he's the traitor Hasssan made him out to be. Who knows, expect the unexpected I guess. This hour was very slow and felt redundant for some reason, like a roller coaster ride I've been on before. I hope things begin to spin the way I want it.

Lexa Reviews

http://lexabuti.blogspot.com

_____________

Three Stars

Grade C-

_____________

Smallville: Warrior (2010) Season 9, Episode 12

Smallville: Season 9, Episode 12 'Warrior' Review

[7/10 · 15 February 2010]

Why is everyone kissing Lois and Clark, except Lois and Clark! If you understand what I meant there, it was just painful having Zatanna's magic fingers all over Clark, couldn't Clark pull away before their lips touched, or even before she climbed on top of him! I wasn't even pleased with Lois' retaliation kiss, it didn't matter the other guy wasn't even hot enough for it to mean anything, and it only proved that she kissed him out of revenge, to appease her insecure conscience.

I am actually disappointed here. Ever since the writers placed Lois and Clark together, things kind of got mellow between them. Lois became more forgiving and Clark became more distant. It is really starting to get me very upset that there hasn't been a decent kiss between Lois and Clark in weeks!

The only possible advancement would be Chloe finally having her first crush since Jimmy and that very suggestive scene between her and Oliver in the end. Did Chloe really not know how to shoot that bow? As for Oliver, he was actually placed in odd scenes; like passing by the Daily Planet to see Lois and bounce into Clark afterward. Then we have the writers playing with the chemistry everyone wants to see happen between Chloe and Oliver.

Other than those plots, the other scenes with Zatanna and the boy wasn't really worth fulfilling an entire episode. Did Zatanna really need Clark's ex-ray vision to find the book? It just seemed too easy and predictable a storyline, especially the scenes with the boy-turned-superhero-turned-villain-turned-boy again. I was actually disappointed with the limited difficulty expressed here.

The writers need to work on tying up some loose ends and try having the absent stories like Zod, Tess and Amanda Waller, dealt with on a smoother scale. Zod made a huge suggestion about his plan and the towers, and Waller and Tess had this huge conversation to have - what happened to those? These should be acknowledged soon enough and I am probably still upset that there weren't really enough Clois scenes to take my mind off the other stuff. It just felt as though it missed something, and I didn't appreciate how friendly Clark was with Zatanna in the end and how clumsy they made Lois with the phone cord, as if she needed to be. Zatanna had to use her powers to get Clark to kiss her, Lois just needed to give him a look, or through another box his way.

Lexa Review

http://lexabuti.blogspot.com

_______________________

Three and a half Stars

Grade C

_______________________

Private Practice: Love Bites (2010) Season 3, Episode 14

Private Practice: Season 3 Episode 14 'Love Bites' Review

[9/10 · 13 February 2010]

I really have no idea what's up with Sam, was he upset with Addison because she wouldn't have sex with him? Or is it the fact that she would prefer not to date her best friend's ex. I give Addison credit for not giving in to temptation, it takes a lot more to resist than it does to give in. Sam should applaud Addison for her strength as a friend and should not try to push her back into her world of misery by making her feel bad for doing the right thing. Friends tend to show their true colors when times get tough, and I am not liking Sam one bit.

As we are on the Addison topic, did she and Pete finally hook up, after three seasons? I saw it coming the moment they were alone together after a day of misery. I just don't understand why? Why put them together after so long, why ruin the friendship between them? The only guy 'friend' Addison has left well, I would say Cooper, but the last scene they had together, Cooper wanted to rip Addison's head off. So Addison really has no one. Not even in Grey's Anatomy, everyone else she has either slept with or had some kind of intimate connection to. Well, there is Sheldon, but does convenient psychiatrist really count?

Here we had yet another 'not so much on the jolly side' episode on Private Practice. This week's case dealt with a pregnant woman who tried to kill herself because her husband walked out on her. I mean, nothing gets more depressing than a psychological twist of an episode. How many can relate to their husbands just picking up and leaving without a clue why he left. The worst thing is that he decided to leave even while she was pregnant. I actually didn't like the husband here and found his reason for leaving his wife to be very ridiculous. Although we weren't given all the facts, or even the wife's perspective on things, the fact is he got his wife pregnant at some point, so he was obligated to see the pregnancy through, for the sake of his child. Still that's just my partial view on that situation. I mean not even his wife's attempted suicide and the murder of his child got to him.

On the odd side of things, who knew William White would have a thing for Naomi, let alone Gabriel Fife, giving them the jealous steers. Actually, it was somewhat implied the way White recruited her. She was far more the best at her job, but how did Fife develop the thing for Naomi? I actually would have preferred it had Naomi kissed Fife instead of White. No offense to James Morrison (whom I have admired from 24), but that elevator kiss really didn't work for me. They just don't match each other well, the huge age difference could give a whiff to that, but they lack any decent chemistry for me to pat googly eyes their way. I actually loved having a scene between Naomi and Fife; they have more on screen chemistry together.

