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Emergence (2019–2020)
9/10
Solid, well-written television!
17 December 2023
This series reminds me a bit of Medium; emphasis on real-world family dynamics in an unreal world situation. Alexa Swinton shines, and the camera doesn't hesitate to highlight that with well-timed close-ups.

The story stretches the imagination, but reveals information slowly enough to keep the viewer engaged. Alison Tolman is perfect as the small-town police chief, who understands the human psyche in ways that help her in this mystery, but would be useful to anyone in her position. Owain Yeoman, perhaps better known for his work on The Mentalist seems a bit out of place but they cast him to speak with his native Welsh accent, which helps, and his role develops nicely. Ashley Aufderheide plays the confident daughter in a broken marriage and provides a good counter to Swinton's "Piper". Robert Bailey Jr. Is excellent as the seemingly "green" cop who's far more competent than he seems. Donald Faison, the ex-husband, plays it well, but his character is mostly along for the ride. And Clancy Brown rounds out the primary cast as the live-in father who's early bond with Piper provides a very cozy vibe to the home situation.

It's truly sad this series didn't get a second season to develop. The cast chemistry felt right, and the storyline was gripping. Kudos too to the cinematography and sound crew. In its single season, it told a compelling story that would now be gobbled up for its "timely" subject matter. As it stands, we're left to wonder, Piper, are you OK?
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Another Earth (2011)
8/10
Thoughtful and beautiful
26 May 2022
Brit Marling paints a thoughtful portrait of tragedy and redemption in this beautiful, slightly sci-fi, film. As a young woman, whose life is about to unfold full of promise, she takes a dark turn when she causes a tragic accident. The movie manages to simultaneously avoid dwelling on the fine details, while giving us enough detail to be able to read the metaphors. Marling largely carries the film, with a fine performance from William Mopather, but even the lesser characters feel solid and real. And it would be a mistake to look for too much "science" in the sci-fi; it's more of a subtle look and feel that provides a bed of mystery for the more philosophical and humanistic leanings of the themes. I find Brit Marling equally beautiful on screen as intriguing in how she has shaped her own career to be able to make the movies and play the roles that she believes in. This is a fine effort, including writing credits, to add to her portfolio.
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Fringe: Brown Betty (2010)
Season 2, Episode 20
9/10
Misunderstood...
17 October 2021
One of the more "endearing" traits of Fringe is that most every episode includes a "wink"; a moment saying "we're not taking ourselves TOO seriously." This episode fits nicely in the "continuum" as it tries to deal with the romantic tension so far developed between Olivia and Peter, and the matter's recent alienation from Walter. It does seem most series of this era threw in a "musical" episode, even if this one downplayed the actual "break into song" moments. Nonetheless, I can forgive it for "going there". After all, a "Brown Betty" IS a dessert!
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10/10
Why, oh WHY wasn't this renewed?!
15 June 2020
Even if you're completely unfamiliar with Orime Suspect, this set of six episodes stands alone as excellent police drama. Set in 1973, with an amazing period playlist from original artists, this "season" weaves together two crimes into an intense and gripping story. While cameras, frankly, drink up Stefani Martini's beauty, the director focuses on her character's strengths and vulnerabilities portraying the young Jane Tennison. Each episode paces well and gives us a "page-turner" finish while showing both the grind and the camaraderie of police work.

Perhaps Ms Martini's work got her better offers, but I can't imagine why this smart series didn't get a second season. Watch and enjoy the one we do have!
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