MONSTERS, INC. / (2001) *** (out of four)
By Blake French:
When I was a kid, I imagined a world of monsters just like the one in "Monsters, Inc." I dreamed of a magical kingdom full of strange, menacing creatures. Creatures that waited anxiously for bedrooms to darken at night so they could jump out of closets and scare unsuspecting children. Alone in my darkened bedroom, surrounded by complete and utter silence, I heard lots of strange noises. When I noticed something unusual, like a sudden squeak or a shadow on the wall, it wasn't uncommon for me to pull the covers over my head. Heck, don't tell anybody, but I still do that today.
Children will remember the characters of this film long after they see it. Expect to hear comments about monsters in the closet weeks after they see it. But their remarks will not come out of terror, but out of pure joy. The Academy Award-winning creators of "Toy Story" give us a new, pleasing insight on monsters. It turns what was once a motif for terror into an imaginative realm of entertaining delight.
This computer animated production represents the most advanced technology of Disney and Pixar, the highly acclaimed team behind such family gems as "A Bug's Life," and "Toy Story 2." From its convincing depiction of monster fur, to the realistic shadowing, lighting, and movement, the filmmakers pay close attention to the even the slightest details.
The story revolves around a massive corporation where all kinds of monsters reside. It's called Monsters, Inc., the biggest scream processing factory in the monster world. Set in Monstropolis, the main power source of the city is the collected screams of human children. We meet a hairy blue creature named Sully (voiced by John Goodman), and his friend, roommate, and assistant, Mike (voiced by Billy Crystal). These guys are the best scream producers ever, much to the dismay of Randall Boggs (voiced by Steve Buscemi), a creepy, lizard monster who will stop at nothing to claim their coveted standing.
One day, Sully accidentally allows a human child to enter the monster world. To complicate matters, human children are said to be highly toxic to monsters and should be avoided at all costs. Sully quickly finds his career in jeopardy and his life in total chaos. When Mike enters the situation, the two uncover a scandal at Monsters, Inc. that will place their very lives in jeopardy.
"Monsters, Inc." works rather well until it introduces this annoying little girl as a plot device. I know I am being excessively critical here, and I know that my personal hatred for whiny, giggly, squirmy infants seized me over. Some audiences will find this character absolutely adorable, maybe even as the film's most distinguished. Though for me, this character almost destroyed the entire movie.
I understand the need for a child to enter Monstropolis, but why couldn't the film have had fun with the idea. Perhaps it could have used a child old enough to understand his circumstances, but young enough to delight in the wonder of his newly discovered world. Instead, the movie gives us a nonsensical plot in which the infant gets herself into one problematic situation after another.
This has worked before. In "Baby's Day Out" we laughed at the accidental irony of the situations. Here, the character gets herself into these situations. She becomes a nuisance even as she initially appears on screen. There is nothing innovative or creative with a young girl running in and out of rooms, yet "Monsters, Inc." insists it's funny. The film becomes a one-joke comedy. If you're old enough to cross the street by yourself, you're probably too sophisticated for this humor.
Despite this parasite of a character, "Monsters, Inc." still manages to come out of the one-joke routine and display a third act of climbing excitement, surprising twists, and entertaining action that will amuse children of all ages. If not for the pesky little girl, this movie might have been one of the most colorfully creative films of the year. All though it is not, "Monsters, Inc." does contain enough imagination and colorful images to warrant a trip to the multiplex.
But don't say I didn't warn you about the kids. During the screening I attended, jam-packed with children running all around and making noise, I had a little boy sitting behind me that kept kicking my seat. Now that's something I never want to see coming out of my closet.
By Blake French:
When I was a kid, I imagined a world of monsters just like the one in "Monsters, Inc." I dreamed of a magical kingdom full of strange, menacing creatures. Creatures that waited anxiously for bedrooms to darken at night so they could jump out of closets and scare unsuspecting children. Alone in my darkened bedroom, surrounded by complete and utter silence, I heard lots of strange noises. When I noticed something unusual, like a sudden squeak or a shadow on the wall, it wasn't uncommon for me to pull the covers over my head. Heck, don't tell anybody, but I still do that today.
Children will remember the characters of this film long after they see it. Expect to hear comments about monsters in the closet weeks after they see it. But their remarks will not come out of terror, but out of pure joy. The Academy Award-winning creators of "Toy Story" give us a new, pleasing insight on monsters. It turns what was once a motif for terror into an imaginative realm of entertaining delight.
This computer animated production represents the most advanced technology of Disney and Pixar, the highly acclaimed team behind such family gems as "A Bug's Life," and "Toy Story 2." From its convincing depiction of monster fur, to the realistic shadowing, lighting, and movement, the filmmakers pay close attention to the even the slightest details.
The story revolves around a massive corporation where all kinds of monsters reside. It's called Monsters, Inc., the biggest scream processing factory in the monster world. Set in Monstropolis, the main power source of the city is the collected screams of human children. We meet a hairy blue creature named Sully (voiced by John Goodman), and his friend, roommate, and assistant, Mike (voiced by Billy Crystal). These guys are the best scream producers ever, much to the dismay of Randall Boggs (voiced by Steve Buscemi), a creepy, lizard monster who will stop at nothing to claim their coveted standing.
One day, Sully accidentally allows a human child to enter the monster world. To complicate matters, human children are said to be highly toxic to monsters and should be avoided at all costs. Sully quickly finds his career in jeopardy and his life in total chaos. When Mike enters the situation, the two uncover a scandal at Monsters, Inc. that will place their very lives in jeopardy.
"Monsters, Inc." works rather well until it introduces this annoying little girl as a plot device. I know I am being excessively critical here, and I know that my personal hatred for whiny, giggly, squirmy infants seized me over. Some audiences will find this character absolutely adorable, maybe even as the film's most distinguished. Though for me, this character almost destroyed the entire movie.
I understand the need for a child to enter Monstropolis, but why couldn't the film have had fun with the idea. Perhaps it could have used a child old enough to understand his circumstances, but young enough to delight in the wonder of his newly discovered world. Instead, the movie gives us a nonsensical plot in which the infant gets herself into one problematic situation after another.
This has worked before. In "Baby's Day Out" we laughed at the accidental irony of the situations. Here, the character gets herself into these situations. She becomes a nuisance even as she initially appears on screen. There is nothing innovative or creative with a young girl running in and out of rooms, yet "Monsters, Inc." insists it's funny. The film becomes a one-joke comedy. If you're old enough to cross the street by yourself, you're probably too sophisticated for this humor.
Despite this parasite of a character, "Monsters, Inc." still manages to come out of the one-joke routine and display a third act of climbing excitement, surprising twists, and entertaining action that will amuse children of all ages. If not for the pesky little girl, this movie might have been one of the most colorfully creative films of the year. All though it is not, "Monsters, Inc." does contain enough imagination and colorful images to warrant a trip to the multiplex.
But don't say I didn't warn you about the kids. During the screening I attended, jam-packed with children running all around and making noise, I had a little boy sitting behind me that kept kicking my seat. Now that's something I never want to see coming out of my closet.