I believed the writers used Maya's back-story as a sympathy means for Naomi and White to get together, but it felt as though White used her situation to his advantage. I am certain he would try to shower Naomi with presents and it would be shoved in Fife's face that they are an item. Somehow Fife would have the dream-like kiss I imagine with Naomi causing White to remove him from the practice... I guess I usually drift off into these scenarios, but doesn't it sound like factual outcome? I don't know, but it would be fun to watch for a change from the gloomy atmosphere circulating the office. Maya's wedding would also be an interesting appeal to the show - her and her pink themes.

Dell was the odd one out here, as usual. I believe the writers attempted to give Dell his own storyline, but it only caused him to be the loneliest character on screen without any true attachment to anyone else. Remember the times they tried to pair him with Naomi? I wonder why that didn't work out? I believe they should work on Dell's character a bit more. Every-time Dell is screened I always wonder how the would place him in the plot and that shouldn't be. Somehow they always seem to place him with Violet and I admired the ring gesture for him to move on, but I believe that gesture was more for Violet than Dell.

It was nice to have Pete be nice to Violet, no matter how much it burdened him to do it. He has to accept the fact that Violet has to work through something, although I have no idea how long that would take, seeing that her son isn't waiting around in baby mode. Would Violet still ignore being a mother when her son is walking and ready to go to school? Maybe things would change for her, the writers are hinting it in every episode that Violet needs to move on, the real question is when.

Ah, yet another end to an amazing episode, well there was good acting and plot developments and conflict. I want the issue between Sam and Addison resolved. I don't know if it was just me but, in that last scene between a naked Addison and Pete, I kind of expected Sam to walk in on them then to have the show close with the jaw dropper. "So you could sleep with him!" and have Addison reply "He's not my best friend's ex, my best friend, but not my best friend's ex". Love really bites.

Lexa Reviews

http://lexabuti.blogspot.com

______________________

Four and a half Stars

Grade B-

______________________

Private Practice: Shotgun (2010) Season 3, Episode 13

Private Practice: Season 3 Episode 13 'Shotgun' Review

[8/10 · 13 February 2010]

*sniffle*...why does Private Practice have to be so sad week after week. Beautiful acting as usual by all cast members, but does somebody always have to be crying or in a crisis, I want some happy times now! *sniffle*.

Aside from all the melodrama this was yet another beautiful episode. Again I admire the topics being dealt with; teenage pregnancy, single parenting, friendship dilemma's and friendships entirely. At first I really couldn't tolerate Sam and Addison in a love scene together, and I still don't want them to end up together. Something about that picture doesn't really strike 'happy couple' to me. I believe they are the one friendship that wasn't wrecked by all the relationship drama and crossing that line for me would ruin that.

On top of that situation, Sam came off as a huge hot head there; always drunk and upset over Maya's situation. I think I cringed when Addison was going through a deja vu mode with Sam in her office. She probably got some flashbacks between her and Mark in the same situation and that didn't end up so good. Hey what ever happened to Mark's daughter, has it been dealt with in Grey's because I am lost there. Things just felt so unresolved. Are there any issues between him and Lexie for the affairs had? Anyway, sort of went on a different track there, but I am disappointed with the writers approach to Addison and Mark. In fact Addison needs to cool down right now, relationships always get messy for her.

On the topic of relationships, I applauded Charlotte for slamming the door in Cooper's face. "She's not here" (wham). Yeah you go Charlotte, let Cooper get the taste of the bitter feeling of loneliness! *erhmmm* Okay so I sensed a bit of awkwardness from Violet in relation to Charlotte. I believe that Charlotte was looking for friendship in Violet, because let's face it, Charlotte has no one in her life, it's really depressing the only friend she had rested in Cooper.

Sheldon, you're back and giving advice to Addison... and dating. I can't believe it was sort of a relief to have his face around again. Before I was quick to get him off the screen and now I can say I actually 'missed' him, hope that feeling doesn't last long. I applaud him for working with Violet in assisting Naomi and Sam with the whole Maya situation. Dink is being responsible for playing the 'dad' role at such a young age. Maya keeps saying he loves her and she loves him and they are (MFEO), but I would want to observe how he handles the parenting when the child actually comes into the picture. It's one thing to say you are going to take up responsibility, but it is another thing to carry it out. Everyone wants to do the right thing, but when things become complicated, another picture is painted.

Naomi went berserk this entire episode, she literally wanted to pretend as if everything was okay with Maya, but facing the problem at hand was inevitable. Naomi doesn't want to admit that her strict parenting skills weren't all legendary and fulfilling as she imagined. I am sure she pictured Maya in college and getting married in the near future, but what does a fifteen year old know about marriage? All I can say is that I hope everything works out for them. It's more than the baby they have to worry about... it's getting a job and worrying about the right school for their child while they are going to school, it's the whole parenting packaged deal. 'It ain't gonna be easy'

Naomi just needs to suck it in and act as a responsible grandmother and Sam needs to keep his hands off of Addison! I am glad Dink's name turned out to be Fillmore, I wonder how he got his nickname though?

