Three quarters of this Porter portrait is like a musical tree, full of song and dance, with dramatic ornaments dangling cheerfully from its branches.
We're treated to a delightful roster of Cole's tunes and lyrics and, yes, they're delicious and delectable.
I particularly liked the spirit and spunk of the performers, and the way Director Irwin Winkler allowed the music to carry the day. He also kept the film moving with quick editing and scenic changes.
After Porter's riding accident and the decline of his spouse, Jay Cocks' script allows the drama more leeway, and the tone turns more poignant. Still, a few upbeat numbers are cleverly inserted in the latter part to balance things out.
Kevin Kline offers a heartfelt characterization of this beloved composer, and the entire production honors Porter's greatest asset--his absolutely marvelous musical creativity.
We in the audience tap our feet, hum some tunes, and applaud a most de-lovely film.
We're treated to a delightful roster of Cole's tunes and lyrics and, yes, they're delicious and delectable.
I particularly liked the spirit and spunk of the performers, and the way Director Irwin Winkler allowed the music to carry the day. He also kept the film moving with quick editing and scenic changes.
After Porter's riding accident and the decline of his spouse, Jay Cocks' script allows the drama more leeway, and the tone turns more poignant. Still, a few upbeat numbers are cleverly inserted in the latter part to balance things out.
Kevin Kline offers a heartfelt characterization of this beloved composer, and the entire production honors Porter's greatest asset--his absolutely marvelous musical creativity.
We in the audience tap our feet, hum some tunes, and applaud a most de-lovely film.