***May contain unintended spoilers***
He travels by suitcase since he doesn't have money or a passport. A meek and gentle man, he can take on mafiosi types and beat them at their game. Without the benefit of smooth transition, he becomes a slick-haired, well-dressed tycoon; and, although the police is interested in his whereabouts at one point, he has the nerve to walk into a jail house.
Although this movie is not boring, and is a must-see if you want to understand completely the trilogy's conclusion, it leaves you with more questions than answers. For instance, why is so much of the French flag's white represented by dirty Polish snow? Because the authors of this piece are Polish? And, if such is the case, why do they make Poland look so unappealing?
The movie absolutely lost me in the scene - thankfully at the end-- where Karol sees a woman in a window, framed in white, and when he looks at her through his binoculars, she is standing against a red background.
He travels by suitcase since he doesn't have money or a passport. A meek and gentle man, he can take on mafiosi types and beat them at their game. Without the benefit of smooth transition, he becomes a slick-haired, well-dressed tycoon; and, although the police is interested in his whereabouts at one point, he has the nerve to walk into a jail house.
Although this movie is not boring, and is a must-see if you want to understand completely the trilogy's conclusion, it leaves you with more questions than answers. For instance, why is so much of the French flag's white represented by dirty Polish snow? Because the authors of this piece are Polish? And, if such is the case, why do they make Poland look so unappealing?
The movie absolutely lost me in the scene - thankfully at the end-- where Karol sees a woman in a window, framed in white, and when he looks at her through his binoculars, she is standing against a red background.