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Second Nature (2003 TV Movie)
1/10
Miss it
22 June 2003
Second Nature will not go down as one of the worst tv movies of 2003, but perhaps the worst of All Time. Formulaic, derivative, and every performance phoned in, from far, far away. Everyone associated with this project should have a hard time looking in the mirror.
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Joe and Max (2002 TV Movie)
10/10
Well-crafted and underrated
1 June 2003
I was surprised at the low overall rating this movie got. It won a Best Editing award, and the fine photography, editing, and one of the best jobs of musical scoring I have ever heard, alone, make it very watchable. Shot mostly on location in Berlin, check out the production design. Better than many feature films completed on ten times the budget. The interiors and exteriors of Harlem nightclubs and Third Reich headquarters never looked more accurate or better lit. I agree that there is some mis-casting, and while the acting isn't Oscar caliber, it isn't bad either. As far as being a movie for boxing fans only--no. I have no interest whatsoever in sports, and found the story compelling. The wider influence that sports has on society is an interesting context. Max Snelling getting big corporate sponsorship just months after honing a reputation as one of the worlds most hated personas--brings to mind parallels in todays celebrity-driven scene.
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Live from Baghdad (2002 TV Movie)
10/10
David Suchet Most Live
7 December 2002
For his portrayal of Naji, Iraqi Minister of Information, David Suchet deserves a best supporting actor award. His work is at once riveting and sublime. The whole story plays across his eyes. He infuses an unsympathetic character with warmth, intelligence, and humor. Especially in the context of current events, what more important work can an actor do than present so many colors of humanity in those we perceive as a faceless enemy.
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The Jack Bull (1999 TV Movie)
10/10
Forget it's a western--transcends the genre.
22 August 2002
Fifteen minutes into almost any movie I find myself saying, `Well, I don't care what happens to Any of these characters.' With this film, I found myself caring about Every character. Even the bad guys. Even the characters walking by in the background. The acting in this film is uniformly excellent. Like an ensemble theatre piece. Much has been written here about the men, but Miranda Otto as Cusack's wife is luminescent. She clearly is the light of his life, and she lights up the screen for every second of every scene she is in--who wouldn't love this woman? The actress with only one scene begging she not be burned out of her house. The actress with only one scene who comes to the aid after a carriage accident in Cheyenne. The character landscape is rich and deep. You'll recognize many venerable character actors, like the always reliable Ken Pogue as the bad judge. In the leads, John Cusack, John Goodman, and John C. McGinley invest a depth of feeling that anchors the story. L.Q. Jones and John Savage are a pair of richly textured villains. This film is a feast of fine performances, from the briefest day players to the many layered leads.
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