Most any film directed by Nicholas Ray is usually worth watching, and "Party Girl's" no exception. Ray took here what might have been a quite routine movie under another director and turned it into something quite interesting.
He extracted an unusually strong performance from Robert Taylor, who celebrated his final MGM film here, and drew equally effective work from Cyd Charisse, who also demonstrated her formidable dancing skills.
Then there was that burly "brute" Lee J. Cobb doing his no-nonsense "gangster thing," which always rang true. Yes, "Party Girl" had lots of bite.
A bit of age comparisons are interesting here. Would you believe the actors playing the "handsome leading man" and "sinister character villain" were both born the same year? It was 1911 when Taylor and (gulp) Cobb entered this world. Adding to the mix, Ray was also born the same year, making for a perfect triumvirate. (Trivia note: Taylor and Ray both expired of the same terminal illness.)
Charisse showed what a 37-year-old-dancer-in-shape can do. Dig those mobile movements: cool hip action, fast torso turns, strenuous leg extensions and fantastic full-bodied falls. Cyd seemed one of the last holdouts as the film musical glory days "bit the dust."
The post-Lewis B. Mayer period allowed for more violence than ever before at MGM, and "Party Girl" had its abundant supply in the final gangland sequences.
He extracted an unusually strong performance from Robert Taylor, who celebrated his final MGM film here, and drew equally effective work from Cyd Charisse, who also demonstrated her formidable dancing skills.
Then there was that burly "brute" Lee J. Cobb doing his no-nonsense "gangster thing," which always rang true. Yes, "Party Girl" had lots of bite.
A bit of age comparisons are interesting here. Would you believe the actors playing the "handsome leading man" and "sinister character villain" were both born the same year? It was 1911 when Taylor and (gulp) Cobb entered this world. Adding to the mix, Ray was also born the same year, making for a perfect triumvirate. (Trivia note: Taylor and Ray both expired of the same terminal illness.)
Charisse showed what a 37-year-old-dancer-in-shape can do. Dig those mobile movements: cool hip action, fast torso turns, strenuous leg extensions and fantastic full-bodied falls. Cyd seemed one of the last holdouts as the film musical glory days "bit the dust."
The post-Lewis B. Mayer period allowed for more violence than ever before at MGM, and "Party Girl" had its abundant supply in the final gangland sequences.