Kodak, which had a momentous 2023 with more than 60 movies shot on film has gotten off to a promising start in 2024 with Luca Guadignino’s “Challengers” and Jane Shoenbrun’s “I Saw the TV Glow, which A24 released wide May 17. Upcoming releases include Jeff Nichols’ “The Bikeriders” and Robert Eggers’ “Nosferatu.”
Meanwhile, Kodak premiered 29 movies shot on film at Cannes. These include five features competing for the Palme d’Or: Yorgos Lanthimos’ “Kinds of Kindness,” Sean Baker’s “Anora,” Andrea Arnold’s “Bird,” Karim Aïnouz’s “Motel Destino,” and Miguel Gomes’ “Grand Tour.”
Additionally, four movies are featured in Un Certain Regard, and 16 titles across Directors’ Fortnight and Critics’ Week were captured on film. Meanwhile, 16mm film continues to prove its popularity and relevance, with 23 of the on-film titles at the festival choosing it as their capture medium.
This article was first published January 27, 2024. It has been updated.
Cannes 2024 Premieres ‘Kinds...
Meanwhile, Kodak premiered 29 movies shot on film at Cannes. These include five features competing for the Palme d’Or: Yorgos Lanthimos’ “Kinds of Kindness,” Sean Baker’s “Anora,” Andrea Arnold’s “Bird,” Karim Aïnouz’s “Motel Destino,” and Miguel Gomes’ “Grand Tour.”
Additionally, four movies are featured in Un Certain Regard, and 16 titles across Directors’ Fortnight and Critics’ Week were captured on film. Meanwhile, 16mm film continues to prove its popularity and relevance, with 23 of the on-film titles at the festival choosing it as their capture medium.
This article was first published January 27, 2024. It has been updated.
Cannes 2024 Premieres ‘Kinds...
- 5/27/2024
- by Bill Desowitz
- Indiewire
Generating robust admissions for UK independent film at the global box office remains a challenge, but the figures do not paint the complete picture of what marks a release as a success, according to Stephan De Potter, CEO at Benelux distributor Cineart.
De Potter was talking about the release of Georgia Oakley’s debut Blue Jean, a feature debut and Venice premiere that was backed by BBC Film and the BFI.
It garnered $357,412 at the box office outside of the UK, and $384,232 within the UK, according to Box Office Mojo.
“It was not great [in terms of admissions], but we were very happy,” said De Potter.
De Potter was talking about the release of Georgia Oakley’s debut Blue Jean, a feature debut and Venice premiere that was backed by BBC Film and the BFI.
It garnered $357,412 at the box office outside of the UK, and $384,232 within the UK, according to Box Office Mojo.
“It was not great [in terms of admissions], but we were very happy,” said De Potter.
- 5/23/2024
- ScreenDaily
The 2024 Cannes Film Festival is underway with Quentin Dupieux’s The Second Act starring Léa Seydoux and Louis Garrel serving as the opening-night film.
This year’s lineup includes major Hollywood premieres like Furiosa: A Mad Max Saga starring Anya Taylor-Joy and Chris Hemsworth, Kevin Costner’s first film of a planned four-part series Horizon: An American Saga, Francis Coppola’s long-gestating Megalopolis, Yorgos Lanthimos’ Kinds of Kindness in a reteam with Emma Stone, Paul Schrader’s Oh, Canada and Andrea Arnold’s Bird to name a few.
They are joined by new films from stalwart auteurs including David Cronenberg, Jacques Audiard, Ali Abbasi, Jia Zhang-Ke, Christophe Honoré, Paolo Sorrentino, Gilles Lellouche, Mohammad Rasoulof, Michel Hazanavicius, Guy Maddin, Noémie Merlant and Oliver Stone.
Read all of Deadline’s takes below throughout the festival, which runs May 14-25. Click on the title to read the full review and keep checking back as we update the list.
This year’s lineup includes major Hollywood premieres like Furiosa: A Mad Max Saga starring Anya Taylor-Joy and Chris Hemsworth, Kevin Costner’s first film of a planned four-part series Horizon: An American Saga, Francis Coppola’s long-gestating Megalopolis, Yorgos Lanthimos’ Kinds of Kindness in a reteam with Emma Stone, Paul Schrader’s Oh, Canada and Andrea Arnold’s Bird to name a few.
They are joined by new films from stalwart auteurs including David Cronenberg, Jacques Audiard, Ali Abbasi, Jia Zhang-Ke, Christophe Honoré, Paolo Sorrentino, Gilles Lellouche, Mohammad Rasoulof, Michel Hazanavicius, Guy Maddin, Noémie Merlant and Oliver Stone.
Read all of Deadline’s takes below throughout the festival, which runs May 14-25. Click on the title to read the full review and keep checking back as we update the list.
- 5/22/2024
- by Pete Hammond, Joe Utichi, Damon Wise, Stephanie Bunbury and Valerie Complex
- Deadline Film + TV
The 77th edition of the Cannes Film Festival continues on Day 10 with the world premieres of Beating Hearts, starring Adèle Exarchopoulos, Alain Chabat, and Benoit Poelvoorde.
Pressers and photocalls today at Palais des Festivals included Grand Tour; Le Comte De Monte-Cristo; Motel Destino; Le Roman De Jim, and To Live, To Die, To Live Again.
Related: ‘Megalopolis’ Cannes Film Festival Premiere Photos: Francis Ford Coppola, Adam Driver, Shia Labeouf, Aubrey Plaza & More
The Jury, chaired by director Greta Gerwig will be tasked with awarding the Palme d’Or to one of the 22 films in the Competition. The awards will be unveiled on May 25th at the closing ceremony.
The jury includes Turkish screenwriter and photographer Ebru Ceylan, American actress Lily Gladstone, French actress Eva Green and Lebanese director and screenwriter Nadine Labaki, as well as Spanish director and screenwriter Juan Antonio Bayona, Italian actor Pierfrancisco Favino, Japanese director Kore-eda Hirokazu,...
Pressers and photocalls today at Palais des Festivals included Grand Tour; Le Comte De Monte-Cristo; Motel Destino; Le Roman De Jim, and To Live, To Die, To Live Again.
Related: ‘Megalopolis’ Cannes Film Festival Premiere Photos: Francis Ford Coppola, Adam Driver, Shia Labeouf, Aubrey Plaza & More
The Jury, chaired by director Greta Gerwig will be tasked with awarding the Palme d’Or to one of the 22 films in the Competition. The awards will be unveiled on May 25th at the closing ceremony.
The jury includes Turkish screenwriter and photographer Ebru Ceylan, American actress Lily Gladstone, French actress Eva Green and Lebanese director and screenwriter Nadine Labaki, as well as Spanish director and screenwriter Juan Antonio Bayona, Italian actor Pierfrancisco Favino, Japanese director Kore-eda Hirokazu,...
- 5/22/2024
- by Robert Lang
- Deadline Film + TV
International filmmakers are calling for solidarity with Mohammad Rasoulof and persecuted filmmakers in Iran in an open letter, shared with Variety.
Rasoulof – about to screen his latest film “The Seed of the Sacred Fig” in Cannes’ main competition – was sentenced to imprisonment and torture by the Islamic Republic of Iran. He fled the country.
“We condemn the inhumane treatment of Rasoulof and numerous other independent artists in Iran, who are being severely punished, criminalized and silenced for exercising their artistic freedom,” it was stated in the letter, already signed by “Holy Spider” star Zar Amir Ebrahimi, Fatih Akin, Atom Egoyan, Ildiko Enyedi, Andrew Haigh, Agnieszka Holland, Laura Poitras, Sandra Hüller, Sean Baker, Payal Kapadia and Ariane Labed.
“We stand in full solidarity with Rasoulof’s demands and call upon the international film community to raise our voices against an Islamist dictatorship that systematically oppresses every aspect of their society’s lives.
Rasoulof – about to screen his latest film “The Seed of the Sacred Fig” in Cannes’ main competition – was sentenced to imprisonment and torture by the Islamic Republic of Iran. He fled the country.
“We condemn the inhumane treatment of Rasoulof and numerous other independent artists in Iran, who are being severely punished, criminalized and silenced for exercising their artistic freedom,” it was stated in the letter, already signed by “Holy Spider” star Zar Amir Ebrahimi, Fatih Akin, Atom Egoyan, Ildiko Enyedi, Andrew Haigh, Agnieszka Holland, Laura Poitras, Sandra Hüller, Sean Baker, Payal Kapadia and Ariane Labed.
