Preachy story explaining why juveniles turn to crime because of the failure of the system.
Lee J.Cobb is a crime psychologist with a conscience, who is taken prisoner at his weekend retreat by notorious bad boy Al Walker ( William Holden ). While Cobb's guests are guarded by Walker's accomplices, the two form an uneasy truce. This results in Cobb analysing Walker's recurring nightmare, which frees him from his torment and exorcises his vendetta against society. His crimes are traced back to his childhood and lack of parental guidance. The 'message' is conveniently simplistic for the less demanding viewer - society helps create criminals in the way that young offenders are treated by the authorities, and that criminal behaviour in some cases should be treated as an illness not a crime.
While few would dispute there is some truth in this, the film thrusts this idea clumsily and implausibly. 'The Dark Past' is basically dull. Totally forgettable were it not for the presence of the two leads who acquit themselves adequately with the poor material.
Lee J.Cobb is a crime psychologist with a conscience, who is taken prisoner at his weekend retreat by notorious bad boy Al Walker ( William Holden ). While Cobb's guests are guarded by Walker's accomplices, the two form an uneasy truce. This results in Cobb analysing Walker's recurring nightmare, which frees him from his torment and exorcises his vendetta against society. His crimes are traced back to his childhood and lack of parental guidance. The 'message' is conveniently simplistic for the less demanding viewer - society helps create criminals in the way that young offenders are treated by the authorities, and that criminal behaviour in some cases should be treated as an illness not a crime.
While few would dispute there is some truth in this, the film thrusts this idea clumsily and implausibly. 'The Dark Past' is basically dull. Totally forgettable were it not for the presence of the two leads who acquit themselves adequately with the poor material.