Okay things got interesting with the Naomi and Violet scene. No one ever speaks to Violet about Lucas anymore, so I believed Naomi would have hit a soft bone when she brought it up. Instead Violet showed a great level of discipline, at the same time giving Naomi the answer she needed to accept the 'Maya' situation. Pete's dating habits are also interesting, but he better be stop using that cute boy as a girl magnet, that stunt can get old fast.

For now Private Practice, I need some upbeat episodes, a few more laughs and a level headed Addison to create the 'perfect' series, probably even more perfect if that's possible.

Lexa Reviews

http://lexabuti.blogspot.com

______________________

Four and a half Stars

Grade B+

______________________

24: Day 8: 10:00 p.m.-11:00 p.m. (2010) Season 8, Episode 7

24: Season 8, Episode 7 'Day 8: 10:00 PM - 11:00 PM' Review

[8/10 · 12 February 2010]

I am certain the correct security measures could have been placed, to ensure Renee didn't flip as far off as she did; gutting Vladimir times over until he suffered his death, then springing the last plunge in Jack. What was Hastings thinking having Renee invest her life into a dangerous project like that again? He refrained from officially evaluating her capacity to get the job done efficiently, without any mishap. I can tell you one thing, Renee's slip is on Hastings' tab. Jack tried to warn him several times of her condition and he just 'took it under consideration', which is all he seems to be doing lately.

Hastings is not capable handling his 'head' tasks, he seems to be flawed; lacking the necessary leadership skills. He should have taken full responsibility over Renee, other than leave her to hang for the dogs and ripped apart. Jack knew Renee on a close level, it was Hastings' job to listen to him and develop a plan B. Hastings was well willing to have Renee take a bullet and have some slim-ball roll over her for the sake of results, without any sense of remorse or empathy.

Vladimir on the other end of things came off as a pathetic business man. Did he truly believe calling around for the nuclear rods wouldn't wave some red flags. Bazhaev is obviously not a foolish man; having nuclear rods on US soil was incriminating to admit, would he truly admit it over the phone an make an actual deal. I believe that some kind of language code should have been implemented to make that scene more believable or to even add a sense of credibility that Vladimir wasn't that foolish. "Oh Vladimir, my friend I have the nuclear rods just tell me when and where, oh and no cops!".

Even CTU should have come up with a better plan to prove their competence in doing their jobs. They cannot even notice a defective employee. Dana Walsh gets away with too many things, given her tight job criteria. How is she able to hack into a camera feed and develop an access card for her ex in under an hour or so. I actually believed that Nick, Kevin's friend, was some sort of terrorist and deliberately knew of the location Walsh would send them to get something else other than money. I actually pictured Nick pulling the trigger on Kevin and leaving with what he wanted. I guess that was far-fetched, put I pegged Nick for the nut job he turned out to be. I felt sympathy for the security guard being stomped on like a piece of garbage by a crazy Nick. Where did Kevin pick him up anyway?

Walsh should have done a background check on Kevin's friend. She is the one in control of everything, if she were to have Kevin trapped in a situation he could not get out of, no one would believe anything he had to say, and she would have all the cards. So what is Walsh truly afraid of, and why wouldn't she talk to her fiancée about it (besides the fact that he is on a hostile mission), Walsh needs to talk to someone, even if it is the flirtatious Arlo Glass.

Everyone keeps giving Walsh the side eye, so why doesn't someone do something about her inefficiencies? Something obviously has her distracted. Glass believes that Walsh is having some sort of a fling, but does that really look like her meeting a lover, or her conferring with someone who is bad news, because they didn't cross that 'line' of infidelity. Glass should be the one crazy enough to run a facial recognition to see the identity of Walsh's love mate. Nothing is really being done there, and I was even surprised that Chloe wasn't curious enough to blurt out a 'so why have you been acting so weird?' That sounded like a typical Chloe awkward question, not so? Where has that Chloe gone, we only got a taste of her in the beginning with her standing up to Hastings, and that's about it.

My only concern now is Jack and what Bazhaev's men are thinking of doing with him. Jack is in serious danger and I am certain CTU could get some satellite glimpse as to where Jack was taken after her left Vladimir's hide-out. Everyone seems to be dying spontaneously and I would prefer for the death toll to be steady for a while. I actually fear that CTU would start thinking that Renee went crazy killing everyone, hiding Jack in the process. Ortiz looked at Renee as tough she had a mental breakdown; like she was asking where Jack was, as if she didn't know herself.

What's next? I believe CTU would find some way to get in touch with Jack and Renee would be placed under suspicion. President Hassan apparently is the one having the screws loose lately and I believe his wall will crumble, the more strict and erratic his decisions become. His daughter holds him in high opinion, but her relationship with Tarin Faroush could set her apart from him.

These past two hours for me have been slow. A few twists and exciting turns, but not much development have been revealed, so I am hoping tat Jack could contribute to enlightening that. Poor Jack, wasn't he supposed to be with his family all now? It's sad the life he has to live, especially being exposed to hostile situations more than he should be. I am surprised that Jack survived after the plunge in the gut, that probably came off a a paper cut on his finger, compared to the more dangerous wounds he endured in his lifetime.