“We stand in full solidarity with Rasoulof’s demands and call upon the international film community to raise our voices against an Islamist dictatorship that systematically oppresses every aspect of their society’s lives.
- 5/22/2024
- by Marta Balaga
- Variety Film + TV
IndieWire has published its Cannes 2024 Cinematography Survey. We analyzed the data to explore (again and again) that the nine-year-old camera, Arri Alexa Mini, is the most popular camera among Cannes filmmakers. Furthermore, interestingly, in its first appearance on the Cannes Cinematography Chart and jumped straight to second place, is the Arri 35.
The main cameras of Cannes 2024 are the Arri Alexa Mini and the 35. Cannes 2024 cinematography
The 77th annual Cannes Film Festival is taking place from 14 to 25 May 2024. IndieWire has reached out to the filmmakers behind 59 films screened in various categories in the festival. The DPs elaborated on the tools they utilized to tell their stories. Read the entire survey here.
Official poster of the 77th Cannes Film Festival featuring a still image from the movie Rhapsody in August by Akira Kurosawa (1991)
As the tradition calls, we took the data and filtered it to the cameras used, to explore tendency. Based on the info,...
The main cameras of Cannes 2024 are the Arri Alexa Mini and the 35. Cannes 2024 cinematography
The 77th annual Cannes Film Festival is taking place from 14 to 25 May 2024. IndieWire has reached out to the filmmakers behind 59 films screened in various categories in the festival. The DPs elaborated on the tools they utilized to tell their stories. Read the entire survey here.
Official poster of the 77th Cannes Film Festival featuring a still image from the movie Rhapsody in August by Akira Kurosawa (1991)
As the tradition calls, we took the data and filtered it to the cameras used, to explore tendency. Based on the info,...
- 5/21/2024
- by Yossy Mendelovich
- YMCinema
Metrograph Pictures has acquired North American rights to Sandhya Suri’s Cannes standout “Santosh” following its world premiere in Un Certain Regard.
Metrograph Pictures will distribute the film theatrically, with additional release details to be announced at a later date. MK2 Films represents the movie in international markets.
“Santosh” marks the narrative feature debut of Suri, whose breakout documentary “I For India” competed at Sundance. Her short film “The Field” was nominated for the BAFTA for Best Short Film in 2019, and won Best International Short at Toronto in 2018.
“Santosh” received strong reviews following its Cannes premiere, with Variety called it a “whip-smart film” that “speaks the language of a fiercely feminist empowerment saga”.
The film follows Santosh (Shahana Goswami), a recent widow who, under a government scheme, inherits her husband’s job as a police constable in the rural badlands of Northern India. When a low-caste girl is murdered, she...
Metrograph Pictures will distribute the film theatrically, with additional release details to be announced at a later date. MK2 Films represents the movie in international markets.
“Santosh” marks the narrative feature debut of Suri, whose breakout documentary “I For India” competed at Sundance. Her short film “The Field” was nominated for the BAFTA for Best Short Film in 2019, and won Best International Short at Toronto in 2018.
“Santosh” received strong reviews following its Cannes premiere, with Variety called it a “whip-smart film” that “speaks the language of a fiercely feminist empowerment saga”.
The film follows Santosh (Shahana Goswami), a recent widow who, under a government scheme, inherits her husband’s job as a police constable in the rural badlands of Northern India. When a low-caste girl is murdered, she...
- 5/20/2024
- by Elsa Keslassy
- Variety Film + TV
by Elisa Giudici
Bird
A couple of renowned names in competition have presented less-than-perfect movies, while newcomers have showcased some convincing entries today at Cannes Film Festival.
Bird by Andrea Arnold
Since Fish Tank, I've never quite rekindled my enthusiasm for Andrea Arnold's films. However, Bird came very close. Some may argue that it feels more like a feature-length attempt to mimic Arnold's style than an actual Arnold film, but I personally found it compelling...
Bird
A couple of renowned names in competition have presented less-than-perfect movies, while newcomers have showcased some convincing entries today at Cannes Film Festival.
Bird by Andrea Arnold
Since Fish Tank, I've never quite rekindled my enthusiasm for Andrea Arnold's films. However, Bird came very close. Some may argue that it feels more like a feature-length attempt to mimic Arnold's style than an actual Arnold film, but I personally found it compelling...
- 5/20/2024
- by Elisa Giudici
- FilmExperience
Barry Keoghan, Andrea Arnold and Franz Rogowski in Cannes Photo: Richard Mowe Ask British director Andrea Arnold to explain herself and her films usually results in a left-field answer that nobody could have guessed.
And so it transpired with Bird, her latest film in Competition at the Cannes Film Festival, which stars stars Barry Keoghan, Franz Rogowski, Nykiya Adams and Jason Buda. It follows a 12-year-old youngster (Adams) who lives with her brother (Buda) and single father (Keoghan) in a squat by the seaside. As puberty looms the girl seeks attention and excitement elsewhere. Enter Bird (Rogowski), an enigmatic figure, who provides the promise of escape.
So what was that image that provided the genesis for Bird? Arnold gives a laugh and launches forth regardless: “So a very long time ago I had an image of a very thin and tall young man with a large penis standing on a roof.
And so it transpired with Bird, her latest film in Competition at the Cannes Film Festival, which stars stars Barry Keoghan, Franz Rogowski, Nykiya Adams and Jason Buda. It follows a 12-year-old youngster (Adams) who lives with her brother (Buda) and single father (Keoghan) in a squat by the seaside. As puberty looms the girl seeks attention and excitement elsewhere. Enter Bird (Rogowski), an enigmatic figure, who provides the promise of escape.
So what was that image that provided the genesis for Bird? Arnold gives a laugh and launches forth regardless: “So a very long time ago I had an image of a very thin and tall young man with a large penis standing on a roof.
- 5/20/2024
- by Richard Mowe
- eyeforfilm.co.uk
As the 77th Cannes Film Festival (May 14-25) arrives at its halfway point, here is THR executive editor of awards Scott Feinberg’s assessment of the awards prospects — at the Cannes closing ceremony and later in the fall — of the films that have screened at the fest so far.
The Two That Popped
One cannot know what the specific preferences and priorities of the Greta Gerwig-led main competition jury are, but one can categorically state that two competition films — both of which are so original and out-there that they have to be seen to be believed — have been particularly well received. Both garnered nine-minute standing ovations and rave reviews, including particular praise for their leading lady.
The first is The Substance, a body-horror flick from French filmmaker Coralie Fargeat that might be described as Sunset Blvd. meets Freaks, and an instant classic. Demi Moore, in a gutsy career-best turn...
The Two That Popped
One cannot know what the specific preferences and priorities of the Greta Gerwig-led main competition jury are, but one can categorically state that two competition films — both of which are so original and out-there that they have to be seen to be believed — have been particularly well received. Both garnered nine-minute standing ovations and rave reviews, including particular praise for their leading lady.
The first is The Substance, a body-horror flick from French filmmaker Coralie Fargeat that might be described as Sunset Blvd. meets Freaks, and an instant classic. Demi Moore, in a gutsy career-best turn...
- 5/20/2024
- by Scott Feinberg
- The Hollywood Reporter - Movie News
German Films celebrated its 70th anniversary at Cannes on Sunday, with its guests looking back but also looking forward.
“It has gotten much better,” Managing Director Simone Baumann told Variety at the event.
“We’ve had Oscar-winning ‘All Quiet on the Western Front,’ Oscar-nominated ‘The Teachers’ Lounge’ [for best international feature], films by Wim Wenders and with Sandra Hüller! Sure, Wim showed a Japanese movie and Sandra a French one [‘Perfect Days’ and ‘Anatomy of a Fall’], but it doesn’t matter: It’s more ‘mixed’ these days and I am proud of it, to be honest.”
At Cannes, 14 German productions and co-productions have been selected this year, including Match Factory’s main competition offerings “Motel Destino” by Karim Aïnouz – who also attended the bash – and Miguel Gomes’ “Grand Tour.” Run Way Pictures is behind Mohammad Rasoulof’s anticipated “The Seed of the Sacred Fig.”
As festivals get “more competitive,” underlines Baumann, international collabs are here to stay.
“It has gotten much better,” Managing Director Simone Baumann told Variety at the event.
