My Top 10 Favourite Movies of 2021

If you've seen many of my other year-end lists, you'll know that either a Disney/Pixar animated movie or a Marvel one has almost always won the gold medal for several years now. Say what you will about Disney's monopoly on everything, but if they keep giving us movies this good, I'm not complaining! :-) As you can probably guess, this is the movie that earned the five-star rating I mentioned before. Not only is the action brilliantly framed and choreographed, but the humour isn't just cheap jokes; it's used to enhance the believability of the characters and, by extension, the situation. The characters themselves are fascinating, particularly Shaun's father, who's an antagonist with very understandable and even tragic motives. I also love how the intermittent flashbacks gradually develop Shaun's character and add extra weight to his decisions. Even the CGI on the fantastical creatures in the third act looks phenomenally realistic – far better than the composite shots from earlier in the film, strangely enough. In short, it's so exceedingly funny and exciting that it's one of my top five favourite MCU films, not to mention my undisputed favourite movie of 2021.

If you weren't aware, that stands for child of deaf adults. The child (or teenager) in question is Ruby, who feels that her family is keeping her from pursuing her newfound passion for music, but she can't abandon them, partly because they depend on her. It's a compelling dilemma that puts increasing strain on both situations. The best moment is an *outstanding* editing choice in the third act; I won't say exactly what happens, but let's just say it lets us experience the most important scene in a whole new way. It's an irresistible drama that thoroughly deserves the number two spot on my list.

It's kind of a live-action version of "Into the Spider-Verse" – and, in my opinion, *far* superior. :-) It's the first MCU Spider-Man movie to acknowledge the character's core philosophy, and also gives the other two live-action iterations one last hurrah. Whereas "Homecoming" was about Peter trying to prove himself and "Far from Home" had him just trying to be normal, this story sees him trying to do something decent for his friends, but facing harsh consequences for his decision. It's not perfect, but still a highly enjoyable movie that showcases Tom Holland's Spidey at his best, while also providing closure for two unfinished film series.

This is a movie that was nominated for the previous year's awards but that I categorise as a 2021 release. I usually find dramas like this hard to comment on, but this one has a very interesting demeanour: it's quiet and sedate, yet it always holds your attention. It's about a Korean family moving to rural America, and each member of the family has their own story to tell. At the centre is the father Jacob's determination to start a farm and the friction it causes with the others. The significance of the title is implied at the very end, but I won't spoil it.

Yes, the long-delayed finale for Daniel Craig's tenure as James Bond. And personally, I think it's a commendable swan song. Its runtime of over two-and-a-half hours may seem excessive, but it's paced so well that I for one barely noticed it. The highlight is an action scene with two contrasting phases: a car chase that turns into a suspenseful hunt in a quiet, misty wood. Its only downfall, for me, is the villain. Granted, he accomplishes a lot, but there's just nothing memorable about his personality or motives. Other than that, it's a worthy series conclusion and definitely one of my favourite Bond movies.

I have played "Injustice: Gods Among Us", but I haven't read the tie-in comics. Instead of recreating the game's all-out extravaganza, this movie keeps the story much more streamlined, staying within one universe and fleshing out how Superman loses hope, and how his turn to despotism affects the heroes around him. It leads to some riveting ethical discussions. The one thing I don't like is how readily Wonder Woman agrees with Superman's ruthlessness; isn't Diana supposed to be more compassionate than that? But overall, I seem to be in a minority who really liked this movie. Probably more than the game, in fact.

Pixar's latest offering seems very derivative of "The Little Mermaid" at first, but thankfully soon becomes its own thing. The heart of the story is Luca's eagerness to learn and explore new things, and how it affects his relationships with his friends. The animation style during his imagination is a really nice touch. Recalling what I just said about "Malcolm & Marie", the filmmakers claim they never intended it as an allegory for homosexuality, but it's still easy to interpret it that way, especially the nature of the betrayal at a certain point. Either way, it's a fun, if not stunningly poignant, coming-of-age drama.

This drama, driven entirely by the two title characters alone, is intriguingly simple but intense, because their relationship is being strained to the breaking point. The disconnect is apparent right from the first scene. They've just returned from the premiere of Malcolm's movie; he's proud of it, but Marie is clearly unhappy about having attended. Their conversations are captivating in and of themselves, though they do seem pretty scatterbrained; often, the subject comes up for no apparent reason. As well as providing analysis of the two characters, they cover topics like messages in film and how people's interpretations often differ from the writer's intention.

This is a delightfully fun movie in which Ryan Reynolds plays a video game NPC, simply named Guy, who one day becomes self-aware. It does touch on ideas like artificial intelligence and society's obsession with video games, but its beating heart is action and humour, both of which are handled wonderfully. I especially like how jolly and content Guy initially is with his daily life despite being surrounded by mayhem and carnage; to him, that's perfectly normal. :-) One thing I wasn't expecting was the cameos from actual gaming personalities, including Jacksepticeye, who provide in-universe comments as they watch the MMO game's events unfold.

I haven't read the original comic book series that this two-part animated adaptation is based on, but I am curious to see how it compares. Of the two movies, I slightly prefer Part Two because the pacing is better; instead of an episodic plot structure, it flows a bit more like a three-act narrative. My favourite scene is a flashback that adds to the theme of characters indirectly creating their own enemies: Falcone is a part of Batman's foundation, much like how Gordon planted the seed for Two-Face. Plus, it continues to upend your suspicions every time you think you know the Holiday killer's identity.