Lexa Reviews

http://lexabuti.blogspot.com

_____________________

Four and a half Stars

Grade B+

_____________________

Smallville: Absolute Justice (2010) Season 9, Episode 11

What happens when the 'Justice Crew' gets plucked out one by one, as though they were being hunted like animals?

[9/10 · 7 February 2010]

Well it only calls for the collaboration of team work put on by Green Arrow, Hawk Man, Stargirl, Dr. Fate, Clark and we can't forget Chloe.

Why does crisis always lurk in the lives of superheroes? The reasons some villains have for seeking revenge can be considered as outlandish, and it was even more distasteful how easy it was to capture Icicle in the end, no matter how cool that scene was when everyone finally came together.

So basically I am an Erica Durance fan, more for the role she creates as Lois and half an hour into this episode I was like "when are they going to show her, I need some comedy now!". Durance did not disappoint when she finally came on screen, I actually believed it was Clark she rambled into, so I was like "turn around and give your woman a kiss or those cool stares you usually engage yourself into" ah, but it wasn't Clark. One question though, why the glasses? I mean Tom Welling was a few grades above the look-a-like when it came to looks, but that was just corny.

We actually had a combustion of irregular characters along with some new faces. I was afraid this entire 'Justice' episode would come off cheesy, but I found it oddly amusing. Everything flowed, even the weird Tess scenes being curious, was smoothly dealt with. It was refreshing watching Tess lurk around in the dark like the real villain to be concerned with. I believe Clark needs to show some sort of concern with Tess' knowledge of his secret. Does he believe he intimidates Tess so much that she wouldn't even be tempted to mention it to Lois? I just believe that Clark has a lot of loose ends right now, he needs to be so careful with who he trusts, maybe he is keeping a closer eye on Tess, but knowing her she would always be up to no good.

That Amanda Waller is a bit of a concern for me. What business did she have with Tess in the end and how did they know each other? Why would she hire Icicle then murder him relentlessly, with no conscience? Why would she confide in Lois and how does she know so much? There are just so many questions circulating her character and I don't like it. In the end Icicle turned out to be just another villain with a grudge, I mean that scene with Chloe in the dumpster :) was stunning, but that was about it I probably found impressive.

Chloe herself is a topic on its own. She acts like the tech behind everything, but when Hawk man swerved through watchtower breaking all the glass, Chloe could have serious gotten hurt there. She needs to have more protective gear with her, there is only so much she could do in her human form. No one really worries about Chloe putting out more than she can carry, burdening her life into 'protecting the world'. Stargirl was right about watchtower, where is the furniture? It doesn't even look like a home and does Chloe even have a social life? It's been a while since Jimmy's death and I believe she has stuck everything into her job to forget about her losses in life, it's almost depressing.

Anyway, I felt that in an attempt to tell the justice story, they omitted more Clois moments which I always look forward to. Still this was an adequate episode for me and I admired Lois' "Lois and Clark and not Clark and Lois" in retaliation to Clark, and that embraces the wit I adore in her...(and she's right Clark get your facts straight). I loved how she was able to trust Clark with her story, expressing her willingness to include him in the byline. As each episodes grows, so does their relationship. There wasn't even time to resolve Oliver's 'thing' for Lois, which I hope is done soon.

Don't you guys really notice Clark's maturity; his decisions, the way he talks and moves it's so (what's the word) manly you know. Tom Welling has taken Clark Kent 'the farm boy' and turned him into the superhero he needs to be. Clark just needs some help when it comes to trusting people, especially people like Zod. I really hope he has a plan set for when Zod goes berserk. Oh and what emails between Oliver and Black Canary should Chloe not have seen?

Lexa Reviews

http://lexabuti.blogspot.com

______________________

Four and a Half Stars

Grade A-

______________________

Dollhouse: Epitaph Two: Return (2010) Season 2, Episode 13

Really, why did you hold this one out on us, come on!

[10/10 · 1 February 2010]

This is the quality I wanted, probably for the past two seasons. Arggh, this was actually a cool idea for a series and they blew it! I want to have more episodes of this series, I don't know what the previous episodes were about, but this one was clear about the exact quality in producing, action and the acting by Eliza Dushku was unbelievable! This is the Dollhouse we want. Why did you wait until now to give us this one, why!

As you probably gathered from the ranting above, I was a bit disappointed by this one, and not in the 'this episode sucked' way, but in the 'this episode flew through the hills and now the series is being canceled' kind of way. Whedon should have started from scratch for Season two, he should have used the same style of this episode and portray possible flashbacks, anything better than what he gave us.

This was his plan all along, I knew it, he wanted us to give poor reviews and poor comments and he wanted us to criticize until we begged for a cancellation, his end game would be to shove it to us "You see, this is what you are going to be missing out on, I had good ideas", but that really sucks Whedon, that was a low blow.

