The fact that this Great Performances special, "Cats," was filmed on a stage like a performance of the show, but not before a live audience, offers pluses and minuses. The closeups reveal the actors' facial expressions very clearly, which is a great plus, particularly in the case of Elaine Page's Grizabella. Also, the sound is clearer than in recordings of this show. However, the special is a little weak on conveying the excitment of being in a live theater. Nevertheless, on the whole it was a good show.
For all the theatrical appeal, visual appeal, and the long runs, "Cats" is not the greatest thing to have ever hit musical theater. It's long on the above mentioned theatrics and visuals, but way too short on plot and substance. But it is really not a bad show by any means. The songs (Poetry from a book of T.S. Elliot's set to Andrew Lloyd Webber's music) are catchy and engaging, performed by a very energetic cast. The dancing is good, too. And as for the casting, that is also well-done. I would have loved to see Betty Buckley recreate her Broadway role of Grizabella, but Paige, who played the role in London, is not bad at all; her expressions, as I said, are... well, very expressive, and her rendition of "Memory" is just as good and moving as Buckley's. Ken Page, the original Broadway Old Deutoronomy, is also good. Sir John Mills' cameo as Gus, the Theatre Cat, is exploitive but touching. (And you can see why they cut his character's "Growltiger's Last Stand:" he may not have been able to get through it, unfortunatly)
Having not seen this show on stage yet, I think this special is a pretty good substitute for it. Perhaps you will feel the same way.
For all the theatrical appeal, visual appeal, and the long runs, "Cats" is not the greatest thing to have ever hit musical theater. It's long on the above mentioned theatrics and visuals, but way too short on plot and substance. But it is really not a bad show by any means. The songs (Poetry from a book of T.S. Elliot's set to Andrew Lloyd Webber's music) are catchy and engaging, performed by a very energetic cast. The dancing is good, too. And as for the casting, that is also well-done. I would have loved to see Betty Buckley recreate her Broadway role of Grizabella, but Paige, who played the role in London, is not bad at all; her expressions, as I said, are... well, very expressive, and her rendition of "Memory" is just as good and moving as Buckley's. Ken Page, the original Broadway Old Deutoronomy, is also good. Sir John Mills' cameo as Gus, the Theatre Cat, is exploitive but touching. (And you can see why they cut his character's "Growltiger's Last Stand:" he may not have been able to get through it, unfortunatly)
Having not seen this show on stage yet, I think this special is a pretty good substitute for it. Perhaps you will feel the same way.