Ahead of the first-ever International Production Design Week, the Production Designers Collective has coordinated a series of interviews with directors and production designers, in which they discuss their working dynamics and mutual passion for the craft of storytelling. In the first episode of The Wilds, one of the main characters is introduced via a quick beat of her smoking a cigarette on her family’s back deck with a nicotine-stained, pink flamingo ashtray nestled on the rail nearby. Sara K White, the show’s production designer, recalls: “We were working to build out Dot’s character—a girl who doesn’t come from money and […]
The post “You Provide Everything That’s in Every Shot”: Production Designer Sara K White and Director Susanna Fogel first appeared on Filmmaker Magazine.
The post “You Provide Everything That’s in Every Shot”: Production Designer Sara K White and Director Susanna Fogel first appeared on Filmmaker Magazine.
- 10/17/2023
- by Brandon Tonner-Connolly
- Filmmaker Magazine - Blog
Ahead of the first-ever International Production Design Week, the Production Designers Collective has coordinated a series of interviews with directors and production designers, in which they discuss their working dynamics and mutual passion for the craft of storytelling. In the first episode of The Wilds, one of the main characters is introduced via a quick beat of her smoking a cigarette on her family’s back deck with a nicotine-stained, pink flamingo ashtray nestled on the rail nearby. Sara K White, the show’s production designer, recalls: “We were working to build out Dot’s character—a girl who doesn’t come from money and […]
The post “You Provide Everything That’s in Every Shot”: Production Designer Sara K White and Director Susanna Fogel first appeared on Filmmaker Magazine.
The post “You Provide Everything That’s in Every Shot”: Production Designer Sara K White and Director Susanna Fogel first appeared on Filmmaker Magazine.
- 10/17/2023
- by Brandon Tonner-Connolly
- Filmmaker Magazine-Director Interviews
It’s Frasier Week at IndieWire. Grab some tossed salad and scrambled eggs, settle into your coziest easy chair, and join us. We’re listening.
As part of ongoing Frasier Week festivities, we reached out to several acclaimed production designers to break down the iconic Frasier Crane (Kelsey Grammer) apartment. We asked them what made “Frasier” such a great example of sitcom production design, and they dug deep into how the flow, colors, style, and composition all contribute to the comedy and the characters on the show. Great production design often goes unnoticed, especially on shows with a contemporary setting, but sends tons of signals to the viewer about the characters: their taste, their pretensions, their personality.
“Through the right use of lighting (or lack of), the decoration, the age, the cleanliness, a general feeling can be conveyed and then the amount of detail and texture only add to the...
As part of ongoing Frasier Week festivities, we reached out to several acclaimed production designers to break down the iconic Frasier Crane (Kelsey Grammer) apartment. We asked them what made “Frasier” such a great example of sitcom production design, and they dug deep into how the flow, colors, style, and composition all contribute to the comedy and the characters on the show. Great production design often goes unnoticed, especially on shows with a contemporary setting, but sends tons of signals to the viewer about the characters: their taste, their pretensions, their personality.
“Through the right use of lighting (or lack of), the decoration, the age, the cleanliness, a general feeling can be conveyed and then the amount of detail and texture only add to the...
- 10/11/2023
- by Sarah Shachat
- Indiewire
Colin Woodell as Winston Scott in ‘The Continental: From the World of John Wick’ (Photo by: Katalin Vermes / Starz Entertainment)
You’ve got to feel sorry for the fine folks at the San Diego Comic-Con. The Covid-19 pandemic shut the popular convention down in 2020, and it was forced into holding a much smaller convention – the “Comic-Con Special Edition” – in November 2021 after being unable to host its normal summertime pop culture event safely. Sdcc returned in 2022, but with strict Covid protocols in place.
2023 was thought to be the year the San Diego Comic-Con would spring back to life. But that wasn’t in the cards. The Writers Guild of America (WGA) went on strike, which meant many panel participants wouldn’t be able to attend. And then complicating matters, the Screen Actors Guild voted to authorize a strike if they couldn’t come to an agreement with the Alliance of Motion...
