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Casino Royale (2006)
8/10
Best Bond in a LONG time
24 November 2006
I've been a lifelong fan of the Bond films and although I welcomed the Brosnan era, my heart lies with the Connery years - You Only Live Twice being my ultimate favourite. I didn't weep buckets when I learned that Brosnan was leaving the franchise as I felt that the two films after GoldenEye were rather flat by comparison. Die Another Day started out promising (with the scenes of Bond's torture) and I hoped we were finally in for a darker ride but the film soon gave way to the same silliness that marred some of the Roger Moore films.

With Casino Royale, my hopes of an edgy Bond film were finally realised. I was one of the few people in my circle of friends that had seen Daniel Craig in other films and felt able to reassure them that Bond was in safe hands. His performance in Layer Cake was practically an audition for the role and he was also astonishingly good in The Jacket, where he nearly stole the show from Adrien Brody. Unlike his older predecessors, Craig's Bond actually looks like he could do some serious damage with his bare fists - definitely more punch than paunch! Craig has the acting talent to deliver a deeper Bond. He portrays a man with arrogance tempered by a degree of humanity and, for once, shows that he is not completely infallible, both emotionally and physically. It was enjoyable to see that Bond doesn't always land on his feet (sometimes literally!).

Casino Royale had me gripped for its entire length - and it is long for a Bond film. I found the poker scenes to be some of the most exciting, even though I don't claim to know how to play. And the action scenes didn't disappoint either. It was refreshing to see the emotional aftermath of a brutal killing rather than having Bond fire off another glib remark. His tender treatment of Vesper Lynd after a particularly gruesome dispatch was most touching. Eva Green did a great job and certainly portrayed Vesper as more than just two-dimensional eye candy.

There were a few mis-steps along the way. Bond driving a Ford Mondeo - purleeeese! And the title song wasn't up to the mark, although I enjoyed the visuals of the opening credits. Whilst I don't have anything against the usual naked cavorting ladies per se, I didn't miss them. The constant product placement became tiresome and the media coverage before the film's release was certainly overkill. I also thought some of the dialogue in the romantic scenes was rather cheesy and detracted from the love story. You can show depth of feeling with a look or a caress without cringe-worthy lines about 'having no armour left'.

On the plus side, the lines of intentional humour throughout the film were most welcome and expertly delivered by Craig. I didn't miss Q (or R) and his usual array of gadgetry but I'm glad Judy Dench returned as M and I thought her interaction with Bond was handled superbly. The tone of the film satisfied my desire to see a grittier Bond than we've become accustomed to in recent years and I hope this theme continues with the next instalment.

I rate a good Bond film by how many times I'm prepared to sit through it and, considering I've watched Casino Royale twice at the cinema within a week and am contemplating a third visit, I would say that it's right up there with my all-time favourites.
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9/10
Best of the bunch!
16 November 2006
Undoubtedly, my all-time favourite Bond film! I've seen them all so many times but YOLT has always stood out from the rest. It has the best Bond (Connery), best villain (Donald Pleasance's Blofeld), best sets (volcano crater), best death scene (by piranha!) and best theme (sung by Nancy Sinatra).

The film has some delicious dialogue (screenplay by Roald Dahl, no less) and some lovely quirky scenes - Bond's 'transformation' into the least Japanese-looking man ever, Q's 'Little Nellie' etc. But there are also some touching moments when Bond 'bonds' with his allies in the Japanese secret service. I loved all the locations, in particular the Tokyo scenes which make a nice change from the usual interchangeable Caribbean beaches.

Basically, just a fab film - one that can still entertain me after a hundred or so viewings!
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9/10
Exceptional British film-making
6 November 2006
Warning: Spoilers
The Wicker Man is a great example of how a film can be tossed aside like rubbish, only to emerge in later years as a classic. Although usually billed as a horror, it is only towards the end that a feeling of dread sets in, as the film reaches its conflagrative conclusion. There are many other elements to enjoy along the way - eroticism, comedy and even a sing-a-long with Christopher Lee!

The film keeps you off balance throughout - constantly setting up the central character, Edward Woodward's puritanical Sgt Howie, as a figure of ridicule and letting the audience root for Lee's liberal Lord Summerisle and his followers instead. The Wicker Man certainly makes a lie of the theory that only virgins survive in horror films! There is no heroic rescue to save Howie in the end because this is so far removed from your typical Hollywood popcorn movie.