It would be generous if someone could pick up the same style and change the overall name of the series. I mean really, I always admired the original idea of this series and I expected so much out of it. Instead of focusing on sending actives on engagements, or even during, they should have focused on developing characters like Boyd and the organization he worked for. Look at how beautifully Dushku pulled off that 'grief ridden' scene, the actors and actresses needed more room to bring out their true talents. My only regret on their part is that the chance is probably gone now, when we could have gotten so much more out of it.

Terrible, truly terrible.

Lexa Reviews

http://lexabutti.blogspot.com

___________

Five Stars (...for the Finale)

Grade A-

___________

Smallville: Disciple (2010) Season 9, Episode 10

Finally the wait is over, Smallville is back!

[8/10 · 1 February 2010]

I think I was a bit overexcited for 'Disciple' and I tried my best to be subtle, because sometimes when I get excited for a series' return, my expectations go through the roof and I end up feeling disappointed at the end of the show... which I am glad wasn't the case here.

I did expect a big comeback for Lois and Clark, seeing that they finally admitted to themselves how they felt for each other. Sometimes writers have the tendency to lose all inspiration and creativity when they place characters together, which I feared for the most in the opening scene. I only hoped they weren't going to get Clois too comfortable with each other and have the chemistry between them just disappear.

I actually don't know how to feel about this episode. There weren't enough Clois moments for me, at least not like the ones cooked up in previous episodes. I am fearful of Lois becoming a bit too mellow; like the scene where Clark was obviously being the poor boyfriend, like forgetting to pick Lois up from the hospital and visiting her once in total, that we know of. Even though we knew why Clark was absent, in Lois' position, I would have smacked him over the head, at least I am certain the old Lois would have blown a fuse.

I gathered that Lois sees Clark in a different light and she probably would forgive him for the lowest of blows... but it still makes me miss the witty animosity between them.

I don't know what to make of Lois and Oliver either. I believe that Oliver feels lonely and the closest friend he ever had and also an ex lover, was Lois. I believe his feelings were genuine for her and the fact that Lois was officially moving into a new relationship said that they were actually over. I don't know why Lois touched Clark's shoulder right after her eye glance with Oliver, I doubt she was trying to make him jealous, but she was trying to show him that she had moved on and probably he should too.

The story aside from the Lois-Oliver-Clark charade was interesting as well. This episode took the time to develop Oliver and his past, leading to how he became the person he is now. It's a shame we don't see more of green arrow helping civilization like Clark does, the show only gives credit to Clark and his destiny to achieve something, but I believe Oliver deserves some credit, especially since her decided to go back to hero mode.

I actually expected Chloe to coach Clark about Major Zod and watching out for Lois. Didn't it upset Clark when Zod showed up at his home, unannounced? Does he truly believe Zod's intentions are become the Kandorian's savior and leave it at that? 'Our People' Please! An entire colony is on the verge of extinction and they would do anything to survive, having no powers equates the Kandorians in the same line as humans, and they rebuke that notion. Was it just me, or did you sense a romantic connection between Zod and Fiona at the end, or at least the writers are gunning for an interest there?

I actually found it creepy while Zod visited Lois in the hospital, like it was some sort of threat to her life. Clark needed to be more careful, the moment he let Zod in on his Krptonian lifestyle, the same moment the people he cared for became a target. Did Clark learn nothing from the future? Lois herself was a bit naive, and even though she sensed Zod was a bit fishy, she still wore the token he gave her. I wonder if Lois ever heard anyone mention a Zod, Tess could have given her a heads up? (...who was oddly absent here). That scene felt a bit shaky for me.

I believe that Lois would begin asking Clark more questions about his disappearing acts. I honestly hoped Clark was actually asking Lois to go for a walk and nothing between the lines, because Lois acted like a walk was going to transform their relationship forever. Lois shouldn't think so hard on her past relationships, the point is that she's in a new one and different things are bound to happen for her. She is definitely not the same person she was three or even four seasons ago. Clark has also worn confidence with pride lately and is surely revealing his levels of maturity.

I honestly hope Chloe and Clark have a real talk on the person Chloe is becoming, almost a replica of her future self. I am surprised Lois hasn't stumbled on Chloe and her glamorous technology collection, doesn't she ever wonder what her cousin does shacked up in 'Watch Tower' all day, or even how she earns an income?

Anyway enough of this, I am just really happy to have Smallville back again. I have to admit, I took a little peek as to what too expect next week, and believe me, I am loving it.

Lexa Reviews

http://lexabutui.blogspot.com

___________

Four Stars (More Clois :)

Grade B+

___________

Private Practice: Best Laid Plans (2010) Season 3, Episode 12

'Best Laid Plans'; reflected the uncertainty with outcomes, when the best of plans are made.

[9/10 · 23 January 2010]

The most moving plot in this episode for me, was probably Maya's conflicting thoughts about abortion and keeping a child. Unfortunately she did not have the necessary guidance to make the experience easier for her, but according to Addison; Maya did an adult action and she is now forced to deal with an adult decision. No teenager should be forced to make a decision like that.

