Having been hunting down a copy of this film for a while after its rather limited cinema release, I have to confess that I didn't know that it was made by an MTV team until I started watching it.
Unfortunately, once you do, that pedigree's obvious.
To borrow a description from the late, great Eric Morecambe: it was playing all of the right notes, but not necessarily in the right order.
It just comes across as trying to straddle into the standard teen comedy formula on occasion - presumably trying to capture as much of the teen audience as it can get, without losing MTV street cred by having the gall to be clever.
Compared to other members of the "intelligent" teen comedy sub-genre, like 'Ten Things I Hate About You' or 'Loser', the jokes're just a little too unsubtle, slapstick or even just borderline lowest common denominator in places, the soundtrack's just that bit too loud and obtrusive...
It strikes me as either a cynical attempt to play both the slacker and intelligent sides of the teen audience, or an honest attempt at a more cerebral comedy by a team that's not familiar enough with that side of things to quite do it right.
The cast can't be blamed. Colin Hanks is definitely his father's son, with that same geeky charm (that also puts me in mind of Tobey Maguire) that makes him an appealing, everyman lead.
As Hanks' permanently-drugged up older brother, Jack Black plays essentially the same character as always (although he doesn't sing this time), but as ever, steals every scene he's in. As the workaholic father who can't make his second family work any better than his first, John Lithgow is underused just to the point of making you want to see a little more of him, but also to the point where you appreciate what might've happened if his screen time'd been taken any further.
The storyline was standard for the genre. The morality and messages were all there. Everyone on screen did what they could with the available material.
But although there were some points of real empathy for the lead character, to me, the heart wasn't.
To me, a film like this can work if the situations're as outlandish as you like, but the relationships between the leading characters come across as real.
But the characterisations weren't all on the same level. The leads (with the possible exception of Jack Black) were all fairly real, but the supporting cast were pushed too far into parody.
The friendships and family relationships just didn't feel real and plausible enough to have that *click* factor, drawing the viewer into the protagonist's story. It's little wonder that Hanks felt like an everyman when you'd probably've had to be a martian to be more of an oddball than the characters he was surrounded by.
All in all, an okay little film. But not great.
To quote (I believe it was) Doctor Johnson when describing the Giant's Causeway: "Worth seeing. But not worth going to see."
Unfortunately, once you do, that pedigree's obvious.
To borrow a description from the late, great Eric Morecambe: it was playing all of the right notes, but not necessarily in the right order.
It just comes across as trying to straddle into the standard teen comedy formula on occasion - presumably trying to capture as much of the teen audience as it can get, without losing MTV street cred by having the gall to be clever.
Compared to other members of the "intelligent" teen comedy sub-genre, like 'Ten Things I Hate About You' or 'Loser', the jokes're just a little too unsubtle, slapstick or even just borderline lowest common denominator in places, the soundtrack's just that bit too loud and obtrusive...
It strikes me as either a cynical attempt to play both the slacker and intelligent sides of the teen audience, or an honest attempt at a more cerebral comedy by a team that's not familiar enough with that side of things to quite do it right.
The cast can't be blamed. Colin Hanks is definitely his father's son, with that same geeky charm (that also puts me in mind of Tobey Maguire) that makes him an appealing, everyman lead.
As Hanks' permanently-drugged up older brother, Jack Black plays essentially the same character as always (although he doesn't sing this time), but as ever, steals every scene he's in. As the workaholic father who can't make his second family work any better than his first, John Lithgow is underused just to the point of making you want to see a little more of him, but also to the point where you appreciate what might've happened if his screen time'd been taken any further.
The storyline was standard for the genre. The morality and messages were all there. Everyone on screen did what they could with the available material.
But although there were some points of real empathy for the lead character, to me, the heart wasn't.
To me, a film like this can work if the situations're as outlandish as you like, but the relationships between the leading characters come across as real.
But the characterisations weren't all on the same level. The leads (with the possible exception of Jack Black) were all fairly real, but the supporting cast were pushed too far into parody.
The friendships and family relationships just didn't feel real and plausible enough to have that *click* factor, drawing the viewer into the protagonist's story. It's little wonder that Hanks felt like an everyman when you'd probably've had to be a martian to be more of an oddball than the characters he was surrounded by.
All in all, an okay little film. But not great.
To quote (I believe it was) Doctor Johnson when describing the Giant's Causeway: "Worth seeing. But not worth going to see."
Tell Your Friends