10/10
Social Comment, and a Smile
7 February 1999
I guess that I will never stop reviewing this wonderful picture. I was able to find it in a kind of obscure video/bookstore, and has continuosly gone back to it. And everytime I watch it it grows, even though I already thought that it was a great movie the first time I saw it.

So why am I so compelled by it? Probably because of its originality, and not least, its actors (especially Helmut Döring, the littlest that also has a little role in "Jeder für sich und Gott gegen alle").

If I rembember it right Leonard Maltin described the film as "truly disturbing", and I guess that he ment that in a positive way, like in the films "Man Bites Dog", "Henry-Portrait of a Serial Killer" or "Clean, Shaven". You get disturbed, like when the mob throws chicken through their supervisors window, and you can clearly see how these chickens hurt themselves, break their wings and legs. But the movie, disturbing and in many scenes very funny, amusing, also includes a social comment (my opinion). Them small dwarfes rages agains the civilization that mocks them, locks them in, and decides to get even by treating animals bad, and by destroying all symbols of western civilization. Think of it, those of you who have seen this film, all they destroy is cars, typewriters, etc, and gross in food and wine. Although social comment wasn't Herzog's first though when making this film it, as in Stroszek, is there.

All said, this is one of the best films I have said, by its scenes, music, dialogue, actors. Bizarre, disturbing, funny, wonderful. I find it great that I can see Herzogian style/form in new directors, as in Harmony Korine's Gummo (remember that scene where a dumb couple 'shouts' at eachother). In this scene, and many more, I can find an Herzog influence.

Have a great time/ Ola Lundin
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