This has always been my favourite Danny Kaye movie, it sustains the humour and story up to the end pretty well. All of his films are a roller-coaster for me: helpless tearful laughter one second, grim pained winces next, and WM is no exception to this rule, even though I love it. Perhaps he only needed a little more ... discipline in his comedy routines, to know when to stop, maybe at the 3rd joke stopped sneeze in a row etc. Sylvia Fine could have been a bigger help in this regard of course. On the other hand maybe we should be grateful for what we've got, and anyway in the end who'd really have wanted him any other way?
It may seem a little rough for the charismatic Buzzy Bellew to get murdered and come back as a ghost seeking proxy justice through the intermediary of his mono-zygotic twin brother Edwin Dingle, both comically played by Kaye. But this was just after the War and people generally weren't too sensitive at that point and didn't normally morbidly dwell on Sam Goldwyn's Technicolor fantasies. And that's basically all there is to it, a fine cast make the most of a good script. The special effects are OK but Time has wreaked its usual havoc on the actual film itself, and technology has also ruined us in the intervening years.
Favorite bits: Kaye repeatedly asking Cuddles in the delicatessen for a pint of Prospect Park; Kaye pretending he was in a pet shop (not a theatre) over the phone to Virginia Mayo; the sudden change into an operatic tenor; hearing Richard Lane's voice scything through everything. Bad bits: the Goldwyn Girls' one scene - no wonder Mayo stood out! The gaps in the mortals' conversation for the ghost to speak his lines was also too apparent - but hey, I said that I love this film!
It may seem a little rough for the charismatic Buzzy Bellew to get murdered and come back as a ghost seeking proxy justice through the intermediary of his mono-zygotic twin brother Edwin Dingle, both comically played by Kaye. But this was just after the War and people generally weren't too sensitive at that point and didn't normally morbidly dwell on Sam Goldwyn's Technicolor fantasies. And that's basically all there is to it, a fine cast make the most of a good script. The special effects are OK but Time has wreaked its usual havoc on the actual film itself, and technology has also ruined us in the intervening years.
Favorite bits: Kaye repeatedly asking Cuddles in the delicatessen for a pint of Prospect Park; Kaye pretending he was in a pet shop (not a theatre) over the phone to Virginia Mayo; the sudden change into an operatic tenor; hearing Richard Lane's voice scything through everything. Bad bits: the Goldwyn Girls' one scene - no wonder Mayo stood out! The gaps in the mortals' conversation for the ghost to speak his lines was also too apparent - but hey, I said that I love this film!