This week on a brand-new Shark Tank, there are several different items entrepreneurs are pitching to the investors. It includes sporting gear, vending machines, and customizable slides. Also coming to the show this week are baseball caps. The company is Hood Hat, and they want a shark to invest in their Hood Baseball Caps.
Here is what you need to know about Hood Baseball Caps from Shark Tank and where you can buy them.
What Are Hood Baseball Caps On Shark Tank?
Max Nelson is the man who created Hood Baseball Caps and he is bringing his product to Shark Tank, looking for investors to help him expand. What makes these baseball caps different from others is that they are handcrafted and made from merino wool, gabardine, cashmere, and Japanese twill. According to Max, there was a void in customizable, high-quality ball caps.
Max said that people could buy blank caps from overseas,...
Here is what you need to know about Hood Baseball Caps from Shark Tank and where you can buy them.
What Are Hood Baseball Caps On Shark Tank?
Max Nelson is the man who created Hood Baseball Caps and he is bringing his product to Shark Tank, looking for investors to help him expand. What makes these baseball caps different from others is that they are handcrafted and made from merino wool, gabardine, cashmere, and Japanese twill. According to Max, there was a void in customizable, high-quality ball caps.
Max said that people could buy blank caps from overseas,...
- 4/19/2024
- by Shawn Lealos
- TV Shows Ace
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.NEWSShadow of the Vampire.Willem Dafoe will join Robert Eggers’s Nosferatu film, news that comes 23 years after he played a fictitious version of Murnau's lead actor, Max Schreck, in Shadow of the Vampire. Dafoe’s supporting role is currently “unknown,” according to Deadline, though Eggers's vampire will be Bill Skarsgard.Sight & Sound continues their rollout of the Greatest Films of All Time, now unveiling the critics’ top 250.The great cinematographer Caroline Champetier will be honored with the Berlinale Camera award at this year’s festival, marking a career of beautifully lensed films for Jean-Marie Straub & Danièle Huillet, Jean-Luc Godard, Margarethe von Trotta, Claude Lanzmann, and Leos Carax, among many others.Following Sundance’s closing awards ceremony, we’ve compiled the full list of winners here on Notebook.
- 2/1/2023
- MUBI
Recommended Viewing Paul Thomas Anderson has directed a relaxed, plaintive music video for Radiohead's "The Numbers."The teaser trailer for Olivier Assayas and Kristen Stewart's truly odd-ball psychic thriller-melodrama, Personal Shopper.The teaser trailer for the second biopic directed by Pablo Larraín this year, Jackie, starring Natalie Portman. Tag Gallagher makes some of the very best video essays around, rich in detailed analysis and poetics. Here is his video dedicated to the silent films of The Blue Angel director, Josef von Sternberg. Chinese mega-director Feng Xiaogang (Aftershock) won top prize, the Golden Shell, as well as Best Actress, at the San Sebastien Film Festival last month, and we're super intrigued by this irised (!) trailer.We think Jim Jarmusch's Paterson is one of the best films of the year. Amazon has cut an unexpectedly lovely trailer for it, though—warning—it has some minor spoilers throughout.Okay, this isn't exactly a film,...
- 10/6/2016
- MUBI
For the tenth year in a row, David Bordwell and Kristin Thompson index entries at their blog that can serve as supplements to their landmark textbook, Film Art: An Introduction. More in this books roundup: Stuart Klawans on John Huston's adaptation of Flannery O’Connor’s first novel, Wise Blood; Nadin Mai on two collections, one on Pedro Costa, the other on Béla Tarr; Nathan Heller's appreciation of Hitchcock/Truffaut; Max Nelson on novelist Richard Price and HBO's The Night Of; editor Robert Gottlieb on working with Lauren Bacall; Amy Schumer on her favorite books and adaptations—and more. » - David Hudson...