I believe that this was the most moving episode for Naomi and her turn to shine. In the line of highly qualified actresses, Audra McDonald took her slice of the cake this round. Shonda Rhimes made a tough decision implementing 'The Abortion' themed up with the 'Teenage Pregnancy' storyline, because it has been executed many times before on television. At the risk of coming of cliché and redundant, Rhimes pulled it off beautifully. I know her cast is what brought the script to life, but they all work well together as a team.

I applaud Addison for taking the risk of swaying Maya's final decision, because at that very point, she was taking a stance against Naomi. Maya's life is changed forever and it was nice to include the fact that the father of the child loved Maya and it wasn't just a 'fling' or so. Addison managed to show a level of maturity, that hasn't been most prevalent recently. Unlike Naomi who was not as mature with her decision and was more for action, without paying attention to the consequences. It only became clear that Maya based her decision to terminate the pregnancy, purely because of her mother's resentment.

It was actually deplorable watching the way in which Naomi dealt with the entire situation, like she was disappointed and somehow despised her daughter.

Naomi's parenting methods were so strict, that Maya only felt the need to go to her mother only when her life was going to change forever and not before the fact. Sam was the only one willing to be rational about everything. Naomi cannot run forever, so I am excited to have that situation unravel. Naomi obviously loves Maya, but feels betrayed as well, she also sees herself as a failed mother.

If I were to touch on a few other moments within this episode, it would have to be the dilemma Pete faced when dealing with Dr. Fife and the revolutionary guy with the bionic arm. Fife comes off as a huge ass. I have been trying to figure him out for weeks now, especially with what makes him tick and there is a question mark at that point. I was in awe of the moment he shared with Naomi, his attraction to her became obvious then, but I really cannot stand his attitude.

Speaking of bad attitudes, Cooper has officially lost it in my book. (To the Writers) I really need you to explain his paranoid character lapses, because Cooper has done a complete 180 on the sanity level. I don't believe he ever loved Charlotte, if he could treat her so horribly now. Charlotte herself was foolish to sell her apartment, she is not usually the type to completely trust in one thing and I believe that this is not the same Charlotte we met in Season one. That Charlotte would have reprimanded him a long time ago; according to Violet, his actions would only leave him alone.

Now that Violet has taken Charlotte in, I wonder if Cooper would have problems with that (who cares!). He had the gall to ask her to leave 'The Practice', he might work up the extra nerve and tell Charlotte to take a hike from his friends, especially since he and Violet have not been as close lately. I want to applaud Violet for finally accepting the absence from her son's life, even if it was to a complete stranger. I mean who was she kidding, it had to be done, she as a psychiatrist should know that her distance from her role of being a mother would cause more harm than good.

This was actually an exceptionally brilliant episode, I really enjoy how all the story-lines mesh together so well. It doesn't seem like there was much continuation from the Mark and Addison theme. Maybe all that would be taken care of in Grey's Anatomy, but still his daughter's condition with her baby was not officially dealt with. This may be out of the blur, but whatever happened to Noah? I don't want Addison to have anymore drama in her life, but that was another unresolved issue. Noah is presently residing in Cougar Town with Courtney Cox, so I wonder if that had any impact on his absence this season - probably.

Anyway, it was good to have Melissa McCarthy guest star as the pregnant Lynn McDonald. She gave Maya the incentive she needed to make her final decision about her pregnancy. I sympathize with Maya though, it's not going to be an easy road, especially with a mother like Naomi. Not to mention her school life filled with complications and loss of essential classes. Boy did Sam make the mistake of confronting the father in public, her entire school would find know because of the quick texter that over heard the newsworthy gossip. What a way to deliver a punchline.

Lexa Reviews

http://lexabuti.blogspot.com

______________________

Four and a Half Stars

Grade A

______________________

Castle: Sucker Punch (2010) Season 2, Episode 13

Finally, Beckett is open to finding the culprit behind her mother's killer.

[8/10 · 23 January 2010]

So here we are thinking it's just going to be another case solver, with Beckett and Castle joking around, having fun, then there is the 'wake up call' of Beckett's Mother's unsolved case. What are we going to do now? This plot was well executed. There were parts of the episode I lost track of; like how Beckett's mother died and the entire situation circling her mother, since the writers took so long to finally tackle it, but I got back on track soon enough.

I did not expect Beckett's mom to be brought up anytime soon, which the writers were probably gunning for; that need for suspense and curiosity. The guy behind the murder was a dead end, literally. He actually didn't seem as much of a threat, probably until he pulled Castle into a corner, forcing Beckett to choose and the dilemma would have you on the tip of your toes. I mean I didn't even care about the case before hand - did they even solve it? I admire Castle's connection with Beckett, it probably killed Beckett more seeing the man die with the information of her mother's premeditated murderer. Who would really go through the trouble to hire someone to kill Beckett's mother? Why would the hit-man show up now, do the writers have something planned for the viewers? I'm interested, if that's what they were trying to accomplish. Back on the topic of Castle and Beckett, I was wondering how Beckett would deal with Castle and I am glad she didn't send him away, or blow a fuse. She handled everything with a level of responsibility, which makes me realize that she may even love Castle a little.

