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Mob City (2013)
10/10
Brilliant, very entertaining and left me wanting to see more
5 December 2013
Warning: Spoilers
After reading other reviews for this, I wonder if we watched the same show. I know people's opinions are subjective, but I really feel that some professional critics are just judging this harshly because they're seeing others doing so and want to jump on the bandwagon.

Apart from a couple of cops with designer stubble two days in a row – this show captured the 1940s perfectly. Actors spoke like they were in the 40s, people dressed like they were in the 40s. There was no inappropriately placed political correctness to make it feel fake. The name of the jazz club was very racist (there's no getting away from the fact that 1940s America was a very racist place, I for one prefer it's not brushed under the carpet) Simon Pegg uses some racist language and women were told they had to be escorted home.

The script was great, Simon Pegg's first exchange with the main protagonist gave a glimpse of the quality of the writing early on. Alexa Davalos was perfect as the femme fatal. I really felt like I was watching a Katharine Hepburn or a Rita Hayworth rather than someone pretending to be from that time period. Overall, the casting and the dialogue was perfect. There were lots of familiar faces.

As for production values, they were off the charts. The pilot featured different time periods, the 20s and the 40s (not sure if this will be an ongoing thing but I hope so) and both looked perfect. No expense was spared. It was good enough to be mistaken for a medium-to-high-budget movie. It looked a lot like Polanski's Chinatown.

As for the plot – I can only describe the first two episodes as very satisfying. I love Boardwalk Empire - which is a very similar show – but I often feel unfulfilled after viewing. Like I've eaten all my vegetables and only got half a steak. The pacing in this was just-right.

Overall, I enjoyed every scene, every second. I remember thinking "this is great" while watching it. Outside of watching Breaking Bad, I haven't enjoyed watching something this much for a long time. I'm confident the IMDb score will pick up as the quality becomes undeniable. I've seen many good shows start with an average rating on here, and pick up once the professional critics stop savaging it. I don't think this will be any different.
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Hello Ladies (2013–2014)
10/10
Very funny first episode
30 September 2013
Warning: Spoilers
I hope it can keep up the pace and keep the laughs coming, because the first episode was hilarious.

Anyone who's ever listened to the Ricky Gervais Show or the XFM broadcasts will instantly recognise that this is Stephen playing himself, right down to his unwillingness to spend money and awkwardness around women in nightclubs. And it makes for a very funny show. I've always thought that he was the under-rated part of the (Ricky, Steve, Karl) trio, as he would often tell some great stories.

The supporting actors where all fantastic so far. It has high production values and the premise and location is original. Not so much the awkward guy trying to get some, but a geeky English guy in a foreign country, well out of his element.

So far, Steve's really proved that he can write and act great comedy on his own. Hopefully it will keep up the high standard and get the audience it deserves. Sadly, the Ricky Gervais Show did not on HBO, so congratulations to them for taking a risk.
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3/10
Started well, first season ended okay, second season was terrible.
21 September 2013
Warning: Spoilers
I can't believe this has such a high rating. I can only assume people rushed to review this near the start of the first season.

And it did start very well. It's never actually scary, more of a soap opera for ghosts, but there were some good performances, especially from Lange.

The biggest problem I have with this, is that it's one of those American TV shows, that they seem to write it episode to episode, without having a cue where they're taking it - like Lost. And it ends up a confused mess, like those one sentence at a time stories you used to see on internet forums where everyone chips in a sentence.

I only managed two thirds of season two before I had to stop watching. I often get roped into bad shows and feel like I have to watch them out of duty, but this was too bad.

They have so much talent on display, presumably they also have a large budget. Couldn't they do any better than this? Because the seasons are unrelated, I may yet try the new story when season three premieres. Hopefully they'll improve the writing.
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Dolph is back
19 September 2013
Warning: Spoilers
This film's rating will definitely not be manipulated to give a higher rating than it deserves. It's actually a stellar performance from the thespian's thespian, Dolph Lundgren.

For those of you who don't know, Dolph started his career at the Royal Shakespeare Theatre Company, where we would walk the boards with such luminaries as Laurence Olivier and Sir Patrick Stewart to name but a few. His acting was said to stand out even in this esteemed company, and he bought the house down on several occasions (there was some issues with the set and walking into load-bearing columns).

He was given his big break in the Rocky IV, as Drago. Though his lines were few, he delivered them with such passion that he earned a reputation as one of the finest actors of the period. He attributes his remarkable physique, not to injecting horse testosterone, but to his love of Swedish reindeer meatballs.

Since then his career has gone from strength to strength, starring in such epic, genre-defining movies as; Direct Contact, Fat Slags and Agent Red. He's also worked with virtuoso director Uwe Boll twice.

In this film he stars with veteran former action stars – definitely still relevant and not out for a pay check – like Billy Zane and Vinnie Jones.

And wow, what a film it is. That 2 million dollar budget was wisely spent assembling such a cast.
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