- 8/15/2016
- Keyframe
For the tenth year in a row, David Bordwell and Kristin Thompson index entries at their blog that can serve as supplements to their landmark textbook, Film Art: An Introduction. More in this books roundup: Stuart Klawans on John Huston's adaptation of Flannery O’Connor’s first novel, Wise Blood; Nadin Mai on two collections, one on Pedro Costa, the other on Béla Tarr; Nathan Heller's appreciation of Hitchcock/Truffaut; Max Nelson on novelist Richard Price and HBO's The Night Of; editor Robert Gottlieb on working with Lauren Bacall; Amy Schumer on her favorite books and adaptations—and more. » - David Hudson...
- 8/15/2016
- Fandor: Keyframe
Weekly Rushes. Cimino & Kiarostami Remembered, Eastwood & Malick Trailers, Writing "Dr. Strangelove"
NEWSPoster for Abbas Kiarostami's The ReportIt's been a devastating series of days for film lovers. First, Heaven's Gate director Michael Cimino passed away at 77, silencing one of American cinema's most importance visionaries. Then, Palme d'Or-winning Iranian master Abbas Kiarostami has died at the age of 76. It is very hard—very—to imagine cinema without these voices.Some good news from the much-criticized Academy of Motion Pictures Arts & Sciences: they are increasing the scope of their voting pool. Included in the roster, but strangely as writers and not directors, are such international luminaries as Mia Hansen-Løve, Jia Zhangke, and Takeski Kitano (Kiarostami was also added, as a director).With so much death in the news, let's celebrate a birth. Specifically, the 100th anniversary of Olivia de Havilland's birth. Farran Nehme Smith has penned a lovely homage for Sight & Sound:She continued to work all the way up to 1988, and her life has been full,...
- 7/6/2016
- MUBI
Corbin Bernsen and his actress wife, Amanda Pays, clearly aren't nesters ... 'cause they're putting their Sherman Oaks home on the market less than a year after buying it. Amanda and Corbin -- best known for "L.A. Law" and the 'Major League' movies -- bought the mid-century crib for $1.275 million in August, and are now listing it for $1.549 million with their realtor, Max Nelson. The classically restored pad has 2,400 square feet in an open-floor concept ... featuring exposed beams and brick.
- 5/3/2016
- by TMZ Staff
- TMZ
Rushes collects news, articles, images, videos and more for a weekly roundup of essential items from the world of film.NEWSDirector Guy Hamilton, Sean Connery, and Honor Blackman on the set of Goldfinger.We're still stunned from the sudden death of music legend Prince, at a time when Bowie is still on our minds and in our hearts.Last week we also lost director Guy Hamilton, an action director who began as an Ad for Carol Reed (on The Fallen Idol and The Third Man, among others), and best known for leading several James Bond entries, starting with Goldfinger in 1964.The Tribeca Film Festival wrapped in New York over the weekend, and the winners have been announced, including best international feature to Junction 48 and best documentary feature to Do Not Resist.There is no other cinematic project we're more looking forward to than 2017's continuation of David Lynch and Mark Frost's Twin Peaks.
- 4/27/2016
- MUBI
In today's roundup: Guy Maddin on Douglas Sirk, McKenzie Wark on Pier Paolo Pasolini, James Douglas on the politics of Pixar, A.O. Scott on the culture of Comic-Con, Max Nelson on John Ford and Ireland, Stuart Klawans on Sean Baker's Tangerine, Chaitanya Tamhane’s Court, Christian Petzold's Phoenix, Liz Garbus’s What Happened, Miss Simone?, Asif Kapadia’s Amy and Stevan Riley’s Listen to Me Marlon, Jackie Cooper on Andy Warhol's Lupe (1966) with Edie Sedgwick, interviews with Hou Hsiao-hsien and Pedro Costa and a conversation between Kiriro Urayama and François Truffaut. » - David Hudson...
