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CatherineChang
Reviews
Thriller: One Deadly Owner (1974)
OK, so it's probably shot on video...
Let's get the cons out of the way first: the sound and picture quality aren't that great, and the sets look stagey.
But the plot is fast moving, the acting very good, and the ending...not quite expected. For me, that makes for good viewing. I couldn't quite get over Jeremy Brett (a decade before Sherlock Holmes) in full-blown 70s brown flares, platform shoes, tight t-shirt, and incipient love handles - this had me in unholy laughter for a good few minutes, but he turns in a rare performance as the ambitious, stop-at-nothing, photographer boyfriend, whose 'disapproval' at his model girlfriend's choice of transport (white Rolls Royce, later haunted), does not quite mask his shock and disquiet.
The Return of Sherlock Holmes: The Six Napoleons (1986)
Hugely entertaining, and superbly acted.
This episode of the Granada Holmes series is one of my all-time favourites. The story line is not in itself remarkable: a family residing in the Italian quarter of London plan to steal the Black Pearl of the Borgias from the Prince of Colonna. The daughter of the Italian family is the Princess of Colonna's maid. However, to avert suspicion from her, the family employ a go- between, called Beppo. Unfortunately, Beppo is a wily character, and having stolen the pearl, he refuses to give it up. So begins a Vendetta (Italian style).
The episode opens with members of the Italian family - father, son and daughter - bawling their heads off at one another. Son especially, who after calling his sister very rude names, eventually storms off to look for Beppo and reclaim the pearl.
A fight ensues, during which son (Pietro) is stabbed by the more agile Beppo, who evades the police long enough to hide the pearl inside an almost-dry plaster bust of the Emperor. Beppo happens to know that this is one of six busts bound for a certain shop in London.
We then cut to Holmes, Watson and Lestrade sprawled in front of the fire in Baker Street, enjoying a post-dinner drink / cigar / read. Lestrade reveals that three busts of Napoleon have been smashed, and the three discourse upon the reasons or motivations of such a bizarre crime... And so it goes on.
What makes the episode memorable is the rapport the three lead actors - Brett, Hardwicke and Colin Jeavons (perfect as the 'ferrety' Lestrade) - manage to establish between the three characters, and the streak of mischievous humour they inject into their scenes, which is nowhere evident in the written story, but which adds indescribably to one's enjoyment of the film! Look out in particular for:
- The scene at the mortuary. Holmes spends a certain amount of time examining the corpse at close quarters, at one point his nose an inch away from the deceased's. Once Holmes has left, Lestrade does the same, clearly wondering as he does so what it is Holmes sees that he has missed.
- The scene where Holmes and Watson, returning to Baker Street, find Lestrade surreptitiously peeping through one of Holmes's notebooks. They smile, then retreat and cough theatrically to give Lestrade enough time to leap up and start pacing the room as though he hadn't been doing anything he shouldn't.
- Lestrade's incredulous and baffled, 'Chiswick?!' In my books, this single utterance rates with Edith Evans's 'Handbag?!' in the 1952 production of Oscar Wilde's 'The Importance of Being Earnest.'
- The scene when all three are sitting in a summer house in Chiswick, frozen stiff and awaiting their quarry. The exchange about 'humbugs' is particularly noteworthy.
- The scene in which Lestrade expounds upon his theory for the smashing of the busts. Holmes takes no notice whatsoever, until Watson asks him what he thinks, at which point he apologises for not having heard a word, giving the reason that he 'had a rather late night.' Given that all three had (at Holmes's instigation) been up for most of the night, Lestrade's 'And what do you think I had?' with all the requisite indignation and astonishment is hilarious.
- The entrance of, and ensuing scene with, 'Mr. Sandeford of Reading' with the final bust. Jeffrey Gardiner's performance is a gem. Reminiscent of Dickens's more comic characters.
- The prelude to the final 'denouement': not just Brett's various antics, which show us Holmes indulging to the full, his penchant for the 'dramatic,' but also the expressions on Watson's and Lestrade's faces as they watch him, which seem to alternate between, 'Oh, my! Now what's he up to?' and 'He's mad!'
- The handshake scene with Lestrade and Holmes, when Lestrade for the first and only time, gives full, unfettered acknowledgment of the master detective's genius. No further comment needed here beyond saying it was masterly - and it's a mystery to me why Brett never received an award for his Holmes. The depth of characterisation and attention to the minutest detail was astounding! And in this snippet, we see the camera at its most ruthless - a well-lit close-up on a face completely exposed by the severity of the slicked back hair. Every single facial movement, every twitch is captured.
One to enjoy and savour!
The Adventures of Sherlock Holmes: The Resident Patient (1985)
Excellent viewing all round.
One of the earlier episodes of the Granada series, with Jeremy Brett as Holmes and David Burke as Watson. For me, what stood out in this film was less the acting (which is very good), but the humour. To watch out for in particular:
- The opening scene (in the barber's shop), where Watson tries a little deduction of his own, taking Holmes somewhat by surprise. As it turns out, Watson is mostly right, but Holmes does not give way without teasing him first. A wonderful addition that highlights the friendship between the two men.
- Observation and deduction on the carriage standing outside 221b Baker Street on their return, here scripted with both Holmes and Watson speaking, and so breaking once and for all, from earlier portrayals of Watson as slow or 'bumbling.' Though if you think about it, he couldn't have been either. He was a successful medical doctor, surely that alone required more than a modicum of intelligence, even in late Victorian England?!
- The scene in the murdered Blessington's bedroom, where Holmes examines the evidence, picks up a hair from here, a cigarette stub from there, and some ash residue from somewhere else, before making ready to leave, having pronounced to the police inspector, Watson, and others, that it's perfectly clear what has happened. The comic element is in the expressions of the other actors, and in Holmes's surprise when Watson (baffled and slightly long- suffering), asks him if he might 'tell us something now, Holmes?'
- The scene of Holmes and Watson back at Baker Street, with the former strewing papers and notebooks all over every available surface in his search for a newspaper cutting that solves the mystery. Look out in particular for Watson's hurried departure from a Mrs. Hudson who at that moment, is feeling pleased that she has finally managed to complete her spring cleaning, and that good lady's horror when she sees the state of the Baker Street sitting room.
- Holmes stopping his violin practice so that Watson can get on with writing, to the latter's deepest gratitude, only to continue scratching away (very badly) in the next room.
Hugely fun to watch, with exuberant performances from Brett and Burke, with Brett's Holmes full of the brilliance, arrogance, single-mindedness, and eccentricity of Doyle's master detective.