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6/10
Feels like Beeb Spirit
30 August 2004
First an apology; I gave the film a six by accident. It should have been a seven. But then how much can you tell of a film from a mark out of ten?

Despite his prominence in the film and the documentary being about his experiences I felt that this was Leila Sansour's film. That it was her life but she couldn't tell it to us, she had to show a westerner's reactions to it. Hardy brings a middle class England perspective to the entire conflict. He has liberal attitudes and a healthy political knowledge and so seemed to fit in well with the non-confrontational spirit of the protests, but this seems to have carried through to his convictions. It sounds ludicrous but he doesn't seem enthused about what he is doing and about the problems of the situation. This could be down to his just-got-up voice and a sarcastic wit that at other times, in other programs can come close to petulance. When the protesters become more involve and sneak into Palestinian settlements Hardy seems to be going through it with a non-challenge that might leave you thinking he were sitting next to you on the sofa, commenting on something distant.

To be fair to the man he didn't go looking for this. As is shown, about a week after he was approached he was in Israel and being trained on non-confrontational protests so you understand that he could be 'shell-shocked by it all but still you seem to expect more. You want the man to get angry, you want him to cry and you want him to rage at the injustice of the army firing on peaceful, truly and utterly peaceful, protesters. But he doesn't. He doesn't even get angry when he comes home and has to deal with the 'authority' here. He makes it part of his stand-up act. The man is a comedian so it's not unexpected but he's also your guide on a story that needs telling and when he returns home and talks of it being such an adventure, one he may or may not repeat, you are left feeling that the problem is richly deserving of a documentary, but not too much of your time.

I'm afraid that I'm being too hard on the film because I don't think it dealt with the gravity of the problem. We saw a middle-class man being shepherded around a troubled area and being safely removed when things got tough. But all that said he did his job. He did not try and convince us what to think because it is not his place and any arguments he made would be hollow and almost spoon-fed to him. What he did, and what Leila Sansour did brilliantly through him, was to be objective from a given viewpoint. Not to trivialise the problem with inaccurate facts, twisted logic and cheap stunts. Not to give us what the politicians want on the people's behalf or what the headline grabbing extremists want but to give the people in the area a medium to tell us their thoughts, their opinions and what they think of things. It reminds of the BBC, back when they had frequent, high-quality reporting.
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The Americans were just plain wrong. Well...most of them.
3 April 2003
As you may have gathered from reading the other user comments (you did read the other user comments didn't you? Go and read them. Read them? Good.) The concept was brilliant. The animation was very good (I hesitate to say brilliant, but it kind of is). The characters were marvellous.

Then the Americans cancelled it.

They said it was blasphemous.

God and the Devil influence a man's actions and he usually, after wavering slightly to make the plot better, ends up doing the right thing. It shows man as a creature that, whilst fallible, is generally good. That God has faith in man and that as hard as the Devil might try he can't seem to turn man to evil. How is this blasphemous? Well, it's blasphemous because it takes the name of God in (what they construe as) vain. The name of God, Lord, Christ or Jesus are taken in vain on so many other shows that it is almost impossible to count them all. [Side note; ever notice how these shows never take Mohammed or Allah or Vishnu or Gnesha or Buddha in vain? There's political correctness for you.] So why target this show? The character's in it didn't take the Lord's name in vain nearly as often as other shows did. The only difference is that God was there to answer back. Was God out of character? No. Was God callous? No. Did God ever do anything nasty? No. Did God have faith in humanity? Yes. Was God good? Yes. So it was the fact that he was actually there, whether or not he was 'as he should be'.

The people who objected to this seem to be overly sensitive to the portrayal of God. I can see their point; they may see this as the thin end of the wedge and that if they let this go God may be portrayed in another show in a far less favourable light. But their job is done for them by studio executives who would not go anywhere near putting that much effort into broadcasting something that would attract so much protest from so many Christians.

So who are the Americans who were not wrong? The ones that made the show and thought that common sense was a lot more common than it is. A wise man once wrote that the IQ of a mob is the lowest individual IQ divided by the number of people in the mob. This does not just apply to mobs but to any group really.

And just as a final note, before the show was broadcast in the UK it was shown to a number of religious leaders. They saw the show as a good comedy and that it had a very good, very Christian message.
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7/10
Very good, but I would have used different clips.
19 January 2003
A great review of Billy Connolly's career.

Worth watching for the comments by his wife, Pamela Stephenson, Eddie Izzard and especially Sir Bob Geldoff's comments on Billy's "musical" endeavours. A number of the clips shown are taken from his recent world tour of England, Ireland and Wales which is a fabulous tour (including great lines such as "There's no such thing as bad weather, just wrong clothing. Get yourself a sexy raincoat and live a little.") but I would have included more clips from his early work. However with the factors of it's time of broadcast limiting the language that could be used and also the fact that the DVD of his tour is now out their decision is very understandable.