- 7/17/2015
- Fandor: Keyframe
In today's roundup: Guy Maddin on Douglas Sirk, McKenzie Wark on Pier Paolo Pasolini, James Douglas on the politics of Pixar, A.O. Scott on the culture of Comic-Con, Max Nelson on John Ford and Ireland, Stuart Klawans on Sean Baker's Tangerine, Chaitanya Tamhane’s Court, Christian Petzold's Phoenix, Liz Garbus’s What Happened, Miss Simone?, Asif Kapadia’s Amy and Stevan Riley’s Listen to Me Marlon, Jackie Cooper on Andy Warhol's Lupe (1966) with Edie Sedgwick, interviews with Hou Hsiao-hsien and Pedro Costa and a conversation between Kiriro Urayama and François Truffaut. » - David Hudson...
- 7/17/2015
- Keyframe
Plenty of coverage has come out of the Sundance Film Festival, which wrapped up last week and among our highlights is Wesley Morris's 5-part Sundance Diary for Grantland (Part 1, 2, 3, 4, 5). Another Sundance favorite is Manohla Dargis's festival report for The New York Times:
"Every January at the Sundance Film Festival, a movie or two will pop, exciting a cinematic congregation that descends on this resort town praying for the next big thing and at times finding it. Last year the festival got the party started with “Whiplash,” one of its opening selections, and then sent attendees into raptures with “Boyhood.” No single title has dominated this year’s event, yet after a slow start that had some writing off the event before it really got going, good and great movies — from coming-of-age tales like The Diary of a Teenage Girl and Me and Earl and the Dying Girl to documentaries...
"Every January at the Sundance Film Festival, a movie or two will pop, exciting a cinematic congregation that descends on this resort town praying for the next big thing and at times finding it. Last year the festival got the party started with “Whiplash,” one of its opening selections, and then sent attendees into raptures with “Boyhood.” No single title has dominated this year’s event, yet after a slow start that had some writing off the event before it really got going, good and great movies — from coming-of-age tales like The Diary of a Teenage Girl and Me and Earl and the Dying Girl to documentaries...
- 2/4/2015
- by Notebook
- MUBI
First Look, which New York's Museum of the Moving Image calls "not just a festival of new films" but "a festival about new approaches to filmmaking," opens tonight with Jessica Hausner's Amour fou and runs through January 18. We're gathering overviews ranging from Tony Pipolo's for Artforum, wherein he writes about Jon Jost’s Coming to Terms with James Benning, Kyle Turner in the Notebook on two new shorts by Gina Telaroli, Sam Weisberg in the Voice on Omer Fast's Everything That Rises Must Converge, Max Nelson in Reverse Shot on two 3D films by Ken Jacobs—plus interviews and more. » - David Hudson...
- 1/9/2015
- Fandor: Keyframe
First Look, which New York's Museum of the Moving Image calls "not just a festival of new films" but "a festival about new approaches to filmmaking," opens tonight with Jessica Hausner's Amour fou and runs through January 18. We're gathering overviews ranging from Tony Pipolo's for Artforum, wherein he writes about Jon Jost’s Coming to Terms with James Benning, Kyle Turner in the Notebook on two new shorts by Gina Telaroli, Sam Weisberg in the Voice on Omer Fast's Everything That Rises Must Converge, Max Nelson in Reverse Shot on two 3D films by Ken Jacobs—plus interviews and more. » - David Hudson...
- 1/9/2015
- Keyframe
Introducing an interview with Claire Denis at To Be (Cont'd), Darren Hughes notes that her latest film, Voilà l'enchaînement, "is a series of monologues and conversations performed by Norah Krief and Alex Descas, who portray a mixed-race couple whose relationship begins, welcomes children, and disintegrates violently, all within the span of thirty minutes." For the Av Club's Ignatiy Vishnevetsky, "It’s a decidedly minor work, but still sharp in its observations about how relationship dynamics can uncomfortably overlap with issues of class and race." And we have more from Max Nelson in Film Comment. » - David Hudson...
