Review of Manhattan

Manhattan (1979)
10/10
For anyone who's been in love, or anyone who loves New York.
3 January 1999
No-one can question Woody Allen's status as one of America's premier film directors, and anyone well-versed with his works should not hesitate before nominating 'Manhattan' as his finest film. This movie is a masterpiece; visually and intellectually, it shows Woody Allen at the absolute peak of his art. Shot in a stylistic black and white widescreen format, the cinematography of 'Manhattan' is breathtaking, and Allen's dialogue and command of situation are even better than usual, if that is possible. The heartfelt angst and bittersweet hopelessness of the characters are uncamouflaged even by the sleek cinematographic style of the movie. This movie is Woody Allen's valentine to the city he has such a symbiotic relationship with, and nowhere have I seen New York filmed as artistically as here. Mariel Hemmingway and Diane Keaton give inspired performances around Woody's perfectly played character resulting in what can only be considered a modern masterpiece.
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