You’ve got to feel sorry for the fine folks at the San Diego Comic-Con. The Covid-19 pandemic shut the popular convention down in 2020, and it was forced into holding a much smaller convention – the “Comic-Con Special Edition” – in November 2021 after being unable to host its normal summertime pop culture event safely. Sdcc returned in 2022, but with strict Covid protocols in place.
2023 was thought to be the year the San Diego Comic-Con would spring back to life. But that wasn’t in the cards. The Writers Guild of America (WGA) went on strike, which meant many panel participants wouldn’t be able to attend. And then complicating matters, the Screen Actors Guild voted to authorize a strike if they couldn’t come to an agreement with the Alliance of Motion...
- 7/12/2023
- by Rebecca Murray
- Showbiz Junkies
“Atlanta” creator Donald Glover has often flirted with surrealistic horror on his Emmy-winning FX series. But with his bold, new limited series “Swarm” on Amazon’s Prime Video, he and cocreator Janine Nabers found a new way to depict the modern Black experience through genre storytelling.
Following a pop idol-obsessed fangirl named Dre (a remarkable Dominique Fishback), “Swarm” dramatizes her slow descent into homicidal madness — and the thriller’s production designer Sara K White was on hand to help bring this deeply original look at a troubled mind to life.
Also Read:
Genre TV Strikes Back at the Emmys With ‘Andor,’ ‘Swarm’ and ‘Yellowjackets’
“Seeing this character, even written on the page, was so exciting because you just don’t get the opportunity to showcase a young Black woman in a really challenging place like this,” White, no stranger to telling stories about complex women with TV credits like “The Flight Attendant” and “Mrs. Fletcher,...
Following a pop idol-obsessed fangirl named Dre (a remarkable Dominique Fishback), “Swarm” dramatizes her slow descent into homicidal madness — and the thriller’s production designer Sara K White was on hand to help bring this deeply original look at a troubled mind to life.
Also Read:
Genre TV Strikes Back at the Emmys With ‘Andor,’ ‘Swarm’ and ‘Yellowjackets’
“Seeing this character, even written on the page, was so exciting because you just don’t get the opportunity to showcase a young Black woman in a really challenging place like this,” White, no stranger to telling stories about complex women with TV credits like “The Flight Attendant” and “Mrs. Fletcher,...
- 6/15/2023
- by Jason Clark
- The Wrap
In Donald Glover and Janine Nabers’ “Swarm,” a highly-detailed dedication to all-things Beyoncé and her “Bey Hive” fanbase is key to the show’s menacingly satirical look at obsessive fandom turned murderous.
Credit “Swarm” production designer Sara K White with taking its creators’ ideal of singing sensation Ni’Jah (Nirine S. Brown) to nuanced extremes, while folding “The Swarm” and its greatest devotee Dre (Dominique Fishback) into Glover’s dreamlike “Atlanta” universe.
“I knew ‘Swarm’ was a sister to ‘Atlanta,’” said White of Glover’s beloved FX series. “What I wanted to evoke, then, was their shared interest in authenticity and irreverence to the point of whimsy.”
To heighten these qualities within Dre’s hardcore obsessions, “Ni’Jah and food”, production designer White — with set decorator Laura Wallgren, costume designer Dominique Dawson and cinematographer Drew Daniels — had to make Ni’Jah’s world palpable.
“I was given the first episode in December 2021, developed a look-book,...
Credit “Swarm” production designer Sara K White with taking its creators’ ideal of singing sensation Ni’Jah (Nirine S. Brown) to nuanced extremes, while folding “The Swarm” and its greatest devotee Dre (Dominique Fishback) into Glover’s dreamlike “Atlanta” universe.