- 10/15/2014
- Fandor: Keyframe
Introducing an interview with Claire Denis at To Be (Cont'd), Darren Hughes notes that her latest film, Voilà l'enchaînement, "is a series of monologues and conversations performed by Norah Krief and Alex Descas, who portray a mixed-race couple whose relationship begins, welcomes children, and disintegrates violently, all within the span of thirty minutes." For the Av Club's Ignatiy Vishnevetsky, "It’s a decidedly minor work, but still sharp in its observations about how relationship dynamics can uncomfortably overlap with issues of class and race." And we have more from Max Nelson in Film Comment. » - David Hudson...
- 10/15/2014
- Keyframe
Edited by Adam Cook
Above: there is no news this week more monumental than that of the return of Twin Peaks. In 2016, we'll have nine new episodes, all directed by David Lynch. The 72nd issue of Senses of Cinema is now online, and amidst a plethora of content, features an amazing dossier on "one of the true legends of Australian screen culture," John Flaus. Also included is a piece by Tony McKibbin on a new Alain Robbe-Grillet box set—and in Mubi Us, we're currently hosting a retrospective on the Robbe-Grillet featuring Trans-Europ-Express, L'immortelle, Eden and After, and Successive Slidings of Pleasure. Writing for Reverse Shot, Adam Nayman offers his two cents on Mia Hansen-Love's Eden:
"Time is a weapon in the movies of Mia Hansen-Løve. The gaping narrative holes in the middles of All Is Forgiven, The Father of My Children, and Goodbye First Love are exit wounds,...
Above: there is no news this week more monumental than that of the return of Twin Peaks. In 2016, we'll have nine new episodes, all directed by David Lynch. The 72nd issue of Senses of Cinema is now online, and amidst a plethora of content, features an amazing dossier on "one of the true legends of Australian screen culture," John Flaus. Also included is a piece by Tony McKibbin on a new Alain Robbe-Grillet box set—and in Mubi Us, we're currently hosting a retrospective on the Robbe-Grillet featuring Trans-Europ-Express, L'immortelle, Eden and After, and Successive Slidings of Pleasure. Writing for Reverse Shot, Adam Nayman offers his two cents on Mia Hansen-Love's Eden:
"Time is a weapon in the movies of Mia Hansen-Løve. The gaping narrative holes in the middles of All Is Forgiven, The Father of My Children, and Goodbye First Love are exit wounds,...
- 10/14/2014
- by Notebook
- MUBI
In his continually eccentric series of extracurricular activities, Steven Soderbergh has posted a black and white version of Steven Spielberg's Raiders of the Lost Ark. Here's what he has to say about why:
"So I want you to watch this movie and think only about staging, how the shots are built and laid out, what the rules of movement are, what the cutting patterns are. See if you can reproduce the thought process that resulted in these choices by asking yourself: why was each shot—whether short or long—held for that exact length of time and placed in that order? Sounds like fun, right? It actually is. To me. Oh, and I’ve removed all sound and color from the film, apart from a score designed to aid you in your quest to just study the visual staging aspect. Wait, What? How Could You Do This? Well, I...
"So I want you to watch this movie and think only about staging, how the shots are built and laid out, what the rules of movement are, what the cutting patterns are. See if you can reproduce the thought process that resulted in these choices by asking yourself: why was each shot—whether short or long—held for that exact length of time and placed in that order? Sounds like fun, right? It actually is. To me. Oh, and I’ve removed all sound and color from the film, apart from a score designed to aid you in your quest to just study the visual staging aspect. Wait, What? How Could You Do This? Well, I...
