The print I saw was in terrible condition, with several minutes eliminated by jumping and scratching and the colour a uniform washed-out pink. On the bright side, this added an even more surreal layer to Meyer's already fairly radical editing style. Anyway, a lot of it, although entertaining enough, is pretty basic stuff of Gavin pouting and staring and flaunting herself and jumping on every man in sight with an infectious shameless pleasure. It gets radical when she seduces her own brother in the shower, with little moral hesitation (at that point she's already gone through another woman, a Canadian mountie and a couple more guys). The most intriguing aspect is embodied by the black character whom she relentlessly and openly taunts; he then falls in with the IRA guy and...well, see for yourself. The juxtaposition of nudie exploitation with such open rabble-rousing politics is fairly startling just as an idea, but Meyer pushes it so far that the woman goes beyond mere feistiness and carefreeness into a systematic challenger of all niceties and convention - she calls the black guy every racist epiphet, but her lack of bull ultimately opens his eyes.
