Simone Signoret was Allégret 's wife at the time and of course his favourite actress.They teamed up for the third time but it was the first movie that really counted."Dédée d'Anvers" is not a masterpiece though.It's too close to the realisme poetique which was thriving during the last years before the war ,the Carné school.Signoret is well cast as a whore who falls in love and wants to begin a brand new life .Her vulgarity works wonders and she gets good support from Jane Marken and Bernard Blier.But the harbour subject and the ships which go sailing away where there are places in the sun had grown stale and hackneyed:see "quai des brumes" (1937) and even "les portes de la nuit" (1946)."Dédée d'Anvers" is a film noir ,the highlight of which is a murder in the wee small hours in the harbour.
Jacques Sigurd,Allégret's script writer , provided the director with solid material which would become better and better along the years.Their three best works were arguably "une si jolie petite plage" (1949) "manèges"(1950) which reunited the threesome Signoret-Blier-Marken for what was probably Allégret's peak and "les orgueilleux".(1953).After that movie,it was downhill.
Jacques Sigurd,Allégret's script writer , provided the director with solid material which would become better and better along the years.Their three best works were arguably "une si jolie petite plage" (1949) "manèges"(1950) which reunited the threesome Signoret-Blier-Marken for what was probably Allégret's peak and "les orgueilleux".(1953).After that movie,it was downhill.