I really believed that Castle was going to resign, so I'm glad she convinced him to stay by telling him he was fun, and it is fun watching them together. It has been weeks now, but the opening theme for the show is very unique and I think I'm beginning to learn it word for word. My favorite part would be Beckett "You do remind me a little of Hooch". The both of them have such great on screen chemistry and I wouldn't mind seeing them through for another two seasons and more...

'Sucker Punch' well Beckett did get hit hard in the gut, when she couldn't fully salvage the truth behind her mother's killers. Let's just hope Beckett finds what she is looking for.

Lexa Reviews

http://lexabuti.blogspot.com

___________

Four Stars

Grade B+

___________

The Mentalist: Bleeding Heart (2010) Season 2, Episode 12

I figured it out, I just thought who would be the most unlikely suspect and the reporter had the most advantage over the case, but I figured it out!

[8/10 · 23 January 2010]

Okay so maybe there were others that aced the detective case solver (or whatever you call it), but sometimes I am left guessing, having two possible suspects. It's always cool when you favorite shows leave you thinking all the time.

I was just happy to have Jane confess his true feelings without any smart come on. The moment the camera's were all over his face and he became on edge, I thought of the last time he was on camera and the impact it left on his family life. This was a good episode for revealing things. Especially for Van Pelt and Rigsby, but did they really have to say they were 'lovers', how about 'in a relationship' the rest could have easily been implied.

What I admire most about The Mentalist is their consistency with good quality episodes. Every episode is clever, and details a reasonable twist, that certainly has something to do with their cast, because I am really impressed. I also appreciate the emotional connections within the series; it is not just a crime drama, but it has substance. We get detailed references about each character and every individual is complicated in their own way, even 'hard core' Teresa.

I doubt she would do anything much about Van Pelt and Rigsby's relationship now, maybe it could hamper her decisions when it comes to them teaming up together. It seems as though the writers found no reason to keep their relationship a secret, but now that it's out would it change anything? For now, I think they would be okay. Jane was obviously happy they confessed, especially since his hold on them was over - to an extent.

The 'J' character came off somewhat cheesy and I am usually game for episodes that convey that type of realistic dilemma, maybe it was the actor, anyway I look forward to next week, I have no idea what to expect.

Lexa Reviews

http://lexabuti.blogspot.com

___________

Four Stars

Grade B+

___________

The Office: The Banker (2010) Season 6, Episode 14

Looking back, some of these old clips on 'The Office', were probably a big refresher.

[3/10 · 23 January 2010]

It didn't help that I not too recently watched those very same clips, but it was good to view some of the Season One office people and how some matured, while others became more childish over the seasons. The funny thing is, there was a similar video on 'YouTube' which quoted their Ten Reasons To Watch The Office, so another reason could be that even if you missed a popular clip, you could watch it again on this reminiscent episode of 'The Banker'.

If I were to be realistic, I know of other series that have attempted to reuse old clips and make it into a new episode. On those occasions I wasn't intrigued by their approach, The Office bears no exception. I wonder why Toby still works there; he has no hope with Pam and Michael despises his guts, so why bother? There was literally a tiredness and exhausted look on his face, while he was being questioned, I was really tired watching him as well.

Dwight claims he doesn't waste company time and envisions himself as a committed employee, but the things he does for Michael sometimes shows of his 'Five Year Old' complex. Did anyone else notice Ryan's glasses and his strange urge to carry of 'The UrKel' look? Is he trying to look more like Dwight or become his sidekick?

There was not much advancement with this episode, which was quite disappointing. I don't know if the producers were trying to be cost efficient, or what made this nostalgic episode come about. Maybe they believed the fans would appreciate being reminded of what we love about 'The Office' or probably after the long break they wanted to play 'catch-up' Who knows? I just didn't like it that much.

The scene where Kelly slaps Michael on 'Diversity Day', that Kelly is gone and I remembered how much I laughed that episode. It's amazing, after the moment is gone, you can't really have the exact same laugh, probably an appreciation. Anyway, I was really fed up at the end of it all. At least everything wasn't made up of clips and they tried to bring in a little act in between. The best part would have been the 'Jim and Pam' Niagra Falls wedding, for me anyway.

Lexa Reviews

http://lexabuti.blogspot.com

____________

Three Stars

Grade C-

____________

The Mentalist: Rose-Colored Glasses (2010) Season 2, Episode 11

I knew it! I knew that Jane figured out the change in Rigsby and Van Pelt's relationship!

[9/10 · 17 January 2010]

He was just waiting for the right moment to use it to his advantage. Although I still thought he could have held out a little longer, but knowing Jane, the temptation was just killing him, he had to blurt it out.

As for Rigsby, denying it only admitted his guilt. Instead of "I don't know what you are talking about" he should have said "Me and Van Pelt, I wish, but you know that's against the rules Jane". Anything other than how well he handled the 'black mail' moment. Shame on you Jane, the amount of things Rigsby did to either keep your butt out of jail, or even for you to keep your job, and this is how you repay him! I suppose I expected nothing less. He did keep his secret in the end, and I doubt he would have really told unless provoked.