If you watched this, or are looking for it to watch, you will enjoy this because you already enjoy Billy Connolly's style. If you haven't seen it then I suggest looking for some of Billy's other stuff and once you've p***ed yourself laughing to that, then look for this. Or more of his stuff. Or both.

Billy's acceptance speech is brilliant.
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Entertaining but perplexing
1 December 2002
Warning: Spoilers
I watched this film and enjoyed it. It was a comedy film and it was funny. It also managed to make some serious points.Upon watching it a second time I just found it confusing. The film tries to cram a persons entire life into it's small space. No film can do this without being epically long (I'm talking 8 to 10 hours here). I haven't read the book but the film paints the portrait of a man born illegitimately to a weird mother and his ensuing life. The only problem is that the canvas is 40 foot square and no two bits of paint touch each other. It seems to be a series of events, most of which have little effect on Garp's character, causing him to stagnate until the car crash, and the only link between one event and the next is if it adds something to the scenery such as a house or a child. For example **SPOILERS**SPOILERS** after Garp has sex with the baby-sitter on his way to take her home, he arrives back at home, answers his wife about seducing the babysitter and then nothing. Yes, the next babysitter they have is male but they're living at an all boys school, who else are they going to get?**END OF SPOILERS**

I plan on watching it a third time to see if there's something I missed but from where I sit things don't seem to make any sense.
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Good vs Evil (1999–2000)
They don't make 'em like this anymore
24 November 2002
Warning: Spoilers
***SPOILERS*** ***SPOILERS*** And regrettably probably never will. This show was pure brilliance, and, like a number of innovative shows, gets subjected to inaccurate comparisons and also gets cancelled.

You can't compare this show to The X-Files, Brimstone, or, well, anything on TV except re-runs from 70s cop shows. And even then it's a poor comparison because I haven't seen a single one that has so many *quality* gags. It not only pokes fun at the afore-mentioned 70s cop shows (McNeill's afro, their constant screw ups, their assumptions that everything should go their way for no apparent reason, not to mention the appalling back projections whenever they're driving) but at Hollywood, vanity, religion and humanity in general.

This show not only works as an action/adventure show with it's great fight sequences and fairly good plots but also as a comedy show. Take for example **SPOILERS** "Roses are red, violets are blue. Have sex in the corps and I'll break your neck!" - Deacon Jones, or when Decker accidently detonates a morlock wrapped in explosives during a prisoner exchange, or Deacon Jones beating up four or five guys in a row whilst demonstrating morlock killing techniques. **END OF SPOILERS**

This show rocks. It is criminal they didn't make more. Watch any repeats you can find.
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The Patriot (2000)
Wow!
14 November 2002
Kudos to Mel Gibson, he had me hooked from the start with his realistic portrayal of American Revolutionaries. I know very little about the American War of Independence because the English School system does not place great emphasis upon it but I can see that he has perfectly captured those who valiantly fought against the English. Why, from the opening sequence I can see that this is a perfect portrayal. A pacifist man and his children (who can all read and write whilst working on the sizeable farm) along with his freed African-soontobeAmerican workers all go off to fight the demonic English with only four racists Americans in sight (all minor parts. I won't try to count the racist English). Gibson's character is perfect, a bit angry at times but perfectly well adjusted to modern society. No less than a miracle for a man supposed to have lived about two hundred years ago.

The portrayal of the Americans is wishful thinking and the portrayal of the English is point-blank racist. But that doesn't matter because they're English with their bad teeth and besides you can't be racist to white people. This villifying of the English in this film is typical not just of Mel Gibson's work, nor of that of American cinema in general but of the entire American culture. The only English character's that are portrayed in American celluloid are either there to be mocked, killed or play the part of Kato to the American Green Hornet.
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Batman Beyond (1999–2001)
Some good insights into Bruce Wayne, but that's it.
5 November 2002
Warning: Spoilers
***SPOILERS*** ***SPOILERS*** This is a good kids show, and that's exactly what it is. It's a show that's good but aimed at kids who simply know the surface details about Batman. I have always found the most interesting thing about Batman is that the main character *is* Batman, whose alter ego is Bruce Wayne, not the other way around. I've been fascinated with the 'psychology' of Batman and all this show offers me are a few insights into Bruce Wayne's psyche. The best being in the first episode when we find out why he stopped being Batman. Go to the next paragraph if you don't want to know what it is. When rescuing a kidnapped girl he collapses because of his heart and in order to save his life from the crook he picks up a gun and threatens him with it. Brilliant. There are a few other good insights into Bruce Wayne but most of those are in the spin-off movie "Return of the Joker".

But you've got to love the bit in the first episode where a punk dressed up as a joker tries to scare Bruce Wayne.
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