Set in an Inuit settlement deep in the Arctic Circle, this film is about one problem in particular: evil. This film examines its origins and consequences. It also makes a profound assertion: that the way to get rid of evil is not with more evil, but with forgiveness.
Since all the action takes place within the physical and cultural confines of a Stone Age culture, one might think that the drama lacks emotional depth, vigor, or subtlety. On the contrary, perhaps it's because the movie is bereft of theatrical embellishments and stratagems, the problem comes all the more clearly into focus. Despite the wide cultural divide between the Postmodern world of the twenty first century and the primitive world of our hunter-gatherer forebears, we easily identify with the main characters: their hopes, fears, and ambitions. For that reason alone, Atanarjuat is a remarkable movie.
With respect to the problem of evil, however, what I really love about the film is its emotional complexity, which one wouldn't expect from a three-hour epic revolving around the daily lives of a Stone Age culture. On one level, there is the Shaman and his curse. It's part of the package that comes with the religious beliefs of the people. If one believes in the ability of dead ancestors to come and render assistance to the living, it's also possible for spirits to bring calamity and misfortune to the same. In this film, beliefs that for me are about as tangible as a ghost in a fog come alive.
On another level, Atanarjuat, like Hamlet, delves deep into the origins of evil within the human heart. Good old family values such as love, affection, greed, lust, and murder, come clearly into focus. We're left with judgments about what is right and wrong judgments that the clan reaches from within the internal logic of its own values but also with understanding.
Since all the action takes place within the physical and cultural confines of a Stone Age culture, one might think that the drama lacks emotional depth, vigor, or subtlety. On the contrary, perhaps it's because the movie is bereft of theatrical embellishments and stratagems, the problem comes all the more clearly into focus. Despite the wide cultural divide between the Postmodern world of the twenty first century and the primitive world of our hunter-gatherer forebears, we easily identify with the main characters: their hopes, fears, and ambitions. For that reason alone, Atanarjuat is a remarkable movie.
With respect to the problem of evil, however, what I really love about the film is its emotional complexity, which one wouldn't expect from a three-hour epic revolving around the daily lives of a Stone Age culture. On one level, there is the Shaman and his curse. It's part of the package that comes with the religious beliefs of the people. If one believes in the ability of dead ancestors to come and render assistance to the living, it's also possible for spirits to bring calamity and misfortune to the same. In this film, beliefs that for me are about as tangible as a ghost in a fog come alive.
On another level, Atanarjuat, like Hamlet, delves deep into the origins of evil within the human heart. Good old family values such as love, affection, greed, lust, and murder, come clearly into focus. We're left with judgments about what is right and wrong judgments that the clan reaches from within the internal logic of its own values but also with understanding.