“We’ve had Oscar-winning ‘All Quiet on the Western Front,’ Oscar-nominated ‘The Teachers’ Lounge’ [for best international feature], films by Wim Wenders and with Sandra Hüller! Sure, Wim showed a Japanese movie and Sandra a French one [‘Perfect Days’ and ‘Anatomy of a Fall’], but it doesn’t matter: It’s more ‘mixed’ these days and I am proud of it, to be honest.”
At Cannes, 14 German productions and co-productions have been selected this year, including Match Factory’s main competition offerings “Motel Destino” by Karim Aïnouz – who also attended the bash – and Miguel Gomes’ “Grand Tour.” Run Way Pictures is behind Mohammad Rasoulof’s anticipated “The Seed of the Sacred Fig.”
As festivals get “more competitive,” underlines Baumann, international collabs are here to stay.
- 5/20/2024
- by Marta Balaga
- Variety Film + TV
Few periods on the calendar mean more to cinephiles than the two weekends in May occupied by the Cannes Film Festival. Since its founding in 1946, the French festival has been a launchpad for some of the most artistically significant films of all time. The Palme d’Or is one of the most coveted film awards on the planet, and the festival’s ability to balance subversive arthouse work with major Hollywood premieres has led many to view it as the world’s most significant celebration of cinema.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
- 5/19/2024
- by Christian Zilko
- Indiewire
The Cannes Film Festival keeps on chugging, with more acquisitions, more premieres and an honorary Palme d’Or awarded to a studio for the first time.
The Glorious Return of Jacques Audiard
French filmmaker Jacques Audiard is a consistent staple at Cannes. His film “A Prophet” won the Grand Prix in 2010, 2012’s “Rust and Bone” competed for the Palme d’Or and 2015’s “Deephan” won the Palme d’Or. The last time Audiard was at Cannes in 2021, his smaller “Paris, 13th District” competed for the Palme d’Or.
Now he’s back with “Emilia Pérez,” a musical crime comedy about an escaped Mexican cartel leader undergoing gender-affirming surgery that stars Karla Sofía Gascón, Selena Gomez, Zoe Saldaña and Édgar Ramírez. And judging by the response to the film, it sounds like he has a good shot at Cannes’ top prize once again.
The film “landed the loudest, most enthusiastic standing ovation,...
The Glorious Return of Jacques Audiard
French filmmaker Jacques Audiard is a consistent staple at Cannes. His film “A Prophet” won the Grand Prix in 2010, 2012’s “Rust and Bone” competed for the Palme d’Or and 2015’s “Deephan” won the Palme d’Or. The last time Audiard was at Cannes in 2021, his smaller “Paris, 13th District” competed for the Palme d’Or.
Now he’s back with “Emilia Pérez,” a musical crime comedy about an escaped Mexican cartel leader undergoing gender-affirming surgery that stars Karla Sofía Gascón, Selena Gomez, Zoe Saldaña and Édgar Ramírez. And judging by the response to the film, it sounds like he has a good shot at Cannes’ top prize once again.
The film “landed the loudest, most enthusiastic standing ovation,...
- 5/19/2024
- by Drew Taylor
- The Wrap
This one is for the true Lanthimites, the Dogtooth sisters, the biscuit women, The Killing of a Sacred Deer heads, a film to which the callbacks are so abundant that one can’t help but wonder what the connection is for writer-director Yorgos Lanthimos and co-screenwriter Efthimis Filippou behind the scenes, outside of simply sharing tones and themes that all of their other films share. Regardless, the director as we knew him pre-Emma Stone is back (relatively speaking). And this time… with Emma Stone!
In his eighth feature, old and new Lanthimos merge, the former reflected in story scope, unreal realism, and bone-dry Greek comedy, all wrapped up in the much-felt return of Filippou, with whom he last wrote Sacred Deer just before he launched into the Hollywood stratosphere with Tony McNamara and The Favourite, the dawn of his Emma Stone collaboration-turned-creative-partnership. And the latter is reflected in, well,...
In his eighth feature, old and new Lanthimos merge, the former reflected in story scope, unreal realism, and bone-dry Greek comedy, all wrapped up in the much-felt return of Filippou, with whom he last wrote Sacred Deer just before he launched into the Hollywood stratosphere with Tony McNamara and The Favourite, the dawn of his Emma Stone collaboration-turned-creative-partnership. And the latter is reflected in, well,...
- 5/19/2024
- by Luke Hicks
- The Film Stage
Mubi has secured a multi-territory deal for Magnus von Horn’s The Girl With The Needle, which premiered in Competition at Cannes earlier this week.
The arthouse distributor, producer and streamer has picked up rights for North America, UK-Ireland, Latin America, Germany, Austria, Italy, Turkey and India. International sales of the film are handled by Mubi-owned The Match Factory, which is working on deals for further territories.
It marks Mubi’s third acquisition of titles competing for this year’s Palme d’Or after picking up worldwide rights to Coralie Fargeat’s body horror The Substance and UK rights to Andrea Arnold’s Bird,...
The arthouse distributor, producer and streamer has picked up rights for North America, UK-Ireland, Latin America, Germany, Austria, Italy, Turkey and India. International sales of the film are handled by Mubi-owned The Match Factory, which is working on deals for further territories.
It marks Mubi’s third acquisition of titles competing for this year’s Palme d’Or after picking up worldwide rights to Coralie Fargeat’s body horror The Substance and UK rights to Andrea Arnold’s Bird,...
- 5/19/2024
- ScreenDaily
Mubi has swooped on its third 2024 Cannes competition title, Variety has learned.
Having acquired worldwide rights to Coralie Fargeat’s buzzy body horror “The Substance” and U.K. rights to Andrea Arnold’s Barry Keoghan and Franz Rogowski-starring ‘Bird’ before the festival began, the arthouse distributor, production banner and streamer has now picked up Magnus von Horn’s chilling black and white drama “The Girl With the Needle.” Mubi bought the title for North America, U.K./Ireland, Latin America, Germany/Austria, Italy, Turkey and India.
Directed by von Horn (“Sweat”) from a screenplay he wrote with Line Langebek, “The Girl With the Needle” is loosely based on the true story of Danish serial killer Dagmar Overbye, who helped impoverished women kill their unwanted children and was first sentenced to death in 1921, but it was later changed into a lifetime in prison.
In von Horn’s pic, set in post WW1 Copenhagen,...
Having acquired worldwide rights to Coralie Fargeat’s buzzy body horror “The Substance” and U.K. rights to Andrea Arnold’s Barry Keoghan and Franz Rogowski-starring ‘Bird’ before the festival began, the arthouse distributor, production banner and streamer has now picked up Magnus von Horn’s chilling black and white drama “The Girl With the Needle.” Mubi bought the title for North America, U.K./Ireland, Latin America, Germany/Austria, Italy, Turkey and India.
Directed by von Horn (“Sweat”) from a screenplay he wrote with Line Langebek, “The Girl With the Needle” is loosely based on the true story of Danish serial killer Dagmar Overbye, who helped impoverished women kill their unwanted children and was first sentenced to death in 1921, but it was later changed into a lifetime in prison.
In von Horn’s pic, set in post WW1 Copenhagen,...
- 5/19/2024
- by Elsa Keslassy and Alex Ritman
- Variety Film + TV
Cast member of Palme d’Or contender shot in Kent says the high number of chaperones and intimacy coordinators on set was over the top
Is Britain leading the way in protecting young people and children from the potential traumas of working on a film set, or has it all gone far too far? Two of the most prominent European stars attending the Cannes film festival, both with high-profile premieres, have very different views.
Franz Rogowski, the acclaimed German actor who plays a key role in Bird, British director Andrea Arnold’s contender for the top Palme d’Or prize, said this weekend that the proliferation of chaperones and intimacy coordinators that had been required on the shoot on location in Kent qualified as well-intended “madness”.
Is Britain leading the way in protecting young people and children from the potential traumas of working on a film set, or has it all gone far too far? Two of the most prominent European stars attending the Cannes film festival, both with high-profile premieres, have very different views.
Franz Rogowski, the acclaimed German actor who plays a key role in Bird, British director Andrea Arnold’s contender for the top Palme d’Or prize, said this weekend that the proliferation of chaperones and intimacy coordinators that had been required on the shoot on location in Kent qualified as well-intended “madness”.
