Israeli writer and directors Eran Kolirin debut is a beautifully restrained tale of learning to face unfamiliarity with nobility and dignity. The Band's Visit delicately constructs a small scale masterpiece that achieves more with mood and body language as compared to spoken language. The writing is clever and gives actors the room to explore their characters with physicality and never once does it feel unauthentic.
Stranded in the middle of Israel's Negev Desert, eight men of The Alexandria Ceremonial Police Orchestra try to handle cultural and language barriers with modestness. As a bus pulls away we are left with 8 men dressed to the nines in robin blue uniforms helplessly stuck in an airport on their way to perform at an Arab Cultural Center in Petah Tiqva. After a few phone calls and some sweet talking with the help of Chet Baker the band arrives in the town of Bet Hatikva. The groups tight lipped leader Tewfig is confronted with a series of setbacks and is forced with the task of making sure his men are taken after. With no hotels in town and no transportation leading out Tewfig is reluctantly excepts an offer from a heaven sent restaurant owner by the name of Dina.
Over the course of the night Egyptian and Israeli culture intertwines awkwardly yet charmingly in multiple small scale adventures. Tewfig and Haled (the band's young ladies man) stay at Dina's house while Simon and two others spend the night at an employee of the restaurant while the other three just sit outside all night and play music. Tewfig and Dina decide to take a night out on the town, in this case a simple bleak restaurant and begin to get to know each other. The two don't get to know each other by asking a lot of questions about each others personal history but rather embrace the chance to enjoy the simple beauty of just physically being around someone. An especially touching scene has Tewfig showing Dina how he conducts his orchestra by the gentle movements of his arm. Haled opts to take a look around the city with crushingly shy Papi and his set up date which has them ending up in a roller rink. Haled acts almost as an older brother to Papi and helps the inexperienced boy land the girl he is too shy to make the moves on. And while all of these character come together and share each others melancholy they still remain isolated and self-reflective.
Simon and the rest of the gang spend their night entertaining and being entertained by an Israeli family. Over the course of an awkward dinner Simon and his band mates quietly sit back as the family argues over various things such as how the husband and wife met until a comically genius impromptu version of George Gershwin's "Summertime." More than any other point in the film does Simon's stay seem to bring out the old ghosts of Egypt and Israel's broken relationship. While Kolirin never hits the audience over the head with a political statement it's presence can still be felt like a recovering wound. While other members of the band attempt to make phone calls while fending off a dedicated boyfriend waiting for a phone call, Simon spends more time with the family. Upon viewing the families young child with the slightest change in facial posture it is evident that Simon has finally completed his unfinished sonata. It is moments like this that really show how skillful Kolirin is for a first time director.
While not a whole lot happens in this short 87 minute film we are left with a lasting impression. The mixture of comedy with melancholy balances each other out and leaves a bittersweet touch on the overall feel of the film. The film's musical selection could not have suited the story anymore impeccably and compliment the feeling of longing the entire film has. The films strong point is that it relies on nuances and not theatrics, substance and not style, honesty and not distraction. Not only does The Band's Visit evoke the beauty in language but it shows beauty in the communal power of the language of music. While the characters in this film may think they are lost it doesn't necessarily mean they are and with The Bands Visit it seems they are stuck out of necessity rather than mistakenly.
Stranded in the middle of Israel's Negev Desert, eight men of The Alexandria Ceremonial Police Orchestra try to handle cultural and language barriers with modestness. As a bus pulls away we are left with 8 men dressed to the nines in robin blue uniforms helplessly stuck in an airport on their way to perform at an Arab Cultural Center in Petah Tiqva. After a few phone calls and some sweet talking with the help of Chet Baker the band arrives in the town of Bet Hatikva. The groups tight lipped leader Tewfig is confronted with a series of setbacks and is forced with the task of making sure his men are taken after. With no hotels in town and no transportation leading out Tewfig is reluctantly excepts an offer from a heaven sent restaurant owner by the name of Dina.
Over the course of the night Egyptian and Israeli culture intertwines awkwardly yet charmingly in multiple small scale adventures. Tewfig and Haled (the band's young ladies man) stay at Dina's house while Simon and two others spend the night at an employee of the restaurant while the other three just sit outside all night and play music. Tewfig and Dina decide to take a night out on the town, in this case a simple bleak restaurant and begin to get to know each other. The two don't get to know each other by asking a lot of questions about each others personal history but rather embrace the chance to enjoy the simple beauty of just physically being around someone. An especially touching scene has Tewfig showing Dina how he conducts his orchestra by the gentle movements of his arm. Haled opts to take a look around the city with crushingly shy Papi and his set up date which has them ending up in a roller rink. Haled acts almost as an older brother to Papi and helps the inexperienced boy land the girl he is too shy to make the moves on. And while all of these character come together and share each others melancholy they still remain isolated and self-reflective.
Simon and the rest of the gang spend their night entertaining and being entertained by an Israeli family. Over the course of an awkward dinner Simon and his band mates quietly sit back as the family argues over various things such as how the husband and wife met until a comically genius impromptu version of George Gershwin's "Summertime." More than any other point in the film does Simon's stay seem to bring out the old ghosts of Egypt and Israel's broken relationship. While Kolirin never hits the audience over the head with a political statement it's presence can still be felt like a recovering wound. While other members of the band attempt to make phone calls while fending off a dedicated boyfriend waiting for a phone call, Simon spends more time with the family. Upon viewing the families young child with the slightest change in facial posture it is evident that Simon has finally completed his unfinished sonata. It is moments like this that really show how skillful Kolirin is for a first time director.
While not a whole lot happens in this short 87 minute film we are left with a lasting impression. The mixture of comedy with melancholy balances each other out and leaves a bittersweet touch on the overall feel of the film. The film's musical selection could not have suited the story anymore impeccably and compliment the feeling of longing the entire film has. The films strong point is that it relies on nuances and not theatrics, substance and not style, honesty and not distraction. Not only does The Band's Visit evoke the beauty in language but it shows beauty in the communal power of the language of music. While the characters in this film may think they are lost it doesn't necessarily mean they are and with The Bands Visit it seems they are stuck out of necessity rather than mistakenly.
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