First, let's be straight: this is a deliriously entertaining, venal and vampy exercise in melodrama. It's a ridiculous movie with a nonsensical script, awesome crazy quilt radioactive light bright technicolor and at times laughably non-motivated behavior. But it's also a tongue-in-cheek anti-noir mini masterpiece crammed with over dramatized scene chewing and pleasingly unintentional laughs. The set designs feature some of the biggest house interiors ever (how does Rhonda Fleming afford that mansion on her secretarial salary??) Arlene Dahl is a deliciously cheesy home run as the sex object du jour and gives Martha "The Big Sleep" Vickers a run for her money in the slutty and criminally irredeemable little sister department. Everyone is working some angle here (particularly John Payne), which is both intriguing and finally just dizzying. Fleming, Dahl, Payne and Kent Taylor take a love triangle and turn it into a quadralateral with little trouble. This isn't the calculated and sleek Double Indemnity James M. Cain, but it sure has the smoulder and desperation of The Postman Always Ring Twice JMC.
There's a political campaign thrown in and a big gangster (huffy and puffy Ted De Corsia) subplot for good measure, but this is ultimately a celebration of the campiest aspects of melodrama and what a party they throw! Definitely a date movie and highly entertaining for all the right reasons. If you can see it in the theatre, you may go blind from the glowingly phosphorescent crimson hues. "Slightly" Scarlet my ass!
There's a political campaign thrown in and a big gangster (huffy and puffy Ted De Corsia) subplot for good measure, but this is ultimately a celebration of the campiest aspects of melodrama and what a party they throw! Definitely a date movie and highly entertaining for all the right reasons. If you can see it in the theatre, you may go blind from the glowingly phosphorescent crimson hues. "Slightly" Scarlet my ass!