A musical and comic riot from start to finish
6 February 2003
This is without a doubt the most consistently cheerful of Lanza's movies, and a real hoot. Mario's hitherto unknown comedic skills are a big surprise, and the supporting cast of J Carroll Naish and David Niven is wonderful. I wish I could say the same for co-star Kathryn Grayson, but her shrill coloratura, grating vibrato and minimal acting skills make her a poor match for Lanza.

This is the film that introduced Lanza's signature song, Be My Love. The scene in which the song is first sung (as a duet between Grayson and Lanza) is great fun to watch, with both singers trying to outdo the other. The Madama Butterfly Love Duet scene is even better, as Lanza throws caution to the wind and shows Grayson the true meaning of PASSION.

Were it not for Grayson, the movie would merit the highest evaluation. Despite this one casting flaw, Toast of New Orleans is an excellent vehicle for newcomers to opera. Like the man himself, Lanza's screen character's lusty ways and thorough lack of pretentiousness are a breath of fresh air, and he sings impressively throughout. Highlights include the Libiamo (much better than his commercial recording), a gorgeous Bayou Lullaby and the aforementioned Butterfly Love Duet.

Following this movie, Lanza would go on to star in The Great Caruso, the pinnacle of his movie career and the film that has influenced more singers than any other in cinematic history.
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