Producer and director Michael Apted pays tribute to the former Granada TV chairman who died last week
When I joined Granada in 1963, I was part of a small group straight out of university (which included Mike Newell) chosen by Sir Denis Forman, in his role as head of programmes, to train at the company. It was the place to be – ahead of the field in current affairs, drama, light entertainment and comedy. I doubt any of us has any idea of how lucky we were to be asked to join.
Granada was a small company, with neither the space nor resources for serious training, so ours was on-the-job. I did news, some small documentaries, football matches, church services, World In Action, then on to Coronation Street and eventually into drama, working with some to the best writers of their generation: Jack Rosenthal, Arthur Hopcraft and Colin Welland. In those early years,...
When I joined Granada in 1963, I was part of a small group straight out of university (which included Mike Newell) chosen by Sir Denis Forman, in his role as head of programmes, to train at the company. It was the place to be – ahead of the field in current affairs, drama, light entertainment and comedy. I doubt any of us has any idea of how lucky we were to be asked to join.
Granada was a small company, with neither the space nor resources for serious training, so ours was on-the-job. I did news, some small documentaries, football matches, church services, World In Action, then on to Coronation Street and eventually into drama, working with some to the best writers of their generation: Jack Rosenthal, Arthur Hopcraft and Colin Welland. In those early years,...
- 3/4/2013
- by John Plunkett
- The Guardian - Film News
BAFTA Fellowship: Few Women, Few Outside UK/Hollywood, Steven Spielberg Before Ingmar Bergman, Federico Fellini, Billy Wilder [Photo: Laurence Olivier] 1971 Alfred Hitchcock 1972 Freddie Young 1973 Grace Wyndham Goldie 1974 David Lean 1975 Jacques Cousteau 1976 Charles Chaplin, Laurence Olivier 1977 Denis Forman 1978 Fred Zinnemann 1979 Lew Grade, Huw Wheldon 1980 David Attenborough, John Huston 1981 Abel Gance, Michael Powell, Emeric Pressburger 1982 Andrzej Wajda 1983 Richard Attenborough 1984 Hugh Greene, Sam Spiegel 1985 Jeremy Isaacs 1986 Steven Spielberg 1987 Federico Fellini 1988 Ingmar Bergman 1989 Alec Guinness 1990 Paul Fox 1991 Louis Malle 1992 John Gielgud, David Plowright 1993 Sydney Samuelson, Colin Young 1994 Michael Grade 1995 Billy Wilder 1996 Jeanne Moreau, Ronald Neame, John Schlesinger, Maggie Smith 1997 Woody Allen, Steven Bochco, Julie Christie, Oswald Morris, Harold Pinter, David Rose 1998 Sean Connery, Bill Cotton 1999 Eric Morecambe & Ernie Wise, Elizabeth Taylor 2000 Michael Caine, Stanley Kubrick, Peter Bazalgette 2001 Albert Finney, John Thaw, Judi Dench 2002 Warren Beatty, Merchant Ivory Productions (James Ivory, Ismail Merchant) 2002 Andrew Davies, John Mills 2003 Saul Zaentz, David Jason 2004 John Boorman, Roger Graef 2005 John Barry, David Frost 2006 David Puttnam,...
- 1/4/2012
- by Andre Soares
- Alt Film Guide
His new film about Iraq was made out of a sense of affront and anger
If this was a Paul Greengrass film, it would start like this. An aerial shot over central London. Digital letters flash up at the bottom of the screen saying: "London, 1400 GMT". A few cellos begin stirring ominously on the soundtrack. Then a hand-held camera tracks an oblivious reporter walking through Mayfair. Somewhere, a man with an earpiece looks at a flashing dot on a screen and says, "Subject proceeding east towards Claridges." Drums start up on the soundtrack. A short clip of Greengrass himself, perhaps finishing off his lunch. The shaky camera follows the reporter into Claridges, pitching through the revolving door to chase him up the stairs. The drums get heavier. The camera dashes down corridors after him. Greengrass strolls casually towards his suite. The drumming reaches a deafening frenzy, as if a tribal...
If this was a Paul Greengrass film, it would start like this. An aerial shot over central London. Digital letters flash up at the bottom of the screen saying: "London, 1400 GMT". A few cellos begin stirring ominously on the soundtrack. Then a hand-held camera tracks an oblivious reporter walking through Mayfair. Somewhere, a man with an earpiece looks at a flashing dot on a screen and says, "Subject proceeding east towards Claridges." Drums start up on the soundtrack. A short clip of Greengrass himself, perhaps finishing off his lunch. The shaky camera follows the reporter into Claridges, pitching through the revolving door to chase him up the stairs. The drums get heavier. The camera dashes down corridors after him. Greengrass strolls casually towards his suite. The drumming reaches a deafening frenzy, as if a tribal...
- 3/8/2010
- by Steve Rose
- The Guardian - Film News
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