The Third Man (1949)
10/10
Resonant and beautiful
23 February 2000
Probably the best espionage thriller ever made, The Third Man has virtually everything going for it. Tremendous and appropriately stylish direction, astounding acting across the board, a great sense of humor, wonderful dialogue, and a great sense of sadness and loneliness that lends the story a great deal of weight. The opening scenes, quickly establishing the setting and danger, are masterful examples of tight and minimal exposition. And the ending is perfect - sad and cynical in just the right way. It's the best possible ending to one of the most flawless films ever committed to celluloid.
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