With the departure of the superb Homicide series last year, I did not expect to see another show that would be as dense with detail and as intelligently written again, never mind anytime soon. Well, it has aired only one episode so far, but Wonderland is a remarkable piece of work. The pace is faster than Homicide and the storylines are perhaps even edgier (given the setting is an urban psychiatric hospital, this was, I suppose, inevitable). It is great to see the remarkably talented Michelle Forbes working again. Ted Levine and Martin Donovan (remember Hal Hartly's Trust?) are two of the other fine actors who make up this talented ensemble cast. Like Homicide, the characters are multi-faceted, vulnerable and living on the edge in very stressful lives. The opening episode shows a central character who is pushed to an emotional breaking point by events that result in a reaction not unlike one of his patients. It is as if someone had seen Samuel Fuller's Shock Corridor and decided to make a Homicide style series out of it. If the first episode is an accurate indication, this series will be a keeper.
Review of Wonderland
Wonderland
(2000)
Shock Corridor meets Homicide in this superbly written, finely acted series.
31 March 2000