- 5/19/2024
- by Vanessa Thorpe in Cannes
- The Guardian - Film News
The weather didn’t play ball, but Magnus von Horn’s fierce fairytale and Andrea Arnold’s kitchen-sink take on English mysticism should count among the first-week highlights for Greta Gerwig’s jury
The Cannes film festival opens just as the heavens do, too. It’s raining on the red carpet and on the black limousines and on the immaculate white pavilions that line up on the beach. The rain falls on the A-listers as they climb the stairs to the Palais, and on the stoic huddled masses who gather behind the police cordons. Everybody’s bedraggled and windswept; it feels as though the whole town’s been at sea. “My main wish is that we see some great films this year,” says Iris Knobloch, the festival’s president, casting an anxious eye at the sky. “But also I’m wishing for a little sunshine as well.”
If it’s raining in Cannes,...
The Cannes film festival opens just as the heavens do, too. It’s raining on the red carpet and on the black limousines and on the immaculate white pavilions that line up on the beach. The rain falls on the A-listers as they climb the stairs to the Palais, and on the stoic huddled masses who gather behind the police cordons. Everybody’s bedraggled and windswept; it feels as though the whole town’s been at sea. “My main wish is that we see some great films this year,” says Iris Knobloch, the festival’s president, casting an anxious eye at the sky. “But also I’m wishing for a little sunshine as well.”
If it’s raining in Cannes,...
- 5/18/2024
- by Xan Brooks
- The Guardian - Film News
Mia Bays, director of the BFI Filmmaking Fund, is extending her contract to October 2026, after initially taking up the post for three years.
“Change takes time, film is slow to evolve,” said Bays. “The more I thought about it at the midpoint [of the contract], the more I felt there was more for me to do. The team has changed, it’s all quite recent. You need longer to do the finessing of the evolution. I can still see some gaps. It felt like the right thing, so I proposed it, and the upper echelons of the BFI agreed.”
She does not plan...
“Change takes time, film is slow to evolve,” said Bays. “The more I thought about it at the midpoint [of the contract], the more I felt there was more for me to do. The team has changed, it’s all quite recent. You need longer to do the finessing of the evolution. I can still see some gaps. It felt like the right thing, so I proposed it, and the upper echelons of the BFI agreed.”
She does not plan...
- 5/18/2024
- ScreenDaily
ReFrame, the Sundance Institute and Women In Film partnership to advance gender equity in the screen industries, announced in Cannes on Friday it is expanding its programme recognising gender-balanced hiring on features into Canada, the UK, Ireland, India, and Australia.
The ReFrame Stamp verifies feature productions that hire women or individuals from minority gender communities including trans, nonbinary, or gender-nonconforming individuals in at least 50% of key roles, above and below the line.
The Stamp will be accessible to producers in the five countries starting in autumn, when full international qualifying criteria will be released.
Since launching in 2017 it has been...
The ReFrame Stamp verifies feature productions that hire women or individuals from minority gender communities including trans, nonbinary, or gender-nonconforming individuals in at least 50% of key roles, above and below the line.
The Stamp will be accessible to producers in the five countries starting in autumn, when full international qualifying criteria will be released.
Since launching in 2017 it has been...
- 5/17/2024
- ScreenDaily
Smells Like Entrepreneurial Spirit!: Courvoisier Climbs Up the Totone Poll
In her directorial debut, Louise Courvoisier delves into themes of altruism and resilience, navigating a narrative that straddles the line between a troubled past and an uncertain future. It’s got two muddied boots on both sides. Despite a future in doubt, the film pulsates with the vibrant energy of its protagonist, emblematic of an unwavering fighting spirit. Following in the footsteps of kid protagonists thrust into adult responsibilities, Vingt Dieux Courvoisier adopts a tone and vibrant cinematic style reminiscent of Andrea Arnold or Ken Loach (think Sweet Sixteen).…...
In her directorial debut, Louise Courvoisier delves into themes of altruism and resilience, navigating a narrative that straddles the line between a troubled past and an uncertain future. It’s got two muddied boots on both sides. Despite a future in doubt, the film pulsates with the vibrant energy of its protagonist, emblematic of an unwavering fighting spirit. Following in the footsteps of kid protagonists thrust into adult responsibilities, Vingt Dieux Courvoisier adopts a tone and vibrant cinematic style reminiscent of Andrea Arnold or Ken Loach (think Sweet Sixteen).…...
- 5/17/2024
- by Eric Lavallée
- IONCINEMA.com
Launched last year by Wes Anderson’s producing partners at Indian Paintbrush, Galerie has emerged as a well-curated film club publishing unique selections of films from artists with their personal annotations. With past lists from the likes of James Gray, Ed Lachman, Mike Mills, Karyn Kusama, Ethan Hawke, and more, today we’re pleased to exclusively share a sneak peek from the lists of two celebrated Chilean filmmakers, Pablo Larraín and Sebastián Lelio, which have recently landed on the site.
Both filmmakers are currently working on their latest projects: Larraín is helming the Angelina Jolie-led Maria Callas drama, while Lelio is handling the musical The Wave, inspired by Chile’s “feminist May” movement in 2018. While in post-production on the projects, they’ve shared their curated collections.
The Spencer and El Conde director features Apichatpong Weerasethakul’s Cemetery of Splendor and Joshua Oppenheimer’s The Act of Killing on his list,...
Both filmmakers are currently working on their latest projects: Larraín is helming the Angelina Jolie-led Maria Callas drama, while Lelio is handling the musical The Wave, inspired by Chile’s “feminist May” movement in 2018. While in post-production on the projects, they’ve shared their curated collections.
The Spencer and El Conde director features Apichatpong Weerasethakul’s Cemetery of Splendor and Joshua Oppenheimer’s The Act of Killing on his list,...
- 5/17/2024
- by Jordan Raup
- The Film Stage
This year’s Cannes competition began with a film set in a working-class environment where a young woman with a single mother dreamed of escaping it all through dance. It was Agathe Riedinger’s Wild Diamond, but squint the eyes and forget the sunny coastal scenery and you could have been watching Andrea Arnold’s Fish Tank, a winner of the jury prize here fifteen years ago. Arnold now returns to the Croisette with Bird, remarkably just her third narrative film since and her closest to it, in many ways––up-and-coming stars next to non-professional actors, kitchen-sink realism, great music, sketchy dudes––although this time with Franz Rogowski playing a queer-coded Mary Poppins who might be a seagull.
Bird stars Nykiya Adams as Bailey, a young girl living with her father, Bug (a tattooed Barry Keoghan in a touching performance), in a free-spirited community house in a British coastal town.
Bird stars Nykiya Adams as Bailey, a young girl living with her father, Bug (a tattooed Barry Keoghan in a touching performance), in a free-spirited community house in a British coastal town.
- 5/17/2024
- by Rory O'Connor
- The Film Stage
Dole Days: Arnold Flutters About with Strange Bedfellows
There’s certainly a definable emotional core in Andrea Arnold’s fifth narrative feature, Bird, but the ideas and themes tying it all together are about as wispy and freewheeling as scattered feathers drifting along the course of a gently idling wind. Once again mixing anthropomorphic inspired motifs with working class realities, Arnold’s new marriage of social miserabilism and magical realism sadly feels a bit exploitative as it rushes through thinly drawn characters and connections before gliding into a pat, feel-good resolution. Whether due to methods of improvisation without a clearly defined script or a rushed edit to make the demands of its world premiere, Arnold’s latest is something of a disappointment, playing as it does so fiercely into the eternally forgiving arena of the sentimental.…...
There’s certainly a definable emotional core in Andrea Arnold’s fifth narrative feature, Bird, but the ideas and themes tying it all together are about as wispy and freewheeling as scattered feathers drifting along the course of a gently idling wind. Once again mixing anthropomorphic inspired motifs with working class realities, Arnold’s new marriage of social miserabilism and magical realism sadly feels a bit exploitative as it rushes through thinly drawn characters and connections before gliding into a pat, feel-good resolution. Whether due to methods of improvisation without a clearly defined script or a rushed edit to make the demands of its world premiere, Arnold’s latest is something of a disappointment, playing as it does so fiercely into the eternally forgiving arena of the sentimental.…...
- 5/17/2024
- by Nicholas Bell
- IONCINEMA.com
Ireland’s screen industry is having a moment. With the Cannes Film Festival well underway, there’s a notable strong Irish presence in this year’s line-up including Element Pictures’ three entrants – Competition title Kinds of Kindness from Yorgos Lanthimos, Rungano Nyoni’s sophomore feature On Becoming A Guinea Fowl and Ariane Labed’s directorial debut September Says (both in Un Certain Regard). There’s also Competition title The Apprentice, which is co-produced with Irish outfit Tailored Films and Lorcan Finnegan’s Nicolas Cage starrer The Surfer premiering in the Midnight Screenings strand. Even Andrea Arnold’s Competition title Bird is rich with Irish talent with star Barry Keoghan and Oscar-nominated cinematographer Robbie Ryan both having worked on the film.
