John Hurt just doesn't get the credit he deserves, I think. He's a consistently great actor who often adds so much more to a film than many other bigger names would. This film is a prime example of him taking a role and truly making it his own.
Hurt plays Giles De'Ath, a most formal English author who, as a radio interviewer puts it, doesn't have much use for the 20th century. He would have even less use for a movie named 'Hotpants College II,' except that when he accidentally happens to view it, he's struck like a thunderbolt by the vision of an actor on the screen, Ronnie Bostock, played by Jason Priestly. From that moment on, De'Ath comes to life in his obsession for the young man and his elaborate plans to meet him. Having been taken care of by a housekeeper these many years, De'Ath struggles with the most ordinary tasks as he lives out his obsession. He buys teenage girls' magazines at the newsstand and furtively disposes of them lest anyone find out his secret. He purchases a videocassette recorder to watch Ronnie's films, not realizing that a television is also necessary for their viewing. Then when he goes to Bostock's home town on Long Island in hopes of tracking him down, he's almost like The Man Who Fell to Earth, being alone in such an alien culture. His behavior is as obsessive as any stalker, but he must be the most genteel stalker there ever was.
Watching Hurt go through this routine during the movie's first half is so fascinating and so entertaining that the film actually hits a bit of a stall when he finally does meets the object of his desire, but it rights itself quickly and comes to a nice conclusion. Some might hope for a more wildly dramatic ending, but I was satisfied.
Jason Priestly does a fine job here in what is basically a thankless role, in that by this film's nature, he's constantly upstaged by Hurt's performance, like Othello is by Iago, or Nick Nolte was by Eddie Murphy in '48 HRS.,' if that's not too jolting of a comparison. I found it fascinating, what some might call a "little" film except that it displays some large talents.
Hurt plays Giles De'Ath, a most formal English author who, as a radio interviewer puts it, doesn't have much use for the 20th century. He would have even less use for a movie named 'Hotpants College II,' except that when he accidentally happens to view it, he's struck like a thunderbolt by the vision of an actor on the screen, Ronnie Bostock, played by Jason Priestly. From that moment on, De'Ath comes to life in his obsession for the young man and his elaborate plans to meet him. Having been taken care of by a housekeeper these many years, De'Ath struggles with the most ordinary tasks as he lives out his obsession. He buys teenage girls' magazines at the newsstand and furtively disposes of them lest anyone find out his secret. He purchases a videocassette recorder to watch Ronnie's films, not realizing that a television is also necessary for their viewing. Then when he goes to Bostock's home town on Long Island in hopes of tracking him down, he's almost like The Man Who Fell to Earth, being alone in such an alien culture. His behavior is as obsessive as any stalker, but he must be the most genteel stalker there ever was.
Watching Hurt go through this routine during the movie's first half is so fascinating and so entertaining that the film actually hits a bit of a stall when he finally does meets the object of his desire, but it rights itself quickly and comes to a nice conclusion. Some might hope for a more wildly dramatic ending, but I was satisfied.
Jason Priestly does a fine job here in what is basically a thankless role, in that by this film's nature, he's constantly upstaged by Hurt's performance, like Othello is by Iago, or Nick Nolte was by Eddie Murphy in '48 HRS.,' if that's not too jolting of a comparison. I found it fascinating, what some might call a "little" film except that it displays some large talents.