Early effort of producer Robert Radnitz (SOUNDER, WHERE THE RED FERN GROWS) is distinguished by colorful location photography (in the Netherlands), fine acting and an uncondescending script.
David Ladd (son of Alan) gives a believable, unmannered performance as the orphan boy with artistic longings, and veteran Donald Crisp shines, as always, as his loving grandfather. Character actor Theodore Bikel is also an asset, playing the prickly artist who somewhat reluctantly takes the boy under his wing.
Dog-lovers should note that the title canine's role in this story is important yet not central, serving mainly to set the plot in motion. But it's a lovable pooch nonetheless, and goes through its paces with perfect doggish realism, a tribute to its skilled handlers and a refreshing change of pace from such modern CGI manipulations as SNOW DOGS.
This film is unflinching in its portrayal of what can be a harsh and uncaring world, and younger and/or sensitive children may find it tough going before the ultimately happy ending. My daughter saw this when she was 8; two-thirds of the way into it she was weeping openly and was only somewhat mollified by the heart-warming conclusion. Recommended for 10 and up.
David Ladd (son of Alan) gives a believable, unmannered performance as the orphan boy with artistic longings, and veteran Donald Crisp shines, as always, as his loving grandfather. Character actor Theodore Bikel is also an asset, playing the prickly artist who somewhat reluctantly takes the boy under his wing.
Dog-lovers should note that the title canine's role in this story is important yet not central, serving mainly to set the plot in motion. But it's a lovable pooch nonetheless, and goes through its paces with perfect doggish realism, a tribute to its skilled handlers and a refreshing change of pace from such modern CGI manipulations as SNOW DOGS.
This film is unflinching in its portrayal of what can be a harsh and uncaring world, and younger and/or sensitive children may find it tough going before the ultimately happy ending. My daughter saw this when she was 8; two-thirds of the way into it she was weeping openly and was only somewhat mollified by the heart-warming conclusion. Recommended for 10 and up.