Irish actors continue to earn international acclaim – from Cillian Murphy’s Oscar win earlier this year for Best Actor in Oppenheimer and talent such as Paul Mescal, Jessie Buckley Keoghan...
Irish actors continue to earn international acclaim – from Cillian Murphy’s Oscar win earlier this year for Best Actor in Oppenheimer and talent such as Paul Mescal, Jessie Buckley Keoghan...
- 5/17/2024
- by Diana Lodderhose
- Deadline Film + TV
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
American Fiction (Cord Jefferson)
Thelonious “Monk” Ellison is in a rut. He’s still trying to get a publisher to accept his latest book in a market that doesn’t exactly embrace his erudite style. His gig as a college professor lecturing to students that are too “goddamn delicate” to embrace thorny topics of race has him ostracized from colleagues. He’s estranged from family, all of whom are juggling their own issues––health problems, divorce, the financial strain that comes with both. When Monk concocts an elaborate joke to get more fame and acceptance, it’s taken shocking seriously, setting off a series of misadventures exploring how white America is more willing to accept the most reductive, pandering stories of Black...
American Fiction (Cord Jefferson)
Thelonious “Monk” Ellison is in a rut. He’s still trying to get a publisher to accept his latest book in a market that doesn’t exactly embrace his erudite style. His gig as a college professor lecturing to students that are too “goddamn delicate” to embrace thorny topics of race has him ostracized from colleagues. He’s estranged from family, all of whom are juggling their own issues––health problems, divorce, the financial strain that comes with both. When Monk concocts an elaborate joke to get more fame and acceptance, it’s taken shocking seriously, setting off a series of misadventures exploring how white America is more willing to accept the most reductive, pandering stories of Black...
- 5/17/2024
- by Jordan Raup
- The Film Stage
Francis Ford Coppola’s Megalopolis has divided Screen International’s Cannes jury grid critics, receiving an average score of 2.1.
The sci-fi epic from the veteran director scored five threes (good) and four ones (bad) with three critics giving it twos (average).
Click on the jury grid above for the most up-to-date version.
Adam Driver leads Coppola’s latest feature as an architect trying to rebuild New York. Other cast include Aubrey Plaza, Laurence Fishburne, Shia Labeouf and Nathalie Emmanuel.
Also landing on the jury grid was Andrea Arnold’s Bird with an average score of 2.4. The surrealist drama received five threes and five twos,...
The sci-fi epic from the veteran director scored five threes (good) and four ones (bad) with three critics giving it twos (average).
Click on the jury grid above for the most up-to-date version.
Adam Driver leads Coppola’s latest feature as an architect trying to rebuild New York. Other cast include Aubrey Plaza, Laurence Fishburne, Shia Labeouf and Nathalie Emmanuel.
Also landing on the jury grid was Andrea Arnold’s Bird with an average score of 2.4. The surrealist drama received five threes and five twos,...
- 5/17/2024
- ScreenDaily
Less than 24 hours after the world premiere of Cannes favorite Andrea Arnold’s new competition entry Bird, the filmmaker joined her cast for the festival press conference inside the Palais on Friday. The wide-ranging session covered Arnold’s creative influences, casting choices and the music playlists she gives to her actors.
It also touched on star Barry Keoghan‘s dance abilities as the actor delivers another on screen dance break, this one following his viral fully nude Saltburn finale to the tune of Sophie Ellis-Bextor’s “Murder on the Dance Floor.” In Arnold’s Bird, Keoghan busts a move to “Cotton Eye Joe” and then delivers a solo performance at the microphone, singing and dancing to serenade his new bride at their wedding reception. (In a surprise twist, his character also name drops Ellis-Bextor’s “Murder on the Dance Floor” while trying to find the right song that will get...
It also touched on star Barry Keoghan‘s dance abilities as the actor delivers another on screen dance break, this one following his viral fully nude Saltburn finale to the tune of Sophie Ellis-Bextor’s “Murder on the Dance Floor.” In Arnold’s Bird, Keoghan busts a move to “Cotton Eye Joe” and then delivers a solo performance at the microphone, singing and dancing to serenade his new bride at their wedding reception. (In a surprise twist, his character also name drops Ellis-Bextor’s “Murder on the Dance Floor” while trying to find the right song that will get...
- 5/17/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
Andrea Arnold’s initial inspiration for her Cannes competition entry “Bird” was perhaps not what many people might have been expecting.
“A very long time ago, I had the image a tall, thin man with a long penis, standing on a roof,” she explained at the press conference for the film on Friday when asked about her initial visual prompt. “But I didn’t know if he was good or bad or what he was.”
From this bizarre starting point, Arnold crafted a social realist drama about a family on the fringes of society living by British seaside and an unexpected visitor who becomes close to a young girl entering puberty. Alongside stars Barry Keoghan and Franz Rogoswki, she once again peppered her cast with first-timers.
For Keoghan, he didn’t even need to look at the script before signing up, with Arnold having been on a list of filmmakers...
“A very long time ago, I had the image a tall, thin man with a long penis, standing on a roof,” she explained at the press conference for the film on Friday when asked about her initial visual prompt. “But I didn’t know if he was good or bad or what he was.”
From this bizarre starting point, Arnold crafted a social realist drama about a family on the fringes of society living by British seaside and an unexpected visitor who becomes close to a young girl entering puberty. Alongside stars Barry Keoghan and Franz Rogoswki, she once again peppered her cast with first-timers.
For Keoghan, he didn’t even need to look at the script before signing up, with Arnold having been on a list of filmmakers...
- 5/17/2024
- by Alex Ritman
- Variety Film + TV
After prancing through the hallways showing his man-ness at the end of Saltburn last year, Barry Keoghan is back with a another illustrious ditty performance in Bird. In the Andrea Arnold movie that had its world premiere Thursday night at the Cannes Film Festival, Keoghan plays a young father, and at one moment he croons an off-key version of Blur’s “The Universal” in what is a sweet moment with dance involved.
For the actor, music is part of the full commitment to the roles he plays.
“I don’t think I can dance. I’m a bad dancer,” the Oscar-nominated actor confessed during a post-premiere press conference in Cannes on Friday. “I think the beauty of dancing on screen is the effort to try.”
‘Bird’ director Andrea Arnold and stars Barry Keoghan and Franz Rogowski arrive at the #CannesFilmFestival press conference pic.twitter.com/1aKI80MeBM
— Deadline Hollywood (@Deadline...
For the actor, music is part of the full commitment to the roles he plays.
“I don’t think I can dance. I’m a bad dancer,” the Oscar-nominated actor confessed during a post-premiere press conference in Cannes on Friday. “I think the beauty of dancing on screen is the effort to try.”
‘Bird’ director Andrea Arnold and stars Barry Keoghan and Franz Rogowski arrive at the #CannesFilmFestival press conference pic.twitter.com/1aKI80MeBM
— Deadline Hollywood (@Deadline...
- 5/17/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Eight years ago, the writer-director Andrea Arnold packed up her handheld-camera brand of kitchen-sink British austerity and took it across the pond to make “American Honey,” a movie about a wolf pack of kids in a van who seemed to incarnate the tumult of the 21st century. The movie, crafted in a style that I thought of as hip-hop Dardenne brothers, was an indie explosion that felt like a landmark. Now, though, in “Bird,” the first dramatic feature that Arnold has made since, she’s back to chronicling the miserablism of aimless, scroungy British young folk who experience their lives as a dead zone. Forgive me if I wish she hadn’t left the party so soon.
For years, Arnold has been a Cannes darling, and a critics’ darling too. So I expect to be out of the loop when I say that “Bird,” which premiered at Cannes today, doesn...
For years, Arnold has been a Cannes darling, and a critics’ darling too. So I expect to be out of the loop when I say that “Bird,” which premiered at Cannes today, doesn...
- 5/17/2024
- by Owen Gleiberman
- Variety Film + TV
by Cláudio Alves
Wild Diamond (2024) Agathe Riedinger
The first two days of competition screenings have whipped up a storm at the Cannes Film Festival. Things started normal enough with Agathe Riedinger's Wild Diamond, this year's only feature debut vying for the Palme. Reactions were a tad tepid, but the same can't be said about Magnus van Horn's Girl with the Needle, which has horrified some viewers. All hell broke loose on the second day of competition, when both Andrea Arnold's Bird and Francis Ford Coppola's Megalopolis had their world premieres. The British auteur earned general praise, though some found it confounding. As for the American master's long-awaited opus, opinions are so divided that a chasm seems to have broken open across the Croisette. Some say it's a catastrophe of epic proportions, while others see value in its epic mess. Whatever the case, it sounds like a fascinating watch,...