“I knew ‘Swarm’ was a sister to ‘Atlanta,’” said White of Glover’s beloved FX series. “What I wanted to evoke, then, was their shared interest in authenticity and irreverence to the point of whimsy.”
To heighten these qualities within Dre’s hardcore obsessions, “Ni’Jah and food”, production designer White — with set decorator Laura Wallgren, costume designer Dominique Dawson and cinematographer Drew Daniels — had to make Ni’Jah’s world palpable.
“I was given the first episode in December 2021, developed a look-book,...
- 3/30/2023
- by A.D. Amorosi
- Variety Film + TV
Weird stuff can happen at Bonnaroo, but stumbling into a wellness group/cult situation led by Billie Eilish is pretty extraordinary. Episode 4 of “Swarm,” written by Ibra Ake, Stephen Glover, and Janine Nebers and directed by Ake, puts Dre (Dominique Fishback) in Eilish’s path and simultaneously creates one of the most stable-seeming and dangerous-feeling locations that the murderous fan has encountered yet — which is saying something for a character who bit the show’s Beyoncé stand-in an episode earlier.
The show goes to great lengths to make Eva (Eilish), the head of an Nxivm-esque female empowerment collective, feel as powerful as she does. This included custom building the sweat-lodge location where Eva entrances Dre into reliving repressed moments of trauma from her past — and spilling compromising details about herself. “[It was the most] creative build that we had on this show, actually,” production designer Sara K White said of Eilish’s lair.
“Originally,...
The show goes to great lengths to make Eva (Eilish), the head of an Nxivm-esque female empowerment collective, feel as powerful as she does. This included custom building the sweat-lodge location where Eva entrances Dre into reliving repressed moments of trauma from her past — and spilling compromising details about herself. “[It was the most] creative build that we had on this show, actually,” production designer Sara K White said of Eilish’s lair.
“Originally,...
- 3/27/2023
- by Sarah Shachat
- Indiewire
Donald Glover and Janine Nabers's "Swarm" is full of variances and fractures. There are the neon colors of the videos fictional popstar Ni'jah puts into the world, breaking up the dull beiges and grays of the apartments and cars Dre (Dominique Fishback) inhabits on her cross-country killing spree. There's Dre's childlike reverence for Ni'Jah, and the rage that seems to consume her like an insatiable hunger, embodied by the broken glass and spreading pools of blood that seem to follow her wherever she goes.
According to production designer Sara K White, the show's design was intended to make Dre's persona especially paradoxical. "I feel like what we were able to do was provide a character who is both extremely ferocious and also sympathetic," she tells Popsugar. "You don't necessarily think that she's just evil, however much evil she does. That was a great line that we were looking to walk.
According to production designer Sara K White, the show's design was intended to make Dre's persona especially paradoxical. "I feel like what we were able to do was provide a character who is both extremely ferocious and also sympathetic," she tells Popsugar. "You don't necessarily think that she's just evil, however much evil she does. That was a great line that we were looking to walk.
- 3/24/2023
- by Eden Arielle Gordon
- Popsugar.com
“Swarm” goes to great lengths to ground its story about toxic internet fandom within the real world — even when Donald Glover and Janine Naber’s horror-satire exploration turns as wild and conspiratorial as, well, toxic internet fandom. But key to that was creating a pop diva worthy of Dre’s adoration, someone whose career was wide-ranging and lengthy enough to inspire a murderous cross-country road trip in her name. Someone like, say, Beyoncé — but definitely not Beyoncé. In the Prime Video series, it’s Ni’Jah.
The task of creating memorabilia and press coverage for the decades-long multiple Grammy-winning career of a music icon who isn’t not not Beyoncé fell to production designer Sara K White and her props and graphics teams. For a superstar at Ni’Jah’s level, the team needed so much period-specific stuff that generating it all started even before White officially joined the project.
