Gregg Araki's THE DOOM GENERATION is reminiscent of everything from MY OWN PRIVATE IDAHO to THE RIVER'S EDGE to TRUE ROMANCE to the experimental films of Pasolini, of Warhol (Morrisey), as well as of Richard Kern. The film reveals its thematic message when the most innocent and selfless of its three main characters asks the other, more self-centered, two if they ever think about the meaning of existence. Dismissing the very question, they reveal to the questioner an answer of sorts, one which suggests that we each create a meaning for ourselves, and are all existentially alone as we do so.
While offering us a rather slight story of a pair of teen lovers on the road who encounter a slightly older bisexual who becomes their nemesis, companion, lover and protector, THE DOOM GENERATION offers a great deal of visual style and wit, and some genuine moments of suspense. In fact, the film's gory and discomforting climactic scene is perhaps the artistic highlight and suggests some real filmaking talent by writer/director Gregg Araki. This is probably not everyone's cup of tea, but is worth a look for those who like a film which challenges them to react to strong imagery and who don't mind transgressive depictions.
While offering us a rather slight story of a pair of teen lovers on the road who encounter a slightly older bisexual who becomes their nemesis, companion, lover and protector, THE DOOM GENERATION offers a great deal of visual style and wit, and some genuine moments of suspense. In fact, the film's gory and discomforting climactic scene is perhaps the artistic highlight and suggests some real filmaking talent by writer/director Gregg Araki. This is probably not everyone's cup of tea, but is worth a look for those who like a film which challenges them to react to strong imagery and who don't mind transgressive depictions.