Did I sense a disconnection between Rigby and Van Pelt. Being ordered to sit down behind a computer screen, doing nothing but moving your finger tips, felt like a demotion for Rigsby. It was obvious the awkward eye glances suggested his dislike of his position, while Van Pelt got to do all the work, barely giving him any juicy details worth enlightening his then bored state. What did you think Van Pelt sat around doing Rigsby?

I really couldn't be bothered with the case for this week, although it was a brilliant change for topic and surprising revelation, the only part I enjoyed was the dance between Lisbon and Jane. "More than words is all you have to do to make it real, then you wouldn't have to say that you love me, cos I'd already know..." Surprisingly that was Lisbon's favorite song, which meant that there is a softer side to her. I am certain Jane requested that music the very same moment, to mellow the mood between them. After all he just lied to her about Rigsby and the day off. That secret only meant he would forever have something to hold over Rigsby and Van Pelt's head, and he would collect once the opportunity came along.

Although there isn't any advancement in 'Red John' and everything surrounding the case, 'The Mentalist' has a lot of excitement built within it and I love analyzing the way Jane thinks. He analyzes everyone but himself. Wouldn't it be cool if there was a 'smart ass' out there just like him, like a round off match to see who's wittier.

At one point I noticed Rigsby's English accent slipping and a little Welsh got into the mix. I don't know if it was obvious or not, but Owain Yeoman was rather delicious in that suit, anyone could have eaten him up.

Lexa Reviews

http://lexabuti.blogspot.com

______________________

Four and a Half Stars

Grade B+

______________________

Castle: A Rose for Everafter (2010) Season 2, Episode 12

It's been a while since the Finale of 'Charmed' and Alyssa Milano's presence in Castle was a huge refresher.

[9/10 · 17 January 2010]

So we honestly get to meet Castle's first true love, or as he put it '...the one that got away'. How many of us can relate? First there is the 'let's take a break' test of time, then there is the looking back wondering; what if the one that got away didn't leave?

Milano played Kyra, Castle's past love and the bride who stumbled upon her bridesmaid's lifeless body. If that didn't spoil the wedding, surely seeing your old flame after many years of no contact would do the trick. This was actually the first time we saw Castle gaze at a woman, as though she was literally sucking the breath out of him. Besides Beckett of course, he patted his googly eyes towards Kyra with such yearn for 'just one kiss'.

At least Castle hasn't officially admitted his true feelings for Beckett, but Beckett definitely wore jealousy with such fashion. I liked how she dealt with it; her sensitivity towards Kyra was modest. Had Kyra been the suspect Beckett expressed, she would have surely contained her in interrogation. What I mostly admire about Castle and Beckett's relationship, is their ability to have such a platonic relationship and still give whim to the actual flirtation. I could tell that Beckett truly cares for Castle and vice versa. I sensed the same jealousy within Castle when Beckett's boyfriend came to town. I forgot what exactly happened to him...

As for the case, I actually began mapping out certain strategies for the culprit behind the murder. At first I imagined that Kyra's fiancée and Sophie had some kind of pact to get some money out of the marriage, but love overcame greed; but I was far off there. Then I came with a theory of the affair and Kyra being the suspect, hence the torn earrings "...and give me my earring back!". The last one came close, but went a little off in the end. The trick I just admire with 'Castle', is the ability for it to have your mind guessing 'who did it' and this time the uncle and the trust-fund was completely unexpected and adequately executed. What kind of Uncle steals your money for a (was it a house in Palm Springs?) , still definitely wasn't going to be my favorite Uncle.

Case solved, but was the connection between Kyra and Castle (ah Rick *sounds strange*) resolved? Krya gave Beckett the go ahead, as I was certain she felt the connection Beckett had for Castle. I didn't know he had it in him, which is why Beckett felt herself feeling more attracted to him; he actually had a serious relationship in his lifetime and could possibly have it with someone else, maybe her if she ever thought about it. The reason behind Beckett's resistance to admit her feelings for Castle is clear, once you cross that line you don't ever go back, especially since she and commitment are such enemies.

I liked this one, at one point it felt as though Lanie got too cozy with examining Sophie's lifeless body. I suppose she's seen a lot of weird things within her job criteria. If I was to analyze the title 'A Rose for Everafter' (something I am thinking of doing regularly); roses come in different sizes and colors, generally signifies love and happiness, but could easily be used at funerals. The title is probably linked to the old romance between Castle and Kyra (well presented), the new love between Krya and her fiancée (what was his name?), the death which probably brought all the facts together and the ability for Kyra to move on from wondering 'what if' with Castle and living a happy life with her husband. It also looked like wedding bells would be an activity Beckett would have to pick up soon. Who knows, could it be Castle? As for Alexis and Martha, they hardly get enough screen time, but I appreciated the little time they had, did Castle figure out how Nikki Heat escapes from the chair?

Lexa Reviews

http://lexabuti.blogspot.com

______________________

Four and a Half Stars

Grade B+

______________________