An interesting concept, though more conducive to late night coffee house musings and discussions than a feature length film treatment, provides a pleasant, if less than insightful vehicle for it's star, in `Life or Something Like It,' directed by Stephen Herek, wherein the oft reflected upon question, `What would you do if you found out you had only a week to live?' becomes a showcase for the beautiful and talented Angelina Jolie, albeit a rather vapid and shallow one. Still, it gets the job done, inasmuch as it is entertaining (to a point), has one interesting (though underused) character and will give die-hard Jolie fans, especially, something to revel in. The problem is that the late night ruminations the filmmakers begin about the meaning of life end long before the store closes, and anything `meaningful' that may have come of it is left on the table for another time and another movie. Suffice to say, this isn't Bergman; but then again, it wasn't meant to be.
Lanie Kerigan (Jolie) is a field reporter for a local television station in Seattle, a `personality' of the affiliate's news team, covering human interest stories and events in and around the Emerald City. She's engaged to Cal Cooper (Christian Kane), who plays ball for the Seattle Mariners, and all in all her life is nearly perfect. And it will be `absolutely' perfect if she lands the job she's just learned she's up for: A spot on the network's prestigious morning show, which originates from New York and is broadcast nationally. Yes, for Lanie, except for being teamed with an incorrigible (in her estimation) cameraman, Pete (Edward Burns), life is good. With her very next assignment, however, all of that is going to change.
His name is Jack (Tony Shalhoub); he's a homeless, self-professed `prophet' who lives in a makeshift cardboard box and is given to `visions' which enable him to predict such things as the score of the next Sea Hawks game, or if it is, in fact, going to hail in the morning, regardless of the weatherman's forecast. He's a colorful character, just right for a `Lanie' segment; but even before the actual interview begins, Jack tells Lanie two things: 1.) She's not going to get that job she so desperately wants, and 2.) come next Thursday (one week away) she is going to die. And just like that Lanie's life isn't so perfect anymore. She's about to take that long walk on a short pier...
To whip up this repast for his audience, director Herek manages to crack the egg and get it in the skillet, but he forgot to turn on the burner, so it never cooks; it just kind of lays there in the pan. It looks good, but how many people enjoy raw eggs? The screenplay (by John Scott Shepherd and Dana Stevens) lacks originality to begin with, and Herek shows little imagination in his handling of the story and the characters, so it never really comes to life, despite the efforts of Jolie. And from the information we're given, or even from what is implied about the relationship (past and present) between Lanie and Pete, the `romance'-- such as it is-- just doesn't fly, even within the parameters of `romantic comedy' (Is THAT what this is?). The biggest problem with the film, though, is that it fails to connect you emotionally with any of the characters; these just aren't people you care enough about to make it involving or maintain interest. Add to that the fact that, even though this is light fare, it simply lacks the credibility necessary to make it work. In the end, the audience would have been better served had Herek thrown in a couple more `yokes.'
The film suffers something of an identity crisis, and gets caught up in a dilemma of it's own making; just what is it trying to be? A romantic comedy? If so, it fails. Or is it striving to be a satirical exploration of a question perhaps too profound for the genre in which Herek is apparently working? In which case it also fails. It would have been much better for all concerned had the focus been on the relationship between Lanie and Jack the prophet, as THIS is where the real interest of the story lies. The myriad possibilities this afforded remained untapped, however, as the filmmakers opted for another route which, unfortunately, never made it to the Promised Land.
As far as showcasing Jolie, it does; but that is not to say that it presents her in the best possible light, the fault of which lies entirely with the inherent nature of the character. Lanie is just too career minded and self-absorbed to be a thoroughly engaging `personality,' and it dulls the sparkle of what could have been. Even her `epiphany' is not enough to make her star shine in this role. As Lanie, Jolie looks the part; she's beautiful, even alluring. But with this particular character, she seems to lose that edge, that intensity, that sparks her usual charismatic screen presence, which is absent here, as well. So even though this film is essentially a `showcase' for Jolie, it simply does not do her justice.
As for Edward Burns, can he dance? Because if they ever make `The Gene Kelly Story,' this is the guy. It's the timbre of his voice, so reminiscent of Kelly's (but it CAN be grating after awhile). Burns is a good actor, and he gives a solid performance here, but his character, Pete, even after his `personal' story comes to light, just isn't that interesting.