The task of creating memorabilia and press coverage for the decades-long multiple Grammy-winning career of a music icon who isn’t not not Beyoncé fell to production designer Sara K White and her props and graphics teams. For a superstar at Ni’Jah’s level, the team needed so much period-specific stuff that generating it all started even before White officially joined the project.
- 3/21/2023
- by Sarah Shachat
- Indiewire
For The Flight Attendant, production designer Sara K White was excited to work on creating spaces to physically represent the main character’s internal struggles while dealing with a mystery thriller. Kaley Cuoco stars as Cassie Bowden, a flight attendant with a drinking problem, who wakes up in a strange hotel room in Bangkok, next to a dead body and with no memory of what happened. The episode White is nominated for, titled “After Dark,” has Cassie leaving the hotel room in her mind, only to be stuck in a different nightmare. This episode flashes between reality and fantasy constantly, so White needed to make sure the fantasy world was constantly changing with Cassie.
Deadline: What were your initial thoughts on the production design of the series?
Sara K White: I was really excited about the dark mystery of it and the way that we were bringing to life...
Deadline: What were your initial thoughts on the production design of the series?
Sara K White: I was really excited about the dark mystery of it and the way that we were bringing to life...
- 8/23/2021
- by Ryan Fleming
- Deadline Film + TV
“The Flight Attendant” is full of traps.
There are literal traps, of course — this is the series that gave Michelle Gomez (here playing hardened killer Miranda Croft) a switchblade and let her loose on Bangkok, New York City, and Rome. But most of the drama takes place inside the head of protagonist Cassie Bowden (Kaley Cuoco), exploring the trauma of waking up next to the newly murdered corpse of a one-night stand named Alex Sokolov (Michel Huisman), as well as the psychological baggage she’s been carrying around for years. This presented production designer Sara K White with a challenge, because while all that sounds good on paper, how do you represent it visually? How do you balance serious issues of grief and internalized trauma with the show’s dark but definitely comedic tone?
The answer lies with The Master of Suspense.
Nods to Hitchcock are all over “The Flight...
There are literal traps, of course — this is the series that gave Michelle Gomez (here playing hardened killer Miranda Croft) a switchblade and let her loose on Bangkok, New York City, and Rome. But most of the drama takes place inside the head of protagonist Cassie Bowden (Kaley Cuoco), exploring the trauma of waking up next to the newly murdered corpse of a one-night stand named Alex Sokolov (Michel Huisman), as well as the psychological baggage she’s been carrying around for years. This presented production designer Sara K White with a challenge, because while all that sounds good on paper, how do you represent it visually? How do you balance serious issues of grief and internalized trauma with the show’s dark but definitely comedic tone?
The answer lies with The Master of Suspense.
Nods to Hitchcock are all over “The Flight...
- 6/25/2021
- by Sarah Shachat
- Indiewire
“The Flight Attendant” is a major contender for the 2021 Emmy Awards. The hour-long thriller is on track to be the first Best Comedy Series nominee for HBO Max; the streaming service launched last year with only Anna Kendrick vehicle “Love Life” in contention for the 2020 cycle. “The Flight Attendant” debuted its eight-episode first season last fall, then picked up bids for both Best Comedy Series and Best Comedy Actress for Kaley Cuoco early this year at both the Golden Globe and Critics Choice Awards.
It more importantly also scored nominations from seven industry guilds and societies that overlap memberships with the Television Academy that votes on the Emmys. This set of seven tied it with “Ted Lasso” to lead all comedies that aired in 2020. 16 of the key creatives behind “The Flight Attendant” chatted with Gold Derby via webcam to discuss making the show, reflect on their recent nominations and preview the ordered next season.
It more importantly also scored nominations from seven industry guilds and societies that overlap memberships with the Television Academy that votes on the Emmys. This set of seven tied it with “Ted Lasso” to lead all comedies that aired in 2020. 16 of the key creatives behind “The Flight Attendant” chatted with Gold Derby via webcam to discuss making the show, reflect on their recent nominations and preview the ordered next season.