Wild Diamond (2024) Agathe Riedinger
The first two days of competition screenings have whipped up a storm at the Cannes Film Festival. Things started normal enough with Agathe Riedinger's Wild Diamond, this year's only feature debut vying for the Palme. Reactions were a tad tepid, but the same can't be said about Magnus van Horn's Girl with the Needle, which has horrified some viewers. All hell broke loose on the second day of competition, when both Andrea Arnold's Bird and Francis Ford Coppola's Megalopolis had their world premieres. The British auteur earned general praise, though some found it confounding. As for the American master's long-awaited opus, opinions are so divided that a chasm seems to have broken open across the Croisette. Some say it's a catastrophe of epic proportions, while others see value in its epic mess. Whatever the case, it sounds like a fascinating watch,...
- 5/17/2024
- by Cláudio Alves
- FilmExperience
We have two English-language items with two very different price tags in today’s double pairing for the competition. The first item out of the gate (that caused several of our critics scheduling issues) was the latest film by Andrea Arnold. A Cannes perennial favorite, she has won three consecutive Jury Prize awards for Red Road, Fish Tank, American Honey. Following the Cannes Premiere selected docu Cow (2021), we find Bird which clocked in at the two hour mark.
Gist: This follows a 12-year-old (Nykiya Adams) who lives with her brother and single dad (Barry Keoghan) in a squat in North Kent.…...
Gist: This follows a 12-year-old (Nykiya Adams) who lives with her brother and single dad (Barry Keoghan) in a squat in North Kent.…...
- 5/16/2024
- by Eric Lavallée
- IONCINEMA.com
British auteur Andrea Arnold follows up her last feature, the poignant, non-verbal slice-of-farmyard-life that is the documentary Cow, with a new member of her cinematic menagerie: drama Bird, an uplifting competitor for Cannes’ Palme d’Or.
With mostly human characters and actual dialogue, in some ways this is taxonomically more like her gritty-as-asphalt, early social-realist work, especially Fish Tank and Oscar-winning short Wasp, which, like Bird, were shot in the southerly county of Kent, U.K., where Arnold grew up. But then suddenly, out of the milieu’s marshy semi-urban landscape of empty beer cans, cigarette butts, domestic abuse and despair, the film takes magical-realist flight and transforms into something unlike anything Arnold’s done before. Thanks to the director’s magisterial knack with actors (especially non-professionals such as terrific adolescent discovery Nykiya Adams, who, as the protagonist, is in nearly every frame of the film), the result is quite entrancing.
With mostly human characters and actual dialogue, in some ways this is taxonomically more like her gritty-as-asphalt, early social-realist work, especially Fish Tank and Oscar-winning short Wasp, which, like Bird, were shot in the southerly county of Kent, U.K., where Arnold grew up. But then suddenly, out of the milieu’s marshy semi-urban landscape of empty beer cans, cigarette butts, domestic abuse and despair, the film takes magical-realist flight and transforms into something unlike anything Arnold’s done before. Thanks to the director’s magisterial knack with actors (especially non-professionals such as terrific adolescent discovery Nykiya Adams, who, as the protagonist, is in nearly every frame of the film), the result is quite entrancing.
- 5/16/2024
- by Leslie Felperin
- The Hollywood Reporter - Movie News
Cannes film festival
Toads who sweat hallucinogens, lonely pre-teens and a sudden German in a kilt: Arnold’s pick’n’mix latest dives as much as it soars
Andrea Arnold’s flawed, garrulous new movie is a chaotic social-realist adventure with big, chancy performances, grimly violent episodes, tragedy butting heads with comedy and physical existence facing off with fantasy and imagination.
It meditates on identity and belonging, the poignancy of not being valued, not being seen, the transition from childhood to adulthood, girlhood to womanhood, sexism and cruelty. The energy and heartfelt good humour offset the moments of cliche and implausibility.
Barry Keoghan plays Bug, a lairy bloke who is over the moon at his imminent wedding and his foolproof idea for easy money: he has imported from Colorado a certain kind of toad whose slime is a powerful (and expensive) hallucinogen. It’s just that the toad needs the...
Toads who sweat hallucinogens, lonely pre-teens and a sudden German in a kilt: Arnold’s pick’n’mix latest dives as much as it soars
Andrea Arnold’s flawed, garrulous new movie is a chaotic social-realist adventure with big, chancy performances, grimly violent episodes, tragedy butting heads with comedy and physical existence facing off with fantasy and imagination.
It meditates on identity and belonging, the poignancy of not being valued, not being seen, the transition from childhood to adulthood, girlhood to womanhood, sexism and cruelty. The energy and heartfelt good humour offset the moments of cliche and implausibility.
Barry Keoghan plays Bug, a lairy bloke who is over the moon at his imminent wedding and his foolproof idea for easy money: he has imported from Colorado a certain kind of toad whose slime is a powerful (and expensive) hallucinogen. It’s just that the toad needs the...
- 5/16/2024
- by Peter Bradshaw
- The Guardian - Film News
Andrea Arnold was last in Cannes with Cow in 2021, a documentary about a bovine’s pitiful existence on a farm from birth to death. Her new film, Bird, might switch animal classifications — and return her to narrative features about human beings — but there’s connective tissue between the two. Once more, Arnold is perfecting her meandering journey through marginalized existences.
This time, we’re in Gravesend, in Kent, a estuary town east of London, in the dying days of summer, when the grass has yellowed but the sweaty heat hasn’t quite abated. Bailey (Nykiya Adams) is a 12-year-old mixed-race girl who is old beyond her years, as everyone in her chaotic community seems to be. Her father Bug (Barry Keoghan) is barely twice her age; her 14-year-old half brother Hunter (Jason Buda) is a masked vigilante, teaming up with a similarly pint-sized gang to take revenge against anyone they...
This time, we’re in Gravesend, in Kent, a estuary town east of London, in the dying days of summer, when the grass has yellowed but the sweaty heat hasn’t quite abated. Bailey (Nykiya Adams) is a 12-year-old mixed-race girl who is old beyond her years, as everyone in her chaotic community seems to be. Her father Bug (Barry Keoghan) is barely twice her age; her 14-year-old half brother Hunter (Jason Buda) is a masked vigilante, teaming up with a similarly pint-sized gang to take revenge against anyone they...
- 5/16/2024
- by Joe Utichi
- Deadline Film + TV
Barry Keoghan smiled from ear to ear as Andrea Arnold’s latest film, “Bird,” earned a seven-minute standing ovation at its Cannes Film Festival premiere on Thursday.
Festival favorite Arnold, who brought the Shia Labeouf-starring “American Honey” to Cannes in 2016 and her documentary “Cow” in 2021, basked in appreciation as the audience applauded the drama. “Thank you, this is really lovely but I really want to go and party right now,” she said as laughter erupted in the room.
While Keoghan was the biggest name in “Bird,” the loudest cheers were offered to his young co-stars, including Jason Buda and Jasmine Jobson. Some of the cast, although they may have been on the red carpet outside, were too young to make it into the screening.
Barry Keoghan and the cast of Andrea Arnold's "Bird" receive a standing ovation at the film's #Cannes premiere. pic.twitter.com/xy7mIv17me
— Variety (@Variety) May 16, 2024
“Bird,...
Festival favorite Arnold, who brought the Shia Labeouf-starring “American Honey” to Cannes in 2016 and her documentary “Cow” in 2021, basked in appreciation as the audience applauded the drama. “Thank you, this is really lovely but I really want to go and party right now,” she said as laughter erupted in the room.
While Keoghan was the biggest name in “Bird,” the loudest cheers were offered to his young co-stars, including Jason Buda and Jasmine Jobson. Some of the cast, although they may have been on the red carpet outside, were too young to make it into the screening.
Barry Keoghan and the cast of Andrea Arnold's "Bird" receive a standing ovation at the film's #Cannes premiere. pic.twitter.com/xy7mIv17me
— Variety (@Variety) May 16, 2024
“Bird,...
