THE FLY was a fairly classy, atmospheric sci-fi movie with some horror overtones. It was fun and campy, but also somewhat disturbing in its depiction of a man losing his humanity, a theme which was explored more deeply in David Cronenberg's astonishing remake.
RETURN OF THE FLY is basically a cheap follow-up which is better than it should be. This is mostly due to the always reliable Vincent Price, who returns as the brother of the scientist who became the fly-monster in the original. Here, he desperately tries to sway his nephew from following in his father's footsteps.
The movie concentrates on the son's attempts to recreate his father's teleportation equipment with a hesitant Price helping out, then shifts gears as his other partner, a British ex-con, is discovered to be attempting to steal the research.
This leads to a few misadventures with the teleportation machine resulting in a man becoming a human guinea pig (literally), and ultimately the son becoming a fly-monster himself.
Shot in stark black and white (as opposed to the original's lush Technicolor), RETURN OF THE FLY has a sleazy, grindhouse quality to it. Whereas the original explored the horror of losing one's mind and physical being, this time it's basically just a "monster roaming the countryside" scenario, with any psychological or philisophical aspects thrown out the window in favor of cheap thrills. And while the make-up effects are somewhat improved upon, the ridiculous optical effect of the son's head on a fly's body is unintentionally funny.
Overall, however, it's entertaining enough, and above average for the B-horror movies of the era, though it may be disappointing for fans of the original.
RETURN OF THE FLY is basically a cheap follow-up which is better than it should be. This is mostly due to the always reliable Vincent Price, who returns as the brother of the scientist who became the fly-monster in the original. Here, he desperately tries to sway his nephew from following in his father's footsteps.
The movie concentrates on the son's attempts to recreate his father's teleportation equipment with a hesitant Price helping out, then shifts gears as his other partner, a British ex-con, is discovered to be attempting to steal the research.
This leads to a few misadventures with the teleportation machine resulting in a man becoming a human guinea pig (literally), and ultimately the son becoming a fly-monster himself.
Shot in stark black and white (as opposed to the original's lush Technicolor), RETURN OF THE FLY has a sleazy, grindhouse quality to it. Whereas the original explored the horror of losing one's mind and physical being, this time it's basically just a "monster roaming the countryside" scenario, with any psychological or philisophical aspects thrown out the window in favor of cheap thrills. And while the make-up effects are somewhat improved upon, the ridiculous optical effect of the son's head on a fly's body is unintentionally funny.
Overall, however, it's entertaining enough, and above average for the B-horror movies of the era, though it may be disappointing for fans of the original.