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Poor Things (2023)
The Poor Things: A Surreal Odyssey of Human Nature and Social Reflection
Yorgos Lanthimos, the mastermind behind thought-provoking cinema, has once again left audiences in awe with his latest creation, "The Poor Things." Drawing inspiration from the likes of Jean Pierre Junet and Leos Carax, Lanthimos crafts a cinematic experience that pushes the boundaries of storytelling and challenges our perceptions of human behavior.
At its core, "The Poor Things" is a testament to Lanthimos's unparalleled ability to weave together the bizarre and the profound. Much like his previous works, such as "The Lobster" and "The Killing of a Sacred Deer," this film delves deep into the complexities of human nature, presenting a world where the lines between reality and absurdity blur seamlessly.
The narrative unfolds in a manner reminiscent of new wave French cinema, with echoes of films like "Delicatessen" and "Holy Motors" reverberating throughout. Lanthimos's penchant for unconventional storytelling shines through as he guides the audience through a surreal landscape where nothing is as it seems.
Central to the film's success are the superb performances delivered by the ensemble cast. Each actor fully embraces their role, breathing life into characters that are as enigmatic as they are compelling. From the eccentric protagonist to the eccentric supporting characters, every interaction feels charged with tension and intrigue.
What sets "The Poor Things" apart, however, is its incisive social commentary. Lanthimos uses the absurdity of the narrative to shine a light on the absurdity of the world we live in. Themes of power, control, and manipulation are explored with nuance and depth, inviting audiences to question the very fabric of society.
One of the film's most striking aspects is its visual style. Lanthimos employs a minimalist approach, favoring stark, clinical compositions that serve to heighten the sense of unease. The use of lighting and color further adds to the film's otherworldly atmosphere, creating a sense of detachment that is both disconcerting and mesmerizing.
In true Lanthimos fashion, "The Poor Things" is not without its moments of dark humor. The director expertly infuses the narrative with moments of levity, providing much-needed relief from the tension that permeates every scene. It's a delicate balance that Lanthimos navigates with ease, ensuring that the film never becomes overly bleak or heavy-handed.
At its heart, "The Poor Things" is a meditation on the human condition. Through its bizarre characters and surreal narrative, the film forces us to confront the uncomfortable truths that lurk beneath the surface of our everyday lives. It's a challenging, thought-provoking experience that lingers long after the credits roll.
In conclusion, "The Poor Things" is a triumph of visionary cinema. Yorgos Lanthimos has once again proven himself to be a master storyteller, pushing the boundaries of filmmaking and challenging audiences to expand their minds. With its brilliant performances, incisive social commentary, and haunting visuals, this is a film that demands to be seen and savored.
Starfish (2023)
Starfish: A Cinematic Dive Hindered by Choppy Waters, Fails to Make a Splash and Proves a Disappointing Waste of Time
Starfish," directed by Akhilesh Jaiswal and adapted from Bina Nayak's novel "Starfish Pickle," embarks on a narrative journey that, unfortunately, encounters turbulent waters. The film introduces us to Tara, portrayed by Khushalii Kumar, a diver entangled in the undertow of her past. Despite a promising start, the cinematic voyage is hindered by a choppy narrative, impulsive editing, and a screenplay that lacks finesse.
The initial chapters offer a glimpse into Tara's world, but impulsive edits disrupt the flow, hindering the audience's immersion. The film grapples with a momentary dip in engagement, struggling against a cinematic tide that refuses to be tamed. While Jim Edgar's cinematography captures stunning underwater scenes, it becomes a victim of the film's impulsive editing, overshadowing its potential impact.
Set against the enchanting backdrop of Malta, Tara's life as a diver and her struggle with PTSD are hindered by a screenplay that meanders lazily through thematic depths. Conflicts between moving on and confronting past wounds feel diluted, failing to leave a lasting impact. Relationships with Aman (Tushar Khanna) and Neel (Ehan Bhat) suffer from predictability, lacking the emotional depth intended.
Despite Khushalii Kumar's commendable performance, the film struggles to rise above its challenges. The attempt to deliver a compelling exploration of human emotions is marred by a choppy narrative and a screenplay that misses opportunities. While Jim Edgar's cinematography shines, it becomes a victim of the film's lack of cohesion.
In conclusion, "Starfish" falters in its attempt to provide a seamless and immersive cinematic experience. The film's untamed currents, represented by its choppy narrative and impulsive editing, may leave audiences grappling with cinematic confusion. Unfortunately, the lack of interest-inducing elements categorizes "Starfish" as a waste of time, failing to make the overall viewing experience compelling or worthwhile.
Badla (2019)
Poor remake!!
100% copy of the Invisible guest, even did not change the dialogue. What they did just change the gender!! lol