- 5/16/2024
- by Alex Ritman and Ellise Shafer
- Variety Film + TV
Andrea Arnold‘s anticipated new film Bird touched down at the Cannes Film Festival on Thursday for an afternoon world premiere at the Grand Lumiere Theatre. And it got a warm reception, including a seven-minute standing ovation.
The competition title stars Barry Keoghan, Franz Rogowski, Nykiya Adams and Jason Buda star in the film which follows a 12-year-old (Adams) who lives with her brother (Buda) and single dad (Keoghan) in a squat in North Kent. As she approaches puberty she seeks attention and adventure elsewhere. The drudgery of everyday life is thrown off kilter when she meets Bird (Rogowski).
The showing marked a triumphant return to Cannes for Arnold, who has become one of the festival’s most beloved and award-winning veterans. She last was on the Croisette to present her film, Cow, in 2021. Before that, she picked up a jury prize in 2016 for American Honey, a fable of life in the U.
The competition title stars Barry Keoghan, Franz Rogowski, Nykiya Adams and Jason Buda star in the film which follows a 12-year-old (Adams) who lives with her brother (Buda) and single dad (Keoghan) in a squat in North Kent. As she approaches puberty she seeks attention and adventure elsewhere. The drudgery of everyday life is thrown off kilter when she meets Bird (Rogowski).
The showing marked a triumphant return to Cannes for Arnold, who has become one of the festival’s most beloved and award-winning veterans. She last was on the Croisette to present her film, Cow, in 2021. Before that, she picked up a jury prize in 2016 for American Honey, a fable of life in the U.
- 5/16/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
There is only one Andrea Arnold, as much as her contemporaries in Europe and beyond try to imitate her particular style: emotionally heightened social realism with often first-time actors playing characters not far from their real selves. That itself started in the 1950s with British kitchen sink realism. Yet Arnold has done much to imbue it with a radical poetry that finds the beauty in a hardscrabble life, from a volatile East London teenager with hip-hop ambitions in “Fish Tank” (2009) to the rumbling road odyssey “American Honey” (2016) that found Arnold shooting in the United States for the first time.
Her latest film “Bird,” continuing a tradition for one-word titles centered around animalia Arnold started in 2001 with her short film “Dog” and more recently with the documentary “Cow,” is a departure for Arnold in a key way: This sensitively drawn if opaque coming-of-age fable about 12-year-old Bailey (newcomer Nykiya Adams) uses,...
Her latest film “Bird,” continuing a tradition for one-word titles centered around animalia Arnold started in 2001 with her short film “Dog” and more recently with the documentary “Cow,” is a departure for Arnold in a key way: This sensitively drawn if opaque coming-of-age fable about 12-year-old Bailey (newcomer Nykiya Adams) uses,...
- 5/16/2024
- by Ryan Lattanzio
- Indiewire
The series of talks and debates taking place mainly in the UK Pavilion to highlight the role of the UK as an international partner launch on Friday May 17 with a Talent Talk with cinemagrapher Robbie Ryan and a series of production case studies about UK-international collaborations.
There will also be a panel talk exploring how the screen production sector can improve working conditions to benefit the mental and physical health of the sector that will be held in the Palais des Festivals.
Ryan, whose credits include Andrea Arnold’s Competition title Bird will be talking in the UK Pavilion at...
There will also be a panel talk exploring how the screen production sector can improve working conditions to benefit the mental and physical health of the sector that will be held in the Palais des Festivals.
Ryan, whose credits include Andrea Arnold’s Competition title Bird will be talking in the UK Pavilion at...
- 5/16/2024
- ScreenDaily
On the eve of the world premiere of her new film Bird at the Cannes Film Festival, festival favorite Andrea Arnold revealed that the shoot was the toughest of her career.
“It was the hardest film I ever made,” Arnold said from the stage on Wednesday while accepting the 2024 Carrosse d’Or, or Golden Coach Award, at the Directors’ Fortnight in Cannes. “There were many challenges, more than usual, and there seemed to be more restrictions than I’d ever known. Lots of things I’ve put on the page and cared about got lost, so the edit was really hard. It was proving really hard to carve from the rushes something of the film I had intended. I was grieving the losses and I felt pretty vulnerable.”
The competition title, Bird, stars Barry Keoghan, Franz Rogowski, Nykiya Adams and Jason Buda star in the film which follows a...
“It was the hardest film I ever made,” Arnold said from the stage on Wednesday while accepting the 2024 Carrosse d’Or, or Golden Coach Award, at the Directors’ Fortnight in Cannes. “There were many challenges, more than usual, and there seemed to be more restrictions than I’d ever known. Lots of things I’ve put on the page and cared about got lost, so the edit was really hard. It was proving really hard to carve from the rushes something of the film I had intended. I was grieving the losses and I felt pretty vulnerable.”
The competition title, Bird, stars Barry Keoghan, Franz Rogowski, Nykiya Adams and Jason Buda star in the film which follows a...
- 5/16/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
Image created by The Hollywood Insider
Cannes Film Festival in Cannes, France has begun. One of the biggest film festivals in the world is a metropolis for the latest films and what is coming next in Cinema. While not every film buff has the opportunity to attend, there is still plenty to look out for this Cannes Film Festival season. Here is everything we know before the curtain rises. Things to do: Subscribe to The Hollywood Insider’s YouTube Channel, by clicking here. Limited Time Offer – Free Subscription to The Hollywood Insider Click here to read more on The Hollywood Insider’s vision, values and mission statement here – Media has the responsibility to better our world – The Hollywood Insider fully focuses on substance and meaningful entertainment, against gossip and scandal, by combining entertainment, education, and philanthropy. Judges Cannes features a large jury of different judges from all around the world...
Cannes Film Festival in Cannes, France has begun. One of the biggest film festivals in the world is a metropolis for the latest films and what is coming next in Cinema. While not every film buff has the opportunity to attend, there is still plenty to look out for this Cannes Film Festival season. Here is everything we know before the curtain rises. Things to do: Subscribe to The Hollywood Insider’s YouTube Channel, by clicking here. Limited Time Offer – Free Subscription to The Hollywood Insider Click here to read more on The Hollywood Insider’s vision, values and mission statement here – Media has the responsibility to better our world – The Hollywood Insider fully focuses on substance and meaningful entertainment, against gossip and scandal, by combining entertainment, education, and philanthropy. Judges Cannes features a large jury of different judges from all around the world...
- 5/16/2024
- by Abigail Johnson
- Hollywood Insider - Substance & Meaningful Entertainment
The first scores have landed on Screen’s 2024 Cannes jury grid with Agathe Riedinger’s Wild Diamond receiving an average score of 2.1.
The French filmmaker’s debut received nine scores of two (average) while Katja Nicodemus from Germany’s Die Zeit and Screen’s own critic gave it three (good). This was rounded off by a one star (poor) from Bangkok Post’s Kong Rithdee.
Click on the jury grid above for the most up-to-date version.
Wild Diamond follows a 19-year-old woman who sets her heart on success as a reality show star. Newcomer Malou Khebizi leads the way...
The French filmmaker’s debut received nine scores of two (average) while Katja Nicodemus from Germany’s Die Zeit and Screen’s own critic gave it three (good). This was rounded off by a one star (poor) from Bangkok Post’s Kong Rithdee.
Click on the jury grid above for the most up-to-date version.
Wild Diamond follows a 19-year-old woman who sets her heart on success as a reality show star. Newcomer Malou Khebizi leads the way...
- 5/16/2024
- ScreenDaily
Religion, Karl Marx said, is the opiate of the masses. Today, he would likely say that the opiate of the masses is fame — the desire for it, the things you have to do to get it, the fragmentary nature of it, and everything it’s supposed to bring you. The new fame, the lusty fickle kind bred by social media, is at the center of “Wild Diamond,” a startlingly bold and true French drama that premiered today at Cannes.
It tells the story of Liane (Malou Khebizi), a 19-year-old glam trainwreck who lives with her mother and kid sister in the town of Fréjus in Southern France. Liane’s entire existence is driven by her compulsion to connect with the up-from-nowhere apparatus of fame, the kind that transforms people on Instagram and TikTok — and, the subject of “Wild Diamond,” reality TV — into overnight spangly vessels of adoration.
In the first scene,...
It tells the story of Liane (Malou Khebizi), a 19-year-old glam trainwreck who lives with her mother and kid sister in the town of Fréjus in Southern France. Liane’s entire existence is driven by her compulsion to connect with the up-from-nowhere apparatus of fame, the kind that transforms people on Instagram and TikTok — and, the subject of “Wild Diamond,” reality TV — into overnight spangly vessels of adoration.
