This movie premiered at an age in my life when I was fascinated with wolves and their impact on nature - at 10 years old, I met a researcher while on a trip with my parents who actually lived with wolves for 9 months out of the year. On his recommendation I read Farley Mowat's "Never Cry Wolf" and finagled my theater-phobic parents into taking me to see the film shortly thereafter.
Its impact on me, partially because of my love for the subject matter, has been lifelong.
Although the film does not always capture the humor of Mowat's narrative, it does a brilliant job of portraying, with patience that may grate on the nerves of blockbuster-seasoned moviegoers, the experience of its protagonist. Complaints that the film does not focus enough on the wolves are understandable, but the book and the movie are about one man's journey to understanding the wolf's place in a natural ecosystem. He must learn to be like them, understand their behavior (which mirrors humans' in so many ways), and ultimately choose a loyalty to one or the other species.
It is advisable that the viewer adopt expectations similar to those for a National Geographic documentary, although the story is only loosely based in fact. Sometimes things happen slowly in the arctic. Sometimes they don't happen at all, or the things that happen are not what you'd want out of the "plot". Cinematography and the environment are stunning. Charles Martin Smith's Tyler is a regular guy, without spectacular heroics (but brave enough to tackle activities "Fear Factor" contestants won't touch for a pile of money).
Because it was filmed entirely on location and without pretense of special effects, its visuals stand up very well in comparison to the films of today. Its pace is the sticking point that will make it unpalatable to some viewers, but I give it a rarely-awarded 9 rating for its beauty, social conscience and thorough enjoyability, taking away 1 point only for its somewhat heavy-handed finale that is less palatable than Mowat's original message.
Its impact on me, partially because of my love for the subject matter, has been lifelong.
Although the film does not always capture the humor of Mowat's narrative, it does a brilliant job of portraying, with patience that may grate on the nerves of blockbuster-seasoned moviegoers, the experience of its protagonist. Complaints that the film does not focus enough on the wolves are understandable, but the book and the movie are about one man's journey to understanding the wolf's place in a natural ecosystem. He must learn to be like them, understand their behavior (which mirrors humans' in so many ways), and ultimately choose a loyalty to one or the other species.
It is advisable that the viewer adopt expectations similar to those for a National Geographic documentary, although the story is only loosely based in fact. Sometimes things happen slowly in the arctic. Sometimes they don't happen at all, or the things that happen are not what you'd want out of the "plot". Cinematography and the environment are stunning. Charles Martin Smith's Tyler is a regular guy, without spectacular heroics (but brave enough to tackle activities "Fear Factor" contestants won't touch for a pile of money).
Because it was filmed entirely on location and without pretense of special effects, its visuals stand up very well in comparison to the films of today. Its pace is the sticking point that will make it unpalatable to some viewers, but I give it a rarely-awarded 9 rating for its beauty, social conscience and thorough enjoyability, taking away 1 point only for its somewhat heavy-handed finale that is less palatable than Mowat's original message.