- 6/24/2021
- by Riley Chow
- Gold Derby
How does one become a production designer? For Tom Hammock (“Them”), it actually started in a most unusual way: he “stumbled into it” by milking spiders for their venom. We talked with Hammock, Sara K White (“The Flight Attendant”), Mark Ricker (“Halston”), and Jamie Walker McCall (“Pose”) about their careers and their current projects during our “Meet the Experts” TV production designers panel. Watch our group discussion above. Click on each name about to view that person’s individual webchat.
Hammock explains, “I’d been in science. My father’s studies poisons and so I’d grown up milking venomous animals for antivenom. And I stumbled into this via ‘Spider-Man’ and helping them out with a laboratory. And they kind of talked me into leaving architecture and ending up here.”
For McCall it wasn’t spiders but hobbits: “What inspired me to move out from New York and Boston to...
Hammock explains, “I’d been in science. My father’s studies poisons and so I’d grown up milking venomous animals for antivenom. And I stumbled into this via ‘Spider-Man’ and helping them out with a laboratory. And they kind of talked me into leaving architecture and ending up here.”
For McCall it wasn’t spiders but hobbits: “What inspired me to move out from New York and Boston to...
- 5/25/2021
- by Daniel Montgomery
- Gold Derby
For “The Flight Attendant” production designer Sara K White, it was important “to feel like we were in [Cassie’s] subconscious as she’s trying to figure out what’s happening, as she’s delving back into not only the history of that night, but also her own personal history.” We talked with White as a part of our “Meet the Btl Experts” TV production designers panel. Watch our interview above.
Based on a novel by Chris Bohjalian, “The Flight Attendant” follows the title character, Cassie Bowden (Kaley Cuoco), an alcoholic party girl who gets tangled up in an international murder mystery. After hooking up with dashing passenger Alex (Michiel Huisman), she wakes up to find him dead. But she was blackout drunk at the time, so she doesn’t remember what happened that night, which means she has to put the pieces together herself before she winds up dead or in prison.
Based on a novel by Chris Bohjalian, “The Flight Attendant” follows the title character, Cassie Bowden (Kaley Cuoco), an alcoholic party girl who gets tangled up in an international murder mystery. After hooking up with dashing passenger Alex (Michiel Huisman), she wakes up to find him dead. But she was blackout drunk at the time, so she doesn’t remember what happened that night, which means she has to put the pieces together herself before she winds up dead or in prison.
- 5/25/2021
- by Daniel Montgomery
- Gold Derby
As part of our continuing “Meet the Btl Experts” interview series featuring top Emmy contenders, view our second round of chats with leading TV production designers. Guests this time: Sara K White (‘The Flight Attendant’), Mark Ricker (‘Halston’), Jamie Walker McCall (‘Pose’) and Tom Hammock (‘Them’). Solo chats followed by a group discussion hosted by our senior editor Daniel Montgomery.
- 5/19/2021
- by Tom O'Neil
- Gold Derby
Five top TV production designers will reveal secrets behind their projects when they join Gold Derby’s special “Meet the Btl Experts” Q&a event with key 2021 guild and Emmy contenders this month. Each person will participate in two video discussions to premiere on Tuesday, May 18, at 5:00 p.m. Pt; 8:00 p.m. Et. We’ll have a one-on-one with our senior editor Daniel Montgomery and a group chat with Daniel and all of the group together.
RSVP today to this specific event by clicking here to book your reservation. Or click here to RSVP for our entire ongoing panel series. We’ll send you a reminder a few minutes before the start of the show.
This “Meet the Btl Experts” panel welcomes the following 2021 guild and Emmy contenders:
“The Flight Attendant”: Sara K White
White’s career has included “Mrs. Fletcher,” “Think Like a Dog,” “The Kid” and “Light of My Life.
RSVP today to this specific event by clicking here to book your reservation. Or click here to RSVP for our entire ongoing panel series. We’ll send you a reminder a few minutes before the start of the show.