In the first scene,...
- 5/16/2024
- by Owen Gleiberman
- Variety Film + TV
With British director Andrea Arnold you never know quite what to expect. Her previous outing was in 2021 with the documentary Cow which detailed an animal’s existence from birth to death.
With Bird she’s back to her more gritty social-realist dramas such as Fish Tank and Red Road, dealing with a dysfunctional family and how 12-year-old Bailey (a knock-out début performance from Nyklya Adams) copes with an older brother Hunter (Jason Edward Buda) and her dad Bug (Saltburn’s Barry Keoghan), who has troubles of his own.
In emotional age he doesn’t seem that much older than the children, but is planning an 'official' wedding, to the embarrassment of Bailey.
It’s set in Gravesend in Kent in a graffiti strewn apartment block where Bailey retreats into her now little world in a curtain-covered bed. To seek solace she shoots videos on her phone - mainly seagulls and anyone she happens.
With Bird she’s back to her more gritty social-realist dramas such as Fish Tank and Red Road, dealing with a dysfunctional family and how 12-year-old Bailey (a knock-out début performance from Nyklya Adams) copes with an older brother Hunter (Jason Edward Buda) and her dad Bug (Saltburn’s Barry Keoghan), who has troubles of his own.
In emotional age he doesn’t seem that much older than the children, but is planning an 'official' wedding, to the embarrassment of Bailey.
It’s set in Gravesend in Kent in a graffiti strewn apartment block where Bailey retreats into her now little world in a curtain-covered bed. To seek solace she shoots videos on her phone - mainly seagulls and anyone she happens.
- 5/15/2024
- by Richard Mowe
- eyeforfilm.co.uk
The heart of “Wild Diamond,” the only debut to play in competition at Cannes this year, is a story we’ve seen before. A young woman living in grim-to-disappointing circumstances has dreams of stardom, and her journey toward fame takes her to dark places, physically and emotionally. You can find versions of this scenario in Andrea Arnold’s “Fish Tank” to Ninja Thyberg’s “Pleasure.” Director Agathe Riedinger’s debut feature has little new to say about the pursuit of fame and the toll it takes despite a truly unique heroine in Liane, played with a strange and alluring distance by Malou Khebizi. It’s only a shame that the film does her a disservice in leaving the world around her underdeveloped.
The 19-year-old Liane has mastered the art of making herself up for the internet. In one sequence, we watch as she gets ready. She contours her face with precision.
The 19-year-old Liane has mastered the art of making herself up for the internet. In one sequence, we watch as she gets ready. She contours her face with precision.
- 5/15/2024
- by Esther Zuckerman
- Indiewire
When Liane (Malou Khebizi), the protagonist of Agathe Riedinger’s stylish debut feature Wild Diamond (Diamant Brut), says that she will be the French Kim Kardashian, it sounds more like a prophecy than a desire.
The 19-year-old waitress from Fréjus is obsessed with fame and beauty. She scrupulously saved her paychecks to get breast augmentation surgery. She had a friend inject hyaluronic acid into her lips to plump them. Now she has her sights set on getting a Bbl. Liane chronicles her body modifications on Instagram, where her thousands of followers leave adoring comments that she repurposes as daily affirmations. “I’m not like everyone else,” Liane says throughout the film to the skeptics and doubters.
Premiering in competition at Cannes, Wild Diamond is Riedinger’s compassionate contribution to the “perils-of-social-media-and-fame” genre. The film expands on themes first explored in the director’s 2017 short Waiting for Jupiter, which followed a young woman,...
The 19-year-old waitress from Fréjus is obsessed with fame and beauty. She scrupulously saved her paychecks to get breast augmentation surgery. She had a friend inject hyaluronic acid into her lips to plump them. Now she has her sights set on getting a Bbl. Liane chronicles her body modifications on Instagram, where her thousands of followers leave adoring comments that she repurposes as daily affirmations. “I’m not like everyone else,” Liane says throughout the film to the skeptics and doubters.
Premiering in competition at Cannes, Wild Diamond is Riedinger’s compassionate contribution to the “perils-of-social-media-and-fame” genre. The film expands on themes first explored in the director’s 2017 short Waiting for Jupiter, which followed a young woman,...
- 5/15/2024
- by Lovia Gyarkye
- The Hollywood Reporter - Movie News
Signature Entertainment has swept up UK and Ireland for Sam Yates’s neo-noir thriller Magpie from The Veterans, starring Daisy Ridley.
The SXSW premiere follows a couple who find their lives turned upside down when their daughter is cast in a film alongside a controversial major star.
The cast also includes Matilda Anna Ingrid Lutz, Shazad Latif, Alistair Petrie and Pippa Bennett-Warner.
The feature is produced out of the UK by Ridley, Tom Bateman, Camilla Bray and Kate Solomon, plus Nadia Khamlichi and Sierra Garcia of LA-based Align. Bateman also wrote the script.
Signature’s chief commercial officer Elizabeth Williams...
The SXSW premiere follows a couple who find their lives turned upside down when their daughter is cast in a film alongside a controversial major star.
The cast also includes Matilda Anna Ingrid Lutz, Shazad Latif, Alistair Petrie and Pippa Bennett-Warner.
The feature is produced out of the UK by Ridley, Tom Bateman, Camilla Bray and Kate Solomon, plus Nadia Khamlichi and Sierra Garcia of LA-based Align. Bateman also wrote the script.
Signature’s chief commercial officer Elizabeth Williams...
- 5/15/2024
- ScreenDaily
One of the pleasures of the Cannes Film Festival is seeing what films and what directors break out. Sure, in the current crop of films premiering at the 77th festival this May, there are some big names everybody knows; you don’t need an explainer to know that Francis Ford Coppola and “Megalopolis” are a big deal. But Cannes is also where filmmakers such as Julia Ducournau and Justine Triet gained wide exposure and became international known quantities, thanks to the prestige granted by nabbing the festival’s top prize, the Palme d’Or.
Introduced a full decade into the festival’s existence, the Palme d’Or has a strong pedigree associated with it; several of the films that received the prize — “La Dolce Vita,” “The Umbrellas of Cherbourg,” “Taxi Driver,” “Paris, Texas,” “Pulp Fiction,” “The Tree of Life,” “Parasite,” and way too many others to properly list — have claim...
Introduced a full decade into the festival’s existence, the Palme d’Or has a strong pedigree associated with it; several of the films that received the prize — “La Dolce Vita,” “The Umbrellas of Cherbourg,” “Taxi Driver,” “Paris, Texas,” “Pulp Fiction,” “The Tree of Life,” “Parasite,” and way too many others to properly list — have claim...
- 5/15/2024
- by Wilson Chapman
- Indiewire
Who let the dog out?
The Cannes Film Festival red carpet is notoriously strict about its black-tie dress code (one man in a blue tuxedo who committed the fashion travesty of wearing white socks was almost turned away). But on Tuesday night, France welcomed a national hero to the opening night of the 77th edition — Messi, the four-legged scene-stealer from last year’s Palme d’Or winner “Anatomy of a Fall.”
The canine phenom helped brighten things up even as dark clouds gathered over the Palais des Festivals, site of Cannes’ biggest premieres. Despite the foreboding weather and light drizzle, Lily Gladstone, Greta Gerwig, Omar Sy, Jane Fonda, Juliette Binoche and other stars added some glamour and sparkle to the evening.
Photos: See the best red carpet looks.
But the gloomy skies mirrored the film business’s state of mind as the most famous celebration of cinema begins its 11-day marathon of premieres,...
The Cannes Film Festival red carpet is notoriously strict about its black-tie dress code (one man in a blue tuxedo who committed the fashion travesty of wearing white socks was almost turned away). But on Tuesday night, France welcomed a national hero to the opening night of the 77th edition — Messi, the four-legged scene-stealer from last year’s Palme d’Or winner “Anatomy of a Fall.”
The canine phenom helped brighten things up even as dark clouds gathered over the Palais des Festivals, site of Cannes’ biggest premieres. Despite the foreboding weather and light drizzle, Lily Gladstone, Greta Gerwig, Omar Sy, Jane Fonda, Juliette Binoche and other stars added some glamour and sparkle to the evening.
Photos: See the best red carpet looks.
But the gloomy skies mirrored the film business’s state of mind as the most famous celebration of cinema begins its 11-day marathon of premieres,...
- 5/14/2024
- by Brent Lang and Ramin Setoodeh
- Variety Film + TV
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