Nicely plotted, and working a good transition from B5 to the ill-fated Crusade spin-off not just in narrative but in mood - there's a general shift from politics towards mysticism (also adumbrated in Thirdspace, where the dream sequences were rather more powerful, even if they ultimately had nowhere much to go). This change of mood is underlined by Evan Chen's controversial scoring; personally I like his work for Crusade, but found his dry run here deeply mediocre.
It's a measure of how Bruce Boxleitner's stature as Sheridan has grown over four seasons of B5 that he effortlessly and charismatically takes centre-stage here. Jerry Doyle's Garibaldi is equally assured but doesn't in the end have that much to do. Of the newcomers, Carrie Dobro is probably the only one who can match up to the old timers, though Tony Todd is his usual professional self. Opinion is divided about Galen. Specifically it's divided between me and other sensible people who think Peter Woodward should have been drowned at birth, and people who aren't as sensible as me. To be fair, he's not as dreadful here as in the early episodes of Crusade. Be thankful for small mercies.
It's a measure of how Bruce Boxleitner's stature as Sheridan has grown over four seasons of B5 that he effortlessly and charismatically takes centre-stage here. Jerry Doyle's Garibaldi is equally assured but doesn't in the end have that much to do. Of the newcomers, Carrie Dobro is probably the only one who can match up to the old timers, though Tony Todd is his usual professional self. Opinion is divided about Galen. Specifically it's divided between me and other sensible people who think Peter Woodward should have been drowned at birth, and people who aren't as sensible as me. To be fair, he's not as dreadful here as in the early episodes of Crusade. Be thankful for small mercies.