The first of three stories, "Jealous Lover," offers sheer bliss as the great ballerina, Moria Sherer, dances to Rachmaninov's "Rhapsody on a Theme of Paganini."
One is reminded of the exquisite beauty of Sherer, who thrilled audiences for many years at the Sadler's Wells. What a treat for moviegoers when she graced the screen, which was all too rare.
Of all the prima ballerinas of the 20th century, Sherer stood out. Her light came from within, and her graceful executions became a spiritual experience.
James Mason is perfectly cast as Charles Coutray, and their scenes together are richly romantic, under Gotfried Reinhardt's sensitive direction.
Vincent Minnelli lovingly guided the remaining two episodes, whose writings were unevenly crafted, yet ardently realized by as fine a cast as MGM could offer.
Miklos Rozsa's original score was vibrant and knowing, melodiously underscoring the action. "The Story of Three Loves," remains a good piece of work, unusually artistic coming from a major studio.
One is reminded of the exquisite beauty of Sherer, who thrilled audiences for many years at the Sadler's Wells. What a treat for moviegoers when she graced the screen, which was all too rare.
Of all the prima ballerinas of the 20th century, Sherer stood out. Her light came from within, and her graceful executions became a spiritual experience.
James Mason is perfectly cast as Charles Coutray, and their scenes together are richly romantic, under Gotfried Reinhardt's sensitive direction.
Vincent Minnelli lovingly guided the remaining two episodes, whose writings were unevenly crafted, yet ardently realized by as fine a cast as MGM could offer.
Miklos Rozsa's original score was vibrant and knowing, melodiously underscoring the action. "The Story of Three Loves," remains a good piece of work, unusually artistic coming from a major studio.