This movie is a precious time-capsule that is, unfortunately, out of print on home video. The terrific performances from the likes of Boz Scaggs, Santana, Jefferson Airplane and particularly the Grateful Dead each at their respective peaks, would be reason enough to celebrate this film... But they almost pale in comparison to the portrait of the magnetic pioneering rock impresario Bill Graham and his immortal magical San Fransiscan rock palace, the Fillmore West.
In 1971, Graham decided the time had come to close the doors to the fabled concert hall (and it's NYC counterpart, The Fillmore East) due to what he candidly describes as the egos of the performers having run amuck. This now-rarely seen documentary gives us a glimpse into the hassles and headaches (and joy) Graham experiences while trying to put together the lineup of acts for this final week of shows at the Fillmore. Footage of Graham doing dances to accommodate the needs of this performer or meet the demands of that agent illustrate his sense of disillusionment with the "business" in fascinating detail.
While the split screen techniques applied here are derivative of the ground breaking work by Mike Wadleigh and company on the Woodstock film project, the subject matter in Fillmore is sufficient to set this movie apart from most other such films of the time. The only question remains is, who owns the rights to this film and why hasn't it been mastered in wide screen for DVD and home video yet?
In 1971, Graham decided the time had come to close the doors to the fabled concert hall (and it's NYC counterpart, The Fillmore East) due to what he candidly describes as the egos of the performers having run amuck. This now-rarely seen documentary gives us a glimpse into the hassles and headaches (and joy) Graham experiences while trying to put together the lineup of acts for this final week of shows at the Fillmore. Footage of Graham doing dances to accommodate the needs of this performer or meet the demands of that agent illustrate his sense of disillusionment with the "business" in fascinating detail.
While the split screen techniques applied here are derivative of the ground breaking work by Mike Wadleigh and company on the Woodstock film project, the subject matter in Fillmore is sufficient to set this movie apart from most other such films of the time. The only question remains is, who owns the rights to this film and why hasn't it been mastered in wide screen for DVD and home video yet?