This would not be the same film if it were not for the shoestring budget, patchy picture quality and folksy ballads. The soundtrack, by the way, is every bit as quirky yet ethereal as the film and is well worth owning. I don't condemn those who have watched the Nic Cage remake but I would urge anyone considering doing so to watch the original as well, if only to see that a classic film is not dependent on Hollywood stars and big budgets.
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10/10
Spellbinding
15 October 2006
This is a film watched best with no preconceptions about it, like me at the time. All I knew was that it starred Jim Carrey (a fact that nearly prevented me watching it) and that it had received generally good reviews.

The story was hard to follow at first but once it started to fall into place and I understood what was going on I became hopelessly overcome by emotion. I've never seen such an original and heartbreaking film about love. It made me think about real relationships - how all those happy memories can begin to disintegrate when they are tainted by the bitterness and regret that can creep up on you when a relationship falls apart. I looked at my own (very happy) marriage and hoped to God that I will never forget all the wonderful times we've shared, even if we don't last the distance. I had sobbed my heart out by the end of the film but I honestly felt all the better for it.

Jim Carrey is a marvel to watch. It's as if his usual screen persona was switched with the character played by Kate Winslet. I had no clue that he could deliver such a subtle, sympathetic performance. Kate Winslet's Clementine could have been the typical annoyingly ditsy flake seen so often in films about love and relationships but she was truly believable and utterly unique.

This film requires several viewings to completely appreciate the dialogue, the special effects (although I believe some were camera tricks rather than computer-generated) and the meticulous attention to detail. A highly recommended masterpiece.
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Freedomland (2006)
1/10
Don't bother
11 September 2006
Warning: Spoilers
Freedomland seemed a good idea while I was perusing the new releases in the video rental shop. A-list stars, intriguing storyline on the back of the box etc. What a mistake! This film doesn't know what it is supposed to be. A thriller? I wasn't thrilled. A sociological commentary on racial tension? I didn't learn anything. I was nodding off by the time the story had resolved itself and didn't feel like I had missed anything because it was so obvious from the start that this wasn't a real carjacking.

Julianne Moore is never a favourite of mine given her track record of turkeys but I was prepared to give her a chance. Another mistake. As Brenda, she spent the whole film wailing like a banshee and didn't generate any sympathy for her character whatsoever, which you may have expected from an actress portraying a mother whose child is missing. Samuel L. Jackson plays just another world-weary maverick detective without any clues as to why he would jeopardise his respect in the community for the sake of a head case like Brenda. Ron Eldard usually offers stellar support (House of Sand and Fog etc) but here he is lumbered with a one-dimensional character as Brenda's thuggish brother with alarmingly white teeth (I didn't know you could afford such expensive dental work on a cop's salary).

The only good element of this film is Edie Falco, who is truly believable as the leader of a group of mothers who try and find lost children. She is the only character who invokes any kind of empathy or interest from the viewer. As I couldn't give this film zero stars, I give that lone star to her.
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7/10
Disturbing but worthwhile
7 September 2006
This is an often shocking but necessary film about a young girl called Bone and the abuse she suffers at the hands of her stepfather, Daddy Glen. The film is hard to watch at times but there are lighter moments when Bone's extended family are on screen. The book contains a much wider scope and naturally many of these subplots didn't make it into the screenplay. Ultimately, the film feels a little rushed and could have benefited from another half hour or so.

The quality of the acting is patchy. Lyle Lovett's delivery of his few lines of dialogue is very wooden compared to Michael Rooker's excellent portrayal of gentle giant Earl. Jena Malone does a brilliant job in obviously difficult circumstances as young Bone. The look in her eyes breaks your heart whenever things are about to turn violent, making you want to rescue her yourself. Jennifer Jason Leigh is fine as Bone's mother but you feel like you never really get to see beneath the surface of her determined expression to understand her motives for standing by her man in the face of Glen's obvious resentment of her daughter.

Ron Eldard is excellent in his depiction Glen, expertly capturing the character's pathetic childishness behind those icy blue eyes. Eldard often seems to play characters with a dark side and this role plays to his strengths, even if his southern accent slips from time to time. His scenes of violence with Bone are harrowing to watch and you can't help but feel uncomfortable, given the age of Jena Malone at the time. I know it's 'only acting' but the scenes are very realistic and graphic for a young actress to endure.

The film is one that ought to be shown to any single mother tempted to jump into a relationship with a hot-headed young man with questionable intentions.
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