- 10/1/2014
- by Notebook
- MUBI
"It would be easy to mistake Two Shots Fired, the new feature from Argentine filmmaker Martín Rejtman, for a less original film than it is," begins Max Nelson in the new issue of Cinema Scope, where he calls Rejtman "one of the sharpest, savviest, and most humane comic sensibilities in contemporary cinema." Film Comment's Violet Lucca notes that the filmmaker and novelist "has alternated his focus over the course over his 28-year career, which in part explains the half-decade gap between his latest feature and 2009’s Elementary Training for Actors, which he co-directed with Federico Leon. Elementary was an adaptation of one of his books—he’s also adapted two others, Rapado [1992] and Silvia Prieto [1999]—but Two Shots Fired is an original screenplay." We're gathering reviews and we've got the trailer. » - David Hudson...
- 9/29/2014
- Keyframe
"It would be easy to mistake Two Shots Fired, the new feature from Argentine filmmaker Martín Rejtman, for a less original film than it is," begins Max Nelson in the new issue of Cinema Scope, where he calls Rejtman "one of the sharpest, savviest, and most humane comic sensibilities in contemporary cinema." Film Comment's Violet Lucca notes that the filmmaker and novelist "has alternated his focus over the course over his 28-year career, which in part explains the half-decade gap between his latest feature and 2009’s Elementary Training for Actors, which he co-directed with Federico Leon. Elementary was an adaptation of one of his books—he’s also adapted two others, Rapado [1992] and Silvia Prieto [1999]—but Two Shots Fired is an original screenplay." We're gathering reviews and we've got the trailer. » - David Hudson...
- 9/29/2014
- Fandor: Keyframe
François Truffaut's 1975 collection of criticism, The Films in My Life, is being reissued, and Max Nelson reviews it for Film Comment. Also in today's roundup of news and views: Joanna Hogg on Chantal Akerman, Gilles Deleuze on cinema and philosophy, B. Ruby Rich on Roger Ebert, Darren Hughes and Michael Leary on Claire Denis, Matt Connolly on Martin Scorsese, Glenn Kenny's interview with David Thomson and news of forthcoming projects from Julie Delpy, Damien Chazelle, Terry Gilliam and more. » - David Hudson...
- 9/24/2014
- Fandor: Keyframe
François Truffaut's 1975 collection of criticism, The Films in My Life, is being reissued, and Max Nelson reviews it for Film Comment. Also in today's roundup of news and views: Joanna Hogg on Chantal Akerman, Gilles Deleuze on cinema and philosophy, B. Ruby Rich on Roger Ebert, Darren Hughes and Michael Leary on Claire Denis, Matt Connolly on Martin Scorsese, Glenn Kenny's interview with David Thomson and news of forthcoming projects from Julie Delpy, Damien Chazelle, Terry Gilliam and more. » - David Hudson...
- 9/24/2014
- Keyframe
The best movie culture writing from around the internet-o-sphere. There will be a quiz later. Just leave a tab open for us, will ya? “Strange Lands: International Sci-Fi” — Max Nelson at Film Comment opens a multi-part series on futuristic wonderment without borders. “In America, questions surrounding the moral, political, and spiritual consequences of technological progress ended up being posed most often, and arguably most successfully, in the language of mass spectacle. In countries struck closer and deeper by the atrocities of the war, the same questions likewise found their fullest expression in the sci-fi film. But it was a changed sort of expression: more agonized, more private, and more willing to run up against philosophical dead ends. The nightmare of the American sci-fi moviegoer is that science has delved too deep into nature, awoken something in nature, and that nature is now preparing to take its revenge. The nightmare of the Polish or Czech moviegoer in the...
- 8/25/2014
- by Scott Beggs
- FilmSchoolRejects.com
Edited by Adam Cook
Above: a sneak peak of Paul Thomas Anderson's Inherent Vice, via our Tumblr. A wealth of content from the Melbourne International Film Festival's newly launched Critics Campus has been published here and here. For Rolling Stone, filmmaker James Gray writes on Francis Ford Coppola's Apocalypse Now on the occasion of its 35th anniversary:
"The film is indeed self-consciously mythic, and with its transcendent imagery, it enters the cosmic realm. Captain Willard is an enigmatic hero, and we need the narration (written by Dispatches author Michael Herr) to help us know him. Surely the man has his dark side: he kills a wounded Vietnamese woman and hacks Colonel Kurtz to death. But by the end, Willard retains enough of his soul to protect the innocent, childlike Lance (Sam Bottoms), and here we see that the human connection endures. The film's experience expands in this moment,...
Above: a sneak peak of Paul Thomas Anderson's Inherent Vice, via our Tumblr. A wealth of content from the Melbourne International Film Festival's newly launched Critics Campus has been published here and here. For Rolling Stone, filmmaker James Gray writes on Francis Ford Coppola's Apocalypse Now on the occasion of its 35th anniversary:
"The film is indeed self-consciously mythic, and with its transcendent imagery, it enters the cosmic realm. Captain Willard is an enigmatic hero, and we need the narration (written by Dispatches author Michael Herr) to help us know him. Surely the man has his dark side: he kills a wounded Vietnamese woman and hacks Colonel Kurtz to death. But by the end, Willard retains enough of his soul to protect the innocent, childlike Lance (Sam Bottoms), and here we see that the human connection endures. The film's experience expands in this moment,...
- 8/21/2014
- by Notebook
- MUBI
The best movie culture writing from around the internet-o-sphere. There will be a quiz later. Just leave a tab open for us, will ya? “The Inbetweeners 2 and the teen sex comedy renaissance” — Robbie Collin at the Telegraph connects a new franchise success to the beach bunny party flicks of the 60s while watching the ebbs and flows of young people trying to fuck on film. “Nietzsche’s 10 rules for writers” — Brain Pickings checks out some style tips from a mad philosopher with an amazing mustache. “A Life Less Ordinary: The Films of Joaquim Pinto” — Max Nelson at Film Comment explores the religion and nature of a filmmaker reflecting on two decades with HIV. “His first two films as a director must have made for a jarring contrast with the formally radical high-modernist movies he was making at the time with Oliveira and Ruiz. Tall Stories (88) and Where the Sun Beats (89) are tough, compassionate...
- 8/11/2014
- by Scott Beggs
- FilmSchoolRejects.com
In the wake of the devastating loss of one of our greatest actors, countless remembrances of Philip Seymour Hoffman have flooded the internet. Here is a small sampling:
Above: illustrations of Hoffman via Daniel Clowes. For The Grid, Adam Nayman writes on the actor's best performances:
"It’s been said that the best actors are the ones who make it look easy. But Philip Seymour Hoffman was the opposite of self-effacing—he was incandescent. His acting had the sort of glow that could illuminate dim movies and burn holes through the middle of vivid ones."
Above: from Nelson Carvajal, a reel of some of Hoffman's greatest on-screen moments. For The New Yorker, Richard Brody pays tribute:
"Genius, whether at its most constructive or destructive, its most sublime or its most repugnant, is unnatural; Hoffman lived for great art, and it’s impossible to escape the idea that he died for it.
Above: illustrations of Hoffman via Daniel Clowes. For The Grid, Adam Nayman writes on the actor's best performances:
"It’s been said that the best actors are the ones who make it look easy. But Philip Seymour Hoffman was the opposite of self-effacing—he was incandescent. His acting had the sort of glow that could illuminate dim movies and burn holes through the middle of vivid ones."
Above: from Nelson Carvajal, a reel of some of Hoffman's greatest on-screen moments. For The New Yorker, Richard Brody pays tribute:
"Genius, whether at its most constructive or destructive, its most sublime or its most repugnant, is unnatural; Hoffman lived for great art, and it’s impossible to escape the idea that he died for it.
- 2/5/2014
- by Adam Cook
- MUBI
News.
The Best-of-the-Year lists keep rolling in, so here's a batch of worthwhile entries unveiled in the past week: Film Comment - 50 Best Films | 20 Best Undistributed Films Indiewire - Critics Survey Glenn Kenny Scott Foundas Slant Magazine Michael Sicinski's "The Best of the Rest" Village Voice Film Poll The latest issue of Cineaste is on shelves now and includes, among other pieces, an article on rom-coms today by Adrian Martin, and a feature by David Sterritt on "Beats, Beatniks, and Beat Movies." Also make sure to look online for exclusive content from Aaron Cutler and Celluloid Liberation Front. Above: one of our favorite journals, La Furia Umana, is now shipping its fourth print edition, featuring multiple pieces on Nicholas Ray and Brian De Palma. The 18th online edition is due out by the end of the month, so we'll be checking up on Lfu again soon. On digital shelves is...
The Best-of-the-Year lists keep rolling in, so here's a batch of worthwhile entries unveiled in the past week: Film Comment - 50 Best Films | 20 Best Undistributed Films Indiewire - Critics Survey Glenn Kenny Scott Foundas Slant Magazine Michael Sicinski's "The Best of the Rest" Village Voice Film Poll The latest issue of Cineaste is on shelves now and includes, among other pieces, an article on rom-coms today by Adrian Martin, and a feature by David Sterritt on "Beats, Beatniks, and Beat Movies." Also make sure to look online for exclusive content from Aaron Cutler and Celluloid Liberation Front. Above: one of our favorite journals, La Furia Umana, is now shipping its fourth print edition, featuring multiple pieces on Nicholas Ray and Brian De Palma. The 18th online edition is due out by the end of the month, so we'll be checking up on Lfu again soon. On digital shelves is...
- 12/18/2013
- by Adam Cook
- MUBI
News.
Canadian documentarian Peter Wintonick has passed away at the age of 60. Aaron Cutler has some words and links on the artist.
The Festival Internazionale del Film di Roma, also known as the Rome Film Festival, has announced its awards from a Jury chaired by James Gray. Kiyoshi Kurosawa's Seventh Code was among the winners, picking up Best Director and Best Technical Contribution.
The Seventh Art's latest video mag is now online, featuring interviews with João Pedro Rodrigues and Corneliu Porumboiu, among others. What's next for Joe Dante? A horror-comedy starring Anton Yelchin titled Burying the Ex (it's the sort of cheesy title we'd only let him get away with!).
Finds.
Above: from our friend Adrian Curry's Tumblr, a French poster for The Big Sleep that auctioned off for $21,510. Check out this fun, totally bizarre interactive video for Bob Dylan's "Like a Rolling Stone". For Film Comment, Max Nelson...
Canadian documentarian Peter Wintonick has passed away at the age of 60. Aaron Cutler has some words and links on the artist.
The Festival Internazionale del Film di Roma, also known as the Rome Film Festival, has announced its awards from a Jury chaired by James Gray. Kiyoshi Kurosawa's Seventh Code was among the winners, picking up Best Director and Best Technical Contribution.
The Seventh Art's latest video mag is now online, featuring interviews with João Pedro Rodrigues and Corneliu Porumboiu, among others. What's next for Joe Dante? A horror-comedy starring Anton Yelchin titled Burying the Ex (it's the sort of cheesy title we'd only let him get away with!).
Finds.
Above: from our friend Adrian Curry's Tumblr, a French poster for The Big Sleep that auctioned off for $21,510. Check out this fun, totally bizarre interactive video for Bob Dylan's "Like a Rolling Stone". For Film Comment, Max Nelson...
- 11/20/2013
- by Adam Cook
- MUBI
News.
The Summer 2013 issue of Cineaste has hit shelves, and features interviews with Carlos Reygadas and Sarah Polley. Online you'll find the conclusion to "Film Criticism: The Next Generation" and other exclusives. The Human Rights Watch Film Festival begins tomorrow in New York. Co-presented by the Film Society of Lincoln Center and the IFC center, the doc fest features acclaimed films such as The Act of Killing (pictured above) and Camp 14 – Total Control Zone (which I wrote on here). Takashi Miike is in talks to make The Outsider, his first English language film, with Tom Hardy set as the prospective lead. The film tells "an epic story set in post-World War II Japan, chronicling the life of a former American G.I. who becomes part of the Japanese yakuza."
Finds.
Vulgar Auteurism is being hotly debated on Twitter, blogs and other publications. The term, which originated with Andrew Tracy and Cinema Scope,...
The Summer 2013 issue of Cineaste has hit shelves, and features interviews with Carlos Reygadas and Sarah Polley. Online you'll find the conclusion to "Film Criticism: The Next Generation" and other exclusives. The Human Rights Watch Film Festival begins tomorrow in New York. Co-presented by the Film Society of Lincoln Center and the IFC center, the doc fest features acclaimed films such as The Act of Killing (pictured above) and Camp 14 – Total Control Zone (which I wrote on here). Takashi Miike is in talks to make The Outsider, his first English language film, with Tom Hardy set as the prospective lead. The film tells "an epic story set in post-World War II Japan, chronicling the life of a former American G.I. who becomes part of the Japanese yakuza."
Finds.
Vulgar Auteurism is being hotly debated on Twitter, blogs and other publications. The term, which originated with Andrew Tracy and Cinema Scope,...
- 6/12/2013
- by Adam Cook
- MUBI
A red letter day. There's a new Senses of Cinema out and it opens with the first part of Daniel Fairfax's interview with Jean-Louis Comolli, who edited Cahiers du cinéma from 1965 to 1973. Senses editor Rolando Caputo: "At the time, Cahiers was undergoing its so-called 'Marxist-Leninist' phase, with a heavy overlay of Lacanian psychoanalytic theory." And Slavoj Žižek would have been in his late teens, early 20s. At any rate: "Put simply, at stake was the demystification of the 'cinematic apparatus' to demonstrate how ideology was both embedded within the technology of cinema and an effect of its representational modes."
Fairfax: "Having steadily made films over the last 40 years — including the magisterial series on the French electoral machine, Marseille contre Marseille (1996) — Comolli has also pursued a prolonged theoretical pre-occupation with the cinema, which, in various ways, is profoundly defined by his earlier participation in Cahiers. Refreshingly, he has never sought to repudiate his radical past,...
Fairfax: "Having steadily made films over the last 40 years — including the magisterial series on the French electoral machine, Marseille contre Marseille (1996) — Comolli has also pursued a prolonged theoretical pre-occupation with the cinema, which, in various ways, is profoundly defined by his earlier participation in Cahiers. Refreshingly, he has never sought to repudiate his radical past,...
- 3/20/2012
- MUBI
Splatter: Love, Honor, and Paintball will be an entry at the Dances With Films Film Festival with a showing Tuesday, June 8th and film has a short clip inside. The film is part comedy, part drama, and partly about a hero in a small town fighting to win the love of his life back. Have a look at a family torn apart and at an underrated sport that unifies a large group of friends in this trailer below.
The synopsis for Splatter here:
"A paintball tournament becomes the unlikely proving ground for a likable small town loser who sets out to win back the love of his ex-wife and the respect of his son. A poignant quirky comedy about relationships - and a man who finally grows up!" (Dances).
Release Date: June 8th (World Premiere).
Director/writer: Lonnie Schuyler.
Cast: Matt Gieler, Clint Curtis, Justin Marxin, Max Nelson, and Kimberly Ann Kurtenbach.
The synopsis for Splatter here:
"A paintball tournament becomes the unlikely proving ground for a likable small town loser who sets out to win back the love of his ex-wife and the respect of his son. A poignant quirky comedy about relationships - and a man who finally grows up!" (Dances).
Release Date: June 8th (World Premiere).
Director/writer: Lonnie Schuyler.
Cast: Matt Gieler, Clint Curtis, Justin Marxin, Max Nelson, and Kimberly Ann Kurtenbach.
- 5/20/2010
- by 28DaysLaterAnalysis@gmail.com (Michael Ross Allen)
- 28 Days Later Analysis
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