10/10
D.W. Griffith revolutionizes the filmmaking industry (an industry for filmmaking did, in fact, exist by this time) with a simple but groundbreaking film about a girl trying to protect herself and her money.
6 September 2000
The Girl and Her Trust, like all films made in the early 1900s, is very simple and very short, but Griffith introduces a number of filmmaking techniques that remain widely in use to this day. Earlier films generally played like a stage play, with minimal cutting or editing, and each scene taking place in the same location and generally in the same shot. The Girl and Her Trust was one of the first films to suggest that editing could create artificial environments by linking sets together, and it also gave a better idea of what exactly was going on (the close-up of the girl as she places the bullet in the keyhole is a great example).

Besides that, this film also had a very well-made chase at the end, in which the good guys are in a locomotive chasing the bad guys (the guys who stole the $2000 from the girl - her 'trust') who are pumping furiously on a railroad handcart. Although technically crude by today's standards, this scene had every necessary element of a good chase sequence, and it works very well. The film also introduced the idea of cross-cutting in filmmaking, as well as the idea of filming outdoors (a technique barely and clumsily employed by Edwin Porter in The Great Train Robbery). The Girl and Her Trust is a historic film, but as with all films that were made in the early 1900s, you need to keep its age in mind. It's not going to blow you away with visuals or sound, but if you keep in mind the time period in which it was made, you can begin to really appreciate its innovation.
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