The saving grace of the entire film is Tony Shalhoub's portrayal of Jack, a character that will capture your imagination. The trouble is, you don't see enough of him, and it's a dreadful waste of a potentially great character and storyline; a dreadful waste of the magic that could have made `Life or Something Like It' a film to remember. 5/10.
Lanie Kerigan (Jolie) is a field reporter for a local television station in Seattle, a `personality' of the affiliate's news team, covering human interest stories and events in and around the Emerald City. She's engaged to Cal Cooper (Christian Kane), who plays ball for the Seattle Mariners, and all in all her life is nearly perfect. And it will be `absolutely' perfect if she lands the job she's just learned she's up for: A spot on the network's prestigious morning show, which originates from New York and is broadcast nationally. Yes, for Lanie, except for being teamed with an incorrigible (in her estimation) cameraman, Pete (Edward Burns), life is good. With her very next assignment, however, all of that is going to change.
His name is Jack (Tony Shalhoub); he's a homeless, self-professed `prophet' who lives in a makeshift cardboard box and is given to `visions' which enable him to predict such things as the score of the next Sea Hawks game, or if it is, in fact, going to hail in the morning, regardless of the weatherman's forecast. He's a colorful character, just right for a `Lanie' segment; but even before the actual interview begins, Jack tells Lanie two things: 1.) She's not going to get that job she so desperately wants, and 2.) come next Thursday (one week away) she is going to die. And just like that Lanie's life isn't so perfect anymore. She's about to take that long walk on a short pier...
To whip up this repast for his audience, director Herek manages to crack the egg and get it in the skillet, but he forgot to turn on the burner, so it never cooks; it just kind of lays there in the pan. It looks good, but how many people enjoy raw eggs? The screenplay (by John Scott Shepherd and Dana Stevens) lacks originality to begin with, and Herek shows little imagination in his handling of the story and the characters, so it never really comes to life, despite the efforts of Jolie. And from the information we're given, or even from what is implied about the relationship (past and present) between Lanie and Pete, the `romance'-- such as it is-- just doesn't fly, even within the parameters of `romantic comedy' (Is THAT what this is?). The biggest problem with the film, though, is that it fails to connect you emotionally with any of the characters; these just aren't people you care enough about to make it involving or maintain interest. Add to that the fact that, even though this is light fare, it simply lacks the credibility necessary to make it work. In the end, the audience would have been better served had Herek thrown in a couple more `yokes.'
The film suffers something of an identity crisis, and gets caught up in a dilemma of it's own making; just what is it trying to be? A romantic comedy? If so, it fails. Or is it striving to be a satirical exploration of a question perhaps too profound for the genre in which Herek is apparently working? In which case it also fails. It would have been much better for all concerned had the focus been on the relationship between Lanie and Jack the prophet, as THIS is where the real interest of the story lies. The myriad possibilities this afforded remained untapped, however, as the filmmakers opted for another route which, unfortunately, never made it to the Promised Land.
As far as showcasing Jolie, it does; but that is not to say that it presents her in the best possible light, the fault of which lies entirely with the inherent nature of the character. Lanie is just too career minded and self-absorbed to be a thoroughly engaging `personality,' and it dulls the sparkle of what could have been. Even her `epiphany' is not enough to make her star shine in this role. As Lanie, Jolie looks the part; she's beautiful, even alluring. But with this particular character, she seems to lose that edge, that intensity, that sparks her usual charismatic screen presence, which is absent here, as well. So even though this film is essentially a `showcase' for Jolie, it simply does not do her justice.
As for Edward Burns, can he dance? Because if they ever make `The Gene Kelly Story,' this is the guy. It's the timbre of his voice, so reminiscent of Kelly's (but it CAN be grating after awhile). Burns is a good actor, and he gives a solid performance here, but his character, Pete, even after his `personal' story comes to light, just isn't that interesting.
The saving grace of the entire film is Tony Shalhoub's portrayal of Jack, a character that will capture your imagination. The trouble is, you don't see enough of him, and it's a dreadful waste of a potentially great character and storyline; a dreadful waste of the magic that could have made `Life or Something Like It' a film to remember. 5/10.