This “Meet the Btl Experts” panel welcomes the following 2021 guild and Emmy contenders:
“The Flight Attendant”: Sara K White
White’s career has included “Mrs. Fletcher,” “Think Like a Dog,” “The Kid” and “Light of My Life.
- 5/11/2021
- by Chris Beachum and Daniel Montgomery
- Gold Derby
The Art Directors Guild announced the nominations for the 25th Annual Excellence in Production Design Awards on Thursday, honoring the finest production design in theatrical motion pictures, television, commercials, music videos, and animation features.
Among the nominees for film are Oscar hopefuls “Mank,” “Ma Rainey’s Black Bottom,” and “The Trial of the Chicago 7,” with TV accolades including “The Mandalorian,” “The Queen’s Gambit,” and “What We Do in the Shadows.”
Netflix was the big winner grabbing seven Adg nominations, including three period dramas; one fantasy film (George Clooney’s “The Midnight Sky”); and three contemporary films.
Also making the cut were Christopher Nolan’s time-inversion spy thriller, “Tenet” (production designed by five-time Oscar nominee Nathan Crowley), and two surprises: Emerald Fennell’s Oscar buzzy revenge black comedy, “Promising Young Woman,” which scored a contemporary Adg nomination, and Matteo Garron’s period “Pinocchio” Gothic re-imagining, which scored for period.
Also being honored is Ryan Murphy,...
Among the nominees for film are Oscar hopefuls “Mank,” “Ma Rainey’s Black Bottom,” and “The Trial of the Chicago 7,” with TV accolades including “The Mandalorian,” “The Queen’s Gambit,” and “What We Do in the Shadows.”
Netflix was the big winner grabbing seven Adg nominations, including three period dramas; one fantasy film (George Clooney’s “The Midnight Sky”); and three contemporary films.
Also making the cut were Christopher Nolan’s time-inversion spy thriller, “Tenet” (production designed by five-time Oscar nominee Nathan Crowley), and two surprises: Emerald Fennell’s Oscar buzzy revenge black comedy, “Promising Young Woman,” which scored a contemporary Adg nomination, and Matteo Garron’s period “Pinocchio” Gothic re-imagining, which scored for period.
Also being honored is Ryan Murphy,...
- 2/25/2021
- by Libby Hill and Bill Desowitz
- Indiewire
The Art Directors Guild has unveiled nominations for its 25th annual Excellence in Production Design Awards, which celebrate the year’s best achievements in theatrical motion pictures, TV, commercials, music videos and animated features. Winners will be announced April 10 during a virtual ceremony.
Last year, Once Upon a Time in Hollywood, Avengers: Endgame and Parasite were the big film winners in the Period, Fantasy and Contemporary categories, respectively, with Hollywood going on to take the Production Design Oscar. TV winners included The Marvelous Mrs. Maisel, Cherrnobyl, The Big Bang Theory, Russian Doll, The Umbrella Academy and Drunk History.
As previously announced, Ryan Murphy will receive the group’s Cinematic Imagery Award. The Adg Lifetime Achievement Awards, annually presented to outstanding individuals in each of the guild’s four crafts, and will be announced shortly.
With today’s nominations out, online balloting will now be held March 11-April 7.
Here’ the list...
Last year, Once Upon a Time in Hollywood, Avengers: Endgame and Parasite were the big film winners in the Period, Fantasy and Contemporary categories, respectively, with Hollywood going on to take the Production Design Oscar. TV winners included The Marvelous Mrs. Maisel, Cherrnobyl, The Big Bang Theory, Russian Doll, The Umbrella Academy and Drunk History.
As previously announced, Ryan Murphy will receive the group’s Cinematic Imagery Award. The Adg Lifetime Achievement Awards, annually presented to outstanding individuals in each of the guild’s four crafts, and will be announced shortly.
With today’s nominations out, online balloting will now be held March 11-April 7.
