"Sidewalks of New York" feels like a retread of Ed Burns' earlier works. Once again we have a bunch of intermingling couples who do nothing but talk talk talk and obsess about relationships and their personal insecurities with them. When I first saw "The Brothers McMullen," I was surprised at how drawn into the story I was. But this story (as was also the case with "She's the One") seems way too similar to "McMullen." Things that were forgivable in that film are growing tired and distractive: Everyone meets in a classical "cute" way from the golden era of cinema. Everyone coincidentally runs into each other at the most convenient moment. Most of the characters are forgettable, and their relationships are not very believable. The film isn't very funny, and most of the running jokes fail. The film also doesn't live up to its title in that New York is shot in a most un-passionate, unflattering way--this better not appear on any list about the best films depicting New York. Burns puts alot of trust into improvisation, apparently telling his actors to just "roll with it." But he seems to feel that realism and improvisation can substitute for substance, and this is not true--many actors rant on and blurt out lines that don't feel genuine, almost forced by improvisation, when Burns should have just shouted "cut" and done a retake. The phony "interview" moments when the fictional characters speak to the camera, react to something offscreen, or ask if they should "start over" come off equally unnatural. Performances are bland for the most part, save Dennis Farina. Heather Graham comes off particularly bad, at one point I even thought I caught her fighting a smile, ready to bust out laughing during a "serious" scene.
Once again, we have a self-hating, self obsessed older male jerk who has an affair behind his insecure wife's back, we have a young idealistic kid who romances a girl with immediate promises of love and marriage, and again we have Ed Burns meeting someone by fighting over a material object--in "McMullen" it was an apartment, in "Sidewalks," it is a copy of "Breakfast at Tiffany's."
It's not that I hate this movie, its just that I see a lack of passion in it. It is almost as if Ed Burns doesn't trust his ability to move on, and that leaves us with total mediocrity. Grade: C-
Once again, we have a self-hating, self obsessed older male jerk who has an affair behind his insecure wife's back, we have a young idealistic kid who romances a girl with immediate promises of love and marriage, and again we have Ed Burns meeting someone by fighting over a material object--in "McMullen" it was an apartment, in "Sidewalks," it is a copy of "Breakfast at Tiffany's."
It's not that I hate this movie, its just that I see a lack of passion in it. It is almost as if Ed Burns doesn't trust his ability to move on, and that leaves us with total mediocrity. Grade: C-