Having not read the novel, I can't tell how faithful this film is. The story is typical mystery material: killer targets newlyweds; woman investigator falls in love with her partner and is diagnosed with a fatal disease. Yes, it sounds like a soap opera and that's exactly how it plays. The first 2/3 are dull, save for the murders and the last 1/3 makes a partial comeback as it picks up speed toward its twisty conclusion.
Acting is strictly sub par, though it's hard to blame the actors alone: the screenplay is atrocious. During the last 1/3 you stop noticing because the film actually becomes interesting, but that's only the last 1/3. Director Russell Mulcahy is very much in his element, but there's only so much he can do with a TV budget and the network censors on his back. He's pretty much limited to quick cutting and distorted lenses, though he managed to squeeze in a couple "under the floor" shots during the murders in the club restroom. Unfortunately, as this is made for TV, the cool compositional details he uses so well with a wider image are nowhere to be found. Note to producers: give this man a reasonable budget and an anamorphic lens when you hire him.
Summing it up: this film is bad by cinema standards and mediocre by TV standards(watch CSI, instead). If you're in the mood for a film like this, I've some excellent suggestions: pick up a copy of Dario Argento's "Deep Red"(my highest recommendation; superb film), "Opera", or even "Tenebre". They're stronger in every category.
Acting is strictly sub par, though it's hard to blame the actors alone: the screenplay is atrocious. During the last 1/3 you stop noticing because the film actually becomes interesting, but that's only the last 1/3. Director Russell Mulcahy is very much in his element, but there's only so much he can do with a TV budget and the network censors on his back. He's pretty much limited to quick cutting and distorted lenses, though he managed to squeeze in a couple "under the floor" shots during the murders in the club restroom. Unfortunately, as this is made for TV, the cool compositional details he uses so well with a wider image are nowhere to be found. Note to producers: give this man a reasonable budget and an anamorphic lens when you hire him.
Summing it up: this film is bad by cinema standards and mediocre by TV standards(watch CSI, instead). If you're in the mood for a film like this, I've some excellent suggestions: pick up a copy of Dario Argento's "Deep Red"(my highest recommendation; superb film), "Opera", or even "Tenebre". They're stronger in every category.