Here’ the list...
- 2/25/2021
- by Patrick Hipes
- Deadline Film + TV
“Mank,” “Ma Rainey’s Black Bottom,” “Mulan,” “News of the World” and “The Trial of the Chicago 7” have been nominated in the Art Directors Guild Awards’ period-film category, the Adg category that most closely corresponds to the Academy Award for Best Production Design.
In the Adg’s fantasy-film category, which often supplies one or two Oscar nominees, the guild singled out “Birds of Prey,” “Pinocchio,” “Tenet,” “The Midnight Sky” and “Wonder Woman 1984.”
Nominees in the contemporary category, which last year included Oscar nominee “Parasite,” were “Da 5 Bloods,” “I’m Thinking of Ending Things,” “Palm Springs,” “Promising Young Woman” and “The Prom.”
In the television categories, nominees included episodes of “Lovecraft Country,” “The Crown,” “The Mandalorian,” “The Flight Attendant” and “Utopia” in the one-hour categories; “Emily in Paris,” “Space Force,” “What We Do in the Shadows,” “The Neighborhood” and “Will & Grace” in the half-hour categories; and “Fargo,” “Hollywood...
In the Adg’s fantasy-film category, which often supplies one or two Oscar nominees, the guild singled out “Birds of Prey,” “Pinocchio,” “Tenet,” “The Midnight Sky” and “Wonder Woman 1984.”
Nominees in the contemporary category, which last year included Oscar nominee “Parasite,” were “Da 5 Bloods,” “I’m Thinking of Ending Things,” “Palm Springs,” “Promising Young Woman” and “The Prom.”
In the television categories, nominees included episodes of “Lovecraft Country,” “The Crown,” “The Mandalorian,” “The Flight Attendant” and “Utopia” in the one-hour categories; “Emily in Paris,” “Space Force,” “What We Do in the Shadows,” “The Neighborhood” and “Will & Grace” in the half-hour categories; and “Fargo,” “Hollywood...
- 2/25/2021
- by Steve Pond
- The Wrap
“Mank, “Ma Rainey’s Black Bottom” and “Tenet” are among the top films recognized for excellence in production design in the 25th annual Art Directors Guild nominations.
On Thursday, the Adg announced nominations for this year’s awards show, which will be held April 10 in a virtual ceremony, breaking with tradition in response to the Covid-19 pandemic.
“Mank,” “Ma Rainey’s Black Bottom” and “Mulan” landed nominations in the Period Feature Film category, and “Birds of Prey,” “Pinocchio” and “Wonder Woman 1984” earned recognition in Fantasy Feature Film.
Missing out were Oscar contenders “Emma,” “The Personal History of David Copperfield” and “One Night in Miami.”
As previously announced, multiple award-winning writer-director-producer Ryan Murphy, whose film and television shows have consistently reflected the highest quality of production design, will receive the esteemed Cinematic Imagery Award.
See the full list of nominations for film and TV below.
Period Feature Film
“Mank” ( Donald Graham Burt...
On Thursday, the Adg announced nominations for this year’s awards show, which will be held April 10 in a virtual ceremony, breaking with tradition in response to the Covid-19 pandemic.
“Mank,” “Ma Rainey’s Black Bottom” and “Mulan” landed nominations in the Period Feature Film category, and “Birds of Prey,” “Pinocchio” and “Wonder Woman 1984” earned recognition in Fantasy Feature Film.
Missing out were Oscar contenders “Emma,” “The Personal History of David Copperfield” and “One Night in Miami.”
As previously announced, multiple award-winning writer-director-producer Ryan Murphy, whose film and television shows have consistently reflected the highest quality of production design, will receive the esteemed Cinematic Imagery Award.
See the full list of nominations for film and TV below.
Period Feature Film
“Mank” ( Donald Graham Burt...
- 2/25/2021
- by Jazz